收获与播种

Récoltes et Semailles
亚历山大·格罗滕迪克 (Alexandre Grothendieck) · 1986
目录 Contents
Presentation of the Themes or PRELUDE IN FOUR PARTS — p.9
1. By way of a foreword — p.9
2. A walk through a life's work, or the child and the Mother — p.13
  2.1 The magic of things — p.13
  2.2 The importance of being alone — p.16
  2.3 The inner journey - or myth and testimony — p.18
  2.4 The painting of mores — p.20
  2.5 The heirs and the builders — p.21
  2.6 Viewpoint and vision — p.24
  2.7 The "great idea" - or the trees and the forest — p.26
  2.8 The vision - or twelve themes for a harmony — p.28
  2.9 Form and structure - or the way of things — p.32
  2.10 The novel geometry - or the marriage of number and size — p.34
  2.11 The magical fan - or the innocence — p.36
  2.12 Topology - or surveying through the mist — p.38
  2.13 Topoi - or the double bed — p.41
  2.14 Mutation of the notion of space - or breath and faith — p.43
  2.15 All of the king's horses... — p.45
  2.16 Motives - or the heart within the heart — p.46
  2.17 Toward the discovery of the Mother - or the two sides — p.50
  2.18 The child and the Mother — p.53
  Epilogue: the invisible Circles — p.54
  2.19 Death is my cradle (or three toddlers for one moribund) — p.54
  2.20 A look at the next-door neighbors — p.56
  2.21 "The unique" - or the gift of solitude — p.60
3. A letter — p.65
  3.1 The one-thousand page letter — p.65
  3.2 Birth of Récoltes et Semailles (a lightning fast retrospective) — p.66
  3.3 The death of the boss - or abandoned construction sites — p.68
  3.4 A wind of burial... — p.72
  3.5 The journey — p.76
  3.6 The obscure side - or creation and disdain — p.78
  3.7 Respect and fortitude — p.81
  3.8 "My close acquaintances" - or connivance — p.83
  3.9 The plunder — p.87
  3.10 Four waves in one movement — p.89
  3.11 Movement and structure — p.93
  3.12 Spontaneity and rigor — p.96
  Epilogue in postscript - or context and preliminaries to the debate — p.98
  3.13 The bottle spectrograph — p.98
  3.14 Three feet in a single dish — p.99
  3.15 Gangrene - or the spirit of our times (1) — p.103
  3.16 Honorable amend - or the spirit of our times (2) — p.105
I First part: Fatuity and Renewal — p.109
II Second part: The Burial (I) - or the Robe of the Emperor of China — p.111
III Third part: The Burial (II) - or the Key to the Yin and the Yang — p.193
IV Fourth part: The Burial (III) - or the Four Operas — p.201
主题呈现:四部分前奏 — 第9页
1. 前言 — 第9页
2. 漫步一生的工作,或孩子与母亲 — 第13页
  2.1 万物的魔力 — 第13页
  2.2 独处的重要性 — 第16页
  2.3 内在之旅——神话与见证 — 第18页
  2.4 风俗画卷 — 第20页
  2.5 继承者与建造者 — 第21页
  2.6 视点与视野 — 第24页
  2.7 "伟大的想法"——树木与森林 — 第26页
  2.8 视野——一首和声的十二个主题 — 第28页
  2.9 形式与结构——万物之道 — 第32页
  2.10 新几何——数与量的结合 — 第34页
  2.11 魔法之扇——纯真 — 第36页
  2.12 拓扑学——雾中勘测 — 第38页
  2.13 拓扑斯——双人床 — 第41页
  2.14 空间概念的突变——呼吸与信念 — 第43页
  2.15 国王的所有马匹…… — 第45页
  2.16 动机——心中之心 — 第46页
  2.17 走向母亲的发现——两面 — 第50页
  2.18 孩子与母亲 — 第53页
  尾声:无形的圈子 — 第54页
  2.19 死亡是我的摇篮(或一个垂死之人的三个幼童)— 第54页
  2.20 看看隔壁邻居 — 第56页
  2.21 "独一者"——孤独的馈赠 — 第60页
3. 一封信 — 第65页
  3.1 千页长信 — 第65页
  3.2 《收获与播种》的诞生(闪电般的回顾)— 第66页
  3.3 老板之死——或废弃的工地 — 第68页
  3.4 一阵埋葬之风…… — 第72页
  3.5 旅程 — 第76页
  3.6 晦暗的一面——创造与轻蔑 — 第78页
  3.7 尊重与坚韧 — 第81页
  3.8 "我的熟人"——或默契 — 第83页
  3.9 掠夺 — 第87页
  3.10 一股运动中的四波浪潮 — 第89页
  3.11 运动与结构 — 第93页
  3.12 自发性与严谨性 — 第96页
  后记中的尾声——辩论的背景与前奏 — 第98页
  3.13 瓶子光谱仪 — 第98页
  3.14 一盘三足 — 第99页
  3.15 坏疽——或我们时代的精神 (1) — 第103页
  3.16 体面的修正——或我们时代的精神 (2) — 第105页
第一部分:虚妄与更新 — 第109页
第二部分:埋葬 (I)——或中国皇帝的黄袍 — 第111页
第三部分:埋葬 (II)——或阴阳之钥 — 第193页
第四部分:埋葬 (III)——或四部歌剧 — 第201页
第一章 前言
Chapter 1: By way of a foreword
p. A1 · 1986年1月30日
All that was left to write was the foreword, in order for Récoltes et Semailles to be given to the publisher. And I swear that I went into it with all the will in the world to write something suitable. Something reasonable this time. No more than three or four pages, carefully phrased, that would introduce this huge tome of more than one thousand pages. Something which "grabs" the attention of the jaded reader, which perhaps suggests that in these frightening "more than a thousand pages", there could be things of interest to him (or things which concern him, who knows?). It is not really my style to pander. But I was ready to make an exception for once! The "publisher crazy enough to give it a shot" (to publish this visibly unpublishable monster) had to make ends meet one way or another.
只剩前言还没写,写完《收获与播种》就可以交给出版商了。我发誓,我是全心全意想写点像样的东西的。这次要写得合理些。三四页就够了,措辞谨慎,用来介绍这本一千多页的皇皇巨著。要能"抓住"疲惫读者的注意力,也许能让人觉得,在这吓人的"一千多页"里,或许有他感兴趣的东西(或者跟他有关的东西,谁知道呢?)。迎合他人不是我的风格。但这一次我准备破例!那个"疯到敢试一试"的出版商(出版这个显然没法出版的怪物)总得想办法维持生计。
But then, it didn't come. And yet I tried my best. And not only for an afternoon, as I originally planned. Tomorrow will mark three weeks since I started, since the sheets began accumulating. What came, for sure, isn't what one could decently call a "foreword". It is yet another miss! Blame it on my old age - I have never been a salesman. Even when it comes to pleasing (oneself or friends...).
可是,前言就是写不出来。然而我已经尽力了。而且不止是我原本计划的一个下午。明天就是我开始写的第三周了,稿子一页页堆起来。写出来的东西,实在称不上是"前言"。又是一次失败!怪我年纪大了吧——我从来不是个会推销的人。哪怕是要讨好(自己或朋友……)。
What came instead is a sort of long "Walk" with commentary, through my work as a mathematician. A Walk intended mostly for the "layman" - he who "never understood anything about math". And for myself as well, having never indulged in such a Walk. Step by step, I found myself unearthing and saying things that had previously remained unspoken. As if by chance, these are also things which I feel are most essential, both in my practice and its outcome. They are things which are not technical in nature.
写出来的反而是一段带着注解的漫长"漫步",穿行于我作为数学家的工作之中。这段漫步主要是为"外行人"准备的——那些"从来不懂数学"的人。也是为我自己准备的,因为我从来没有这样漫步过。一步一步地,我发现自己在发掘、说出那些以前从未说出口的事情。仿佛是巧合,这些也正是我觉得在我的实践及其成果中最本质的东西。这些东西本质上不是技术性的。
It will be up to you to decide whether or not I succeeded in my naive enterprise to "get the message through" - an enterprise which surely is also a bit mad. My satisfaction and my pleasure will come from making you feel these things. Things that many of my wise colleagues do not feel anymore. Maybe they have become too wise and too prestigious. This often leads to losing touch with the simplest and most essential things.
能不能"把信息传达清楚",我这份天真的尝试(肯定也有点疯狂)算不算成功,就由你来判断了。我的满足和快乐将来自让你感受到这些东西。那些我的许多聪明同事已经不再感受得到的东西。也许他们变得太聪明、太有名望了。这往往会让人失去与最简单、最本质事物的联系。
p. A2 · 第10页
During this "Walk through a body of work" I also speak of my life. As well as, here and there, what Récoltes et Semailles is about. I mention this in more detail in the "Letter" (dated from May of last year) which follows the "Walk". This Letter was directed towards my previous students and to my "old friends" in the mathematical community. But even the Letter is not technical in nature. It can be read by any reader interested in learning through a "heartfelt" narrative, the odds and ends that led me to writing Récoltes et Semailles. Even more than the Walk, the Letter will provide a preview to a particular atmosphere in the "prestigious mathematical world". And also (just as in the Walk) of my writing style, as peculiar as it may seem, and of the spirit that is expressed through this style - a spirit which is not universally appreciated.
在这段"漫步一生工作"的过程中,我也谈到了我的人生。也时不时谈到《收获与播种》是关于什么的。我在"漫步"之后的那封"信"(写于去年五月)里更详细地提到了这些。这封信是写给我以前的学生和数学界的"老朋友们"的。但即使是这封信,本质上也不是技术性的。任何有兴趣通过"发自内心"的叙述来了解那些引导我写出《收获与播种》的零零碎碎的事情的读者,都可以读懂它。比漫步更进一步,这封信将让人一窥"名望卓著的数学界"里某种特有的氛围。也(就像在漫步中一样)展现了我的写作风格,尽管看起来很古怪,以及通过这种风格表达出来的精神——一种并非所有人都欣赏的精神。
In the Walk and throughout Récoltes et Semailles, I speak of the activity of doing mathematics. It is an activity for which I have first-hand experience and know very well. Most of the things I say about it can surely be said of any kind of creative work, or work involving discovery. In any case it is true of all "intellectual" work, that which is done using the "brain" and in writing. All such work proceeds through the outbreak and development of an understanding of the things which are being probed. But to take an example at the opposite extreme, romantic passion is also an activity of discovery. It opens us to understanding of a "physical" nature which also renews itself, develops, and deepens over time. Both of these impulses - that which, say, livens the mathematician at work and that of the lover - are much closer in nature than we generally assume or we readily admit. I hope that the pages of Récoltes et Semailles will make you feel this impulse in your work and in your daily life.
在漫步中以及整部《收获与播种》里,我谈到做数学这件事。这是我有第一手经验、非常了解的活动。我谈到的大部分内容,当然也适用于任何创造性工作,或涉及发现的工作。无论如何,它适用于所有"智力"工作,即那些用"大脑"做的、以文字形式呈现的工作。所有这类工作都是通过对所探究事物的理解的爆发和发展来推进的。但举一个相反极端的例子,浪漫激情也是一种发现活动。它让我们理解一种"身体的"本性,这种本性也会随时间更新、发展和深化。这两种冲动——比如,让工作中的数学家充满活力的那种,和让爱人生机勃勃的那种——在本质上比我们通常认为或愿意承认的要接近得多。我希望《收获与播种》的书页能让你在你的工作和日常生活中感受到这种冲动。
Most of the Walk focuses on mathematical work itself. I remain mostly silent concerning the context in which this work takes place, and concerning the motivations at play outside of mathematical work itself. This risks giving me, or the mathematician, or the "scientist" in general a flattering but deformed image. In the style of "grand and noble passion" without any form of rectification. In accordance with the great "Myth" of Science (with a capital S, if you will!). The heroic myth, "promethean", to which writers and thinkers have succumbed (and continue to succumb). Only historians, maybe, manage to sometimes resist this tantalizing myth.
漫步的大部分内容聚焦于数学工作本身。对于这项工作发生的背景,以及数学工作本身之外发挥作用的动机,我大多保持沉默。这有可能给我,或者说给数学家,或者一般的"科学家",塑造一个讨人喜欢但扭曲的形象。以"宏大而崇高的激情"的风格,没有任何形式的修正。按照科学(大写的S,如果你愿意的话!)的伟大"神话"。那个英雄的、"普罗米修斯式"的神话,作家和思想家们已经屈服于它(并继续屈服)。也许只有历史学家,有时才能抵挡住这个诱人的神话。
The truth is, within the motivation of these "scientists", which sometimes lead them to devote themselves entirely to their work, ambition and vanity play a role just as important and universal as they do in any other profession. This phenomenon appears in blunt or subtle ways depending on the person - and I am no exception to this pattern. The reading of my testimony will hopefully leave no doubt about this fact.
事实是,在这些"科学家"的动机中——有时这些动机让他们全身心投入工作——野心和虚荣心所起的作用,和在任何其他职业中一样重要和普遍。这种现象以直白或微妙的方式表现出来,因人而异——我也不例外。希望读了我的见证之后,这个事实不会再有任何疑问。
p. A3 · 第11页
It is true also that even the most intense ambitions are powerless at discovering or proving a novel mathematical statement - just as they are powerless (for instance) to "make one hard" (in the proper sense of the term). Whether man or woman, what "makes one hard" is not ambition, nor the desire to shine, to exhibit power, of a sexual nature in this case - quite the contrary! It is the acute perception of something strong, at once very real and very delicate. One could call it "beauty", though this is one of a thousand faces of this thing. Being ambitious doesn't prevent one from sensing the beauty of a being or a thing. But it is not ambition which makes us feel it...
同样真实的是,即使是最强烈的野心,在发现或证明一个新的数学命题时也无能为力——就像它们(比如)在"让人硬起来"(按这个词的本意来说)时也无能为力一样。无论是男人还是女人,让人"硬起来"的不是野心,也不是想要闪耀、展示力量的欲望——这里说的是性方面的——恰恰相反!它是对某种强烈事物的敏锐感知,既非常真实又非常精致。可以称之为"美",尽管这只是这种事物的千张面孔之一。有野心并不妨碍人感受到一个存在或一件事物的美。但让我们感受到它的,不是野心……
The person that first discovered and mastered fire was somebody just like you and me. Not at all what we refer to as "hero", or "demi-god", and so on. Surely, just like you and me, he has encountered the grip of anxiety as well as the time-worn remedy of vanity which alleviates the grip. At the instant at which he "knew" fire, there was no fear nor vanity. Such is the truth in the heroic myth. The myth becomes insipid when it is used to disguise another aspect of things which is just as real and essential.
第一个发现并掌握火的人,是和你我一样的人。完全不是我们所说的"英雄"或"半神"之类的。当然,就像你我一样,他也遭遇过焦虑的控制,以及虚荣心这个缓解焦虑的古老药方。在他"认识"火的那一刻,既没有恐惧也没有虚荣。这就是英雄神话中的真相。当神话被用来掩盖事物的另一个同样真实和本质的方面时,它就变得乏味了。
My aim in Récoltes et Semailles has been to address both aspects of the myth - that of the impulse towards understanding, and that of fear and its vain antidotes. I believe I "understand", or at least know this impulse and its origin (or perhaps one day I will discover to what extent I was deluded). But concerning fear and vanity, as well as the resulting insidious creativity blocks, I know that I have yet to thoroughly uncover this great enigma. And who knows if I will ever reach the conclusion of this mystery in the year I have left...
我写《收获与播种》的目的,就是要面对神话的这两个方面——走向理解的冲动,以及恐惧及其虚荣的解药。我相信我"理解",或者至少了解这种冲动及其起源(或者也许有一天我会发现我被迷惑到了什么程度)。但关于恐惧和虚荣心,以及由此产生的隐蔽的创造力障碍,我知道我还没有彻底揭开这个巨大的谜团。谁知道在我剩下的岁月里,我是否能解开这个谜的结论呢……
As I was writing Récoltes et Semailles two images emerged in order to represent the two aspects of the human journey: that of the child (aka the worker), and that of the boss. In the Work which we are about to undertake, we will be dealing mostly with the "child". It is him also that is featured in the subtitle "The Child and the Mother". The motivation for this name will hopefully become clear over the course of this work.
在我写《收获与播种》的时候,浮现出两个意象来代表人类旅程的两个方面:孩子(也就是工作者)的意象,和老板的意象。在我们即将开始的工作中,我们主要面对的是"孩子"。副标题"孩子与母亲"中的主角也是他。希望这个名字的动机能在本书的过程中逐渐清晰。
p. A4 · 第12页
In the remainder of this reflection, however, it is the Boss who takes the lead. He is living up to his name! It would be more accurate to speak of multiple bosses of competing enterprises rather than of a singular boss. But it is also true that all bosses essentially resemble one another. And once we mention bosses it is implied that we will also have to deal with "villains". In part I of the reflection (named "Fatuity and Renewal", which follows the present introductory section). I mostly take on the role of the "villain". In the following three parts it is mostly the "others". Chacun son Tour! That is to say that, in addition to philosophical reflections and "confessions" (not contrite), there will be "vitriolic portraits" (to use the expression of one of my colleagues who found himself tormented). Not to mention large-scale, well-oiled "operations".
然而,在接下来的反思中,占主导地位的是老板。他名副其实!更准确的说法是,有多个互相竞争的企业老板,而不是一个单一的老板。但所有老板本质上都是彼此相似的,这也是真的。一旦我们提到老板,就意味着我们还要面对"反派"。在反思的第一部分(名为"虚妄与更新",紧接在本导论之后),我主要扮演"反派"的角色。在接下来的三个部分里,主要是"其他人"。每个人轮一圈!也就是说,除了哲学反思和"忏悔"(不是悔恨的)之外,还会有"尖刻的肖像画"(用我的一位被折磨到的同事的话来说)。更不用说大规模、运转良好的"行动"了。
Robert Jaulin assured me (half jokingly) that in Récoltes et Semailles I was making the "ethnology of the mathematical community" (or maybe the sociology I do not quite remember). It is flattering of course to learn that one has been (unknowingly) doing scholarly things! It is true that during the "investigation" segment of the reflection, I saw in passing, in the pages I was writing, a good chunk of the mathematical establishment without counting a number of my colleagues and friends of more modest status.
罗伯特·若兰(半开玩笑地)向我保证,在《收获与播种》里,我是在做"数学界的民族学"(或者是社会学,我不太记得了)。得知自己一直在(不知不觉地)做学术工作,当然是很受宠若惊的!确实,在反思的"调查"部分,我在写的书页里,顺带看到了数学建制的很大一部分,更不用说还有一些地位不那么高的同事和朋友了。
Over the past few months, since I have been sending preliminary versions of Récoltes et Semailles this has been "brought up" again. My testimony arrived like a tome landing in a pond. There were responses of every kind (except for boredom...). Yet almost every time the response was far from what I expected. There was also a lot of silence, which speaks volumes. Visibly, I had (and still have) a lot to learn about what happens in people's minds, among my previous students and other colleagues - excuse me I meant about "the sociology of the mathematical milieu"! To all those that contributed to the great sociological work of my old days, I would like to express sincere recognition.
在过去几个月里,自从我开始寄送《收获与播种》的初稿版本以来,这一点又被"提起来"了。我的见证像一本大书掉进池塘一样。有各种各样的反应(除了无聊……)。然而几乎每次反应都远不是我所预期的。也有很多沉默,这意味深长。显然,我(现在仍然)有很多东西要学,关于我的前学生和其他同事们心里在想什么——抱歉,我是说关于"数学界的社会学"!对于所有那些为我旧日伟大的社会学工作做出贡献的人,我想表达真诚的感谢。
p. A5 · 第12页续
Of course, I was particularly sensitive to warm responses. There were also some rare colleagues who conveyed a sentiment (thus far unexpressed) of crisis, or of degradation of the inner workings of the mathematical milieu with which they identify themselves.
当然,我对温暖的回应特别敏感。也有一些稀有的同事,他们传达出一种(至今未表达过的)危机感,或者是他们所认同的数学界内部运作方式的堕落感。
Outside of this milieu, among the very first to respond positively to my testimony, I would like to recognize Sylvie et Catherine Chevalley, Robert Jaulin, Stéphane Deligeorge, Christian Bourgois. If Récoltes et Semailles achieves a wider diffusion than that of the initial printing (addressed to a very limited social circle of people), it is mostly thanks to them. Thanks mostly to them communicating their conviction that what I strived to seize and say had to be said. And that it could have an audience outside of my colleagues (who are often sullen, sometimes even belligerent, and strictly opposed to question their position...). Indeed Christian Bourgois did not hesitate to risk publishing the unpublishable, and Stéphane Deligeorge did not hesitate to place my indigestible testimony alongside works of Newton, Cuivier, and Arago (I could not ask for better company). To each of them, for their repeated expressions of sympathy and trust, intervening at an especially sensitive moment, I happily extend all my gratitude.
在这个圈子之外,在最早积极回应我的见证的人当中,我要感谢西尔维·谢瓦莱和卡特琳·谢瓦莱、罗伯特·若兰、斯特凡·德利热尔、克里斯蒂安·布尔古瓦。如果《收获与播种》能比最初的印刷版(寄给一个非常有限的社交圈)传播得更广,那主要要归功于他们。主要归功于他们传达了他们的信念:我努力抓住和说出的东西,必须被说出来。而且在我的同事们之外,它可以有读者(我的同事们常常闷闷不乐,有时甚至好斗,而且坚决反对质疑他们的立场……)。确实,克里斯蒂安·布尔古瓦毫不犹豫地冒险出版这本不能出版的书,斯特凡·德利热尔也毫不犹豫地把我那难以消化的见证放在牛顿、居维叶和阿拉戈的著作旁边(我不能要求更好的同伴了)。对于他们每一个人,在特别敏感的时刻一再表达同情和信任,我由衷地表达我全部的感激。
And here we are at the beginning of a Walk through a life's work, serving as a prelude to a journey through a lifetime. A long journey, over a thousand pages long, each of which is densely packed. I spent a lifetime undergoing this journey without ever exhausting it, and it then took me more than a year to rediscover it, one page at a time. Words were sometimes hard to come by, as they were intended to convey an experience which evaded comprehension - just as ripe grapes stacked in a press occasionally seem to evade the force upon them... But even in those moments when words come flooding, it is not by happenstance. Each word has been carefully weighed in passing, or after the fact.
现在我们来到了漫步一生工作的起点,作为穿越一生旅程的前奏。一段漫长的旅程,一千多页长,每一页都密密麻麻。我花了一辈子经历这段旅程,却从未穷尽它,然后我又花了一年多时间一页一页地重新发现它。有时候文字很难找到,因为它们要传达的是一种逃避理解的经验——就像堆在压榨机里的成熟葡萄偶尔会逃避施加在它们身上的力量……但即使在那些文字如潮水般涌来的时刻,也不是偶然的。每一个词都经过了仔细斟酌,无论是当时还是事后。
p. A6 · 第12页续
Thus, this reflection/testimony/journey is not meant to be read hastily, in a day or in a month, by a reader rushed to reach the final word. There is no "final word", no "conclusion" in Récoltes et Semailles, no more than there are any such things in my life or in yours. There is only a wine, aged over the course of a lifetime, at the core of my being. The last glass which you will be drinking will be no better nor worse than the first or the hundredth. They are all "the same", and they are all different. And if the first glass is spoiled, so is the rest of the barrel; it is better to drink fresh water (if such can be found), than to drink bad wine. But a good wine ought not to be drunk in haste, nor expeditiously.
因此,这部反思/见证/旅程,不是为那些急于读到最后一句话的读者准备的,不是要在一天或一个月里匆匆读完的。《收获与播种》里没有"最后的话",没有"结论",就像我的生活或你的生活里也没有这些东西一样。只有一种酒,在我的存在核心里,经过了一生的陈酿。你将要喝的最后一杯,不会比第一杯或第一百杯更好或更差。它们都是"同一杯",又都是不同的。如果第一杯就坏了,那桶里剩下的也都坏了;喝淡水(如果能找到的话)比喝坏酒好。但好酒不应该匆匆忙忙地喝,也不应该一口喝完。
第二章 漫步一生的工作,或孩子与母亲
Chapter 2: A walk through a life's work, or the child and the Mother
p. P1 · 1986年1月 · 第13页
2.1 万物的魔力 The magic of things
When I was little I liked going to school. The same teacher taught us reading, writing, arithmetic, singing (he accompanied us with a small violin), and he even told us about prehistoric men and the discovery of fire. I do not ever recall being bored at school during those days. There was the magic of numbers, that of words, of signs, and of sounds. That of rhymes as well, through songs and small poems. There seemed to be, within rhymes, a mystery which extended beyond words. I believed this until the day somebody told me that there was a simple "trick" to it; that rhyme was simply when one ends two consecutive spoken movements by the same syllable, so that, as if by magic, these phrases became verses. It was a revelation! At home, where I found a good audience, for weeks or months on end, I amused myself by making verses. At one point, I even started exclusively speaking in rhymes. That period has passed, fortunately. Yet even to this day, I still sometimes write poems - but without trying to force the rhyme, if it doesn't seem to come by itself.
我小时候喜欢上学。同一位老师教我们阅读、写作、算术、唱歌(他用一把小提琴为我们伴奏),他甚至还给我们讲史前人类和火的发现。我不记得那些日子里在学校有过无聊。那里有数字的魔力,文字的魔力,符号的魔力,声音的魔力。还有韵律的魔力,通过歌曲和小诗。韵律之中似乎有一种超越文字的神秘。我一直这样相信,直到有一天有人告诉我,这背后有一个简单的"诀窍";押韵只不过是用同一个音节结束连续的两次说话,于是,像变魔术一样,这些短语就变成了诗句。这真是个大发现!在家里,我找到了很好的听众,连续几周甚至几个月,我都以写诗自娱。有一阵子,我甚至开始完全用押韵的方式说话。幸好那段时期已经过去了。但直到今天,我有时仍然写诗——不过不强行押韵,如果韵律不自然到来的话。
On another occasion an older friend, who was already in high school taught me about negative numbers. It was also a fun game, although I rapidly exhausted it. And then there were crosswords - I spent days and weeks constructing them, ever more interwoven. Within that game the magic of form, that of signs, and that of words found themselves combined. But even that passion subsided without leaving a trace.
还有一次,一个已经上高中的大朋友教我负数。那也是一个有趣的游戏,虽然我很快就玩腻了。然后是填字游戏——我花了几天甚至几周的时间来构建它们,越来越错综复杂。在这个游戏里,形式的魔力、符号的魔力和文字的魔力结合在了一起。但即使是那种热情,也没有留下任何痕迹地消退了。
During my high school years, the first of which took place in Germany and the others in France, I was a good student without quite being the "star student". I devoted myself without restraint to the courses which I cared most about, and tended to neglect the others, without really caring for the impression I made on my "prof". During my first year of high school in France, in 1940, I was interned at a concentration camp with my mother at Rieucros, near Mende. It was wartime, and we were foreigners - "undesirables", as they said. But the administration of the camp turned a blind eye towards the kids, however undesirable they may be. We came and went as we pleased. I was the oldest, and the only one to go to high school. It was a four or five kilometers long walk, often in rainy and windy weather, wearing makeshift shoes that always got wet.
在我的高中岁月里,第一年在德国,其余在法国,我是个好学生,但算不上"明星学生"。我毫无保留地投入我最感兴趣的课程,而倾向于忽略其他课程,并不真正在意我给"教授"留下的印象。1940年,我在法国上高中的第一年,我和母亲被拘留在内兹附近的里厄克罗斯集中营。那是战争时期,我们是外国人——"不受欢迎的人",他们这样说。但集中营的管理层对孩子们睁一只眼闭一只眼,不管他们多么不受欢迎。我们想来就来,想走就走。我是最大的孩子,也是唯一一个上高中的。要走四五公里的路,经常是风雨交加的天气,穿着临时凑合的鞋子,总是湿透。
p. P2 · 第14页
I still remember my first "math examination", in which the teacher gave me a bad grade, for my proof of one of the "three cases of equality of triangles". My proof wasn't exactly that of the book, which he followed religiously. Yet, I knew very well that my proof was no less convincing than that of the book which I followed in spirit, through repeated invocation of the traditional "we slide this figure in such and such a way onto that figure". Visibly, this teacher did not feel capable of judging things (namely, the validity of my reasoning) on his own. He had to report to a higher authority, that of a book in this case. Since I still remember this incident, I must have been stricken by such dispositions. In the years that followed, I have been presented with more than enough evidence to realize that such dispositions are far from exceptional - rather, they are the quasi-universal norm. There is a lot to be said on this subject - one which I approach more than once from various angles in Récoltes et Semailles. Somehow, to this day, I find myself invariably taken aback whenever I am confronted with such behavior...
我仍然记得我的第一次"数学考试",老师因为我证明"三角形全等的三种情况"之一给了我一个低分。我的证明不完全是书上的那种,而他是虔诚地照着书来的。然而,我很清楚我的证明并不比书上的缺乏说服力,我在精神上遵循了书的思路,反复引用传统的"我们把这个图形以这样那样的方式滑到那个图形上"。显然,这位老师不觉得自己有能力独立判断事情(也就是我推理的有效性)。他必须向上级权威报告,这里的上级权威就是一本书。既然我还记得这件事,那我一定是被这种态度震撼到了。在接下来的几年里,我看到了足够多的证据,意识到这种态度远非例外——相反,它们几乎是普遍的常态。关于这个主题有很多可说的——我在《收获与播种》中不止一次从不同角度探讨它。不知怎么的,直到今天,每当我面对这种行为时,我还是会感到吃惊……
During the last few years of the war, while my mother was still interned at the camp, I lived in a youth refugee house called "Secours Suisse", in Chambon sur Lignon. Most of us were jewish, and when we were told (by the local police) that there would be raids by the Gestapo, we went to hide in the woods for a night or two, in small groups of no less than 3, without quite realizing that our life was on the line. The region was filled with jews hiding in Cévenol country, and many of us survived thanks to the solidarity of the local population.
在战争的最后几年里,当我母亲还被关在集中营的时候,我住在一个叫"瑞士救助"的青年难民营里,在利尼翁河畔尚邦。我们大多数人都是犹太人,当(当地警察)告诉我们盖世太保要来搜查时,我们就分成不少于三人的小组到树林里躲上一两夜,并没有完全意识到我们的生命危在旦夕。这个地区到处都是躲在塞文山区的犹太人,我们中的许多人多亏了当地民众的团结才活了下来。
What struck me most about "Collège Cévenol" (where I was raised), was the extent to which my peers were disinterested in learning. As for myself, I devoured our textbooks at the beginning of the school year, thinking that this time around, we would finally learn truly interesting things; and for the rest of the year I utilized my time as best as I could while classes dragged along inexorably one trimester at a time. Yet we had some wonderful professors. The natural history professor teacher, mister Friedel, was a person with remarkable intellectual and social qualities. However, as he lacked authority, the class was acting out of control, to the extent that it became impossible to hear what he had to say, as his voice was lost in the hurly-burly. This may be the reason I haven't become a biologist!
关于我成长的"塞文中学",最让我吃惊的是我的同龄人对学习的冷漠程度。至于我自己,我在学年开始时就如饥似渴地读完了课本,以为这一次我们终于要学真正有趣的东西了;而在这一年剩下的时间里,我尽我所能利用时间,而课程则无情地一学期一学期地拖着。然而我们有一些很棒的教授。自然史教授弗里德尔先生,是一个有着非凡智力和社会品质的人。但是,由于他缺乏权威,课堂失去了控制,以至于不可能听到他要说什么,他的声音淹没在喧嚣中。这也许就是我没有成为生物学家的原因!
p. P3 · 第15页
I spent a fair amount of time, including class time (shh...), solving math problems. The ones in the book soon became insufficient. Perhaps it was because they tended to resemble one another after a while; but mostly, I believe, because they seemed to come out of the blue à la queue-leue-leue, with no indication as to where they came from or where they're going. These were the books problems, not mine. And yet, natural questions were plentiful. For instance, once the three side lengths a, b, and c of a triangle are known, so that the triangle itself is known (up to its position), there has to be an explicit "formula" that expresses the area of the triangle as a function of a, b, and c. Likewise, for a tetrahedron of which the six side lengths are known - what is the volume? I struggled through that one for a bit, but I must have gotten there eventually. In any case, when a problem "grabbed me", I did not count the hours or days that I spent working on it, even if it meant losing track of everything else! (And such remains the case to this day...)
我花了相当多的时间,包括上课时间(嘘……),解数学题。书上的题很快就不够了。也许是因为过一阵子它们就变得彼此相似了;但我相信主要是因为它们似乎是凭空冒出来的,一个接一个,没有任何线索说明它们从哪里来,要到哪里去。这些是书上的问题,不是我的。然而,自然的问题是很多的。例如,一旦三角形的三条边a、b、c已知,三角形本身就已知了(在确定其位置的意义上),那就必须有一个明确的"公式",把三角形的面积表示为a、b、c的函数。同样,对于一个六条边都已知的四面体——体积是多少?我在这个问题上挣扎了一阵子,但我最终一定是解决了。无论如何,当一个问题"抓住"我时,我不计较花了多少小时或多少天在上面,即使这意味着忘了其他一切!(直到今天仍然如此……)
What I found least satisfying, in our math textbooks, was the absence of a serious definition of the notion of length (of a curve), of area (of a surface), or of volume (of a solid). I promised myself to make up for this omission as soon as I could. This is what I devoted most of energy to between the years of 1945-1948, while I was a student at the University of Montpellier. University lectures weren't for me. Without ever quite realizing it, I must have been under the impression that all my professor did was recite the contents of the textbooks, just like my first math teacher at the lycée de Mende. I barely ever set foot on university grounds, just enough to keep up to date with the perennial "program". Books sufficed to cover said program, but it was clear that they offered no answers to the questions I was asking myself.
我觉得我们数学课本里最不能令人满意的,是缺乏对长度(曲线的)、面积(曲面的)或体积(立体的)概念的严格定义。我向自己保证,一旦能做到就弥补这个疏漏。1945到1948年间,当我在蒙彼利埃大学上学时,我把大部分精力都投入在这上面。大学讲座不适合我。我大概从来没有完全意识到,我一直觉得我的教授们所做的一切就是背诵课本内容,就像我在芒德中学的第一位数学老师那样。我几乎没踏进过大学校园,只是刚好够跟上那永恒不变的"大纲"。书本足以覆盖这个大纲,但很明显,它们对我问自己的那些问题没有提供答案。
Truly, they did not even see them, no more than my high-school textbooks did. As long as we were provided with recipes for all sorts of calculations, such as lengths, areas, volumes, through single, double, triple integrals (dimensions higher than 3 were carefully avoided...), the problem of providing an intrinsic definition was omitted by both my professors and textbook authors.
真的,它们甚至根本没看到这些问题,就像我的高中课本一样。只要我们有了各种计算的诀窍——比如长度、面积、体积,通过一重、二重、三重积分(高于三维的维度被小心翼翼地避开了……)——给出一个内在定义的问题就被我的教授们和课本作者们一起忽略了。
p. P4 · 第15页续
From my then limited experience, it seemed that I was the only person in the world to be gifted with a curiosity for mathematical questions. Such was, in any case, my unexpressed conviction, during those years spent in complete intellectual solitude (which did not bother me). To be fair, it never occurred to me at that time to investigate whether or not I was the only person in the world to take interest in what I was doing. My energy was sufficiently absorbed by the task I set for myself: to develop a fully satisfactory theory.
从我当时有限的经验来看,我似乎是世界上唯一一个对数学问题抱有好奇心的人。无论如何,这是我在那些完全智力孤独的岁月里(这并没有让我烦恼)未表达出来的信念。公平地说,当时我从来没有想过去调查我是不是世界上唯一一个对我所做的事情感兴趣的人。我的精力完全被我为自己设定的任务吸收了:发展出一个完全令人满意的理论。
I never doubted that I would succeed in reaching the end of the story, as long as I was committed to scrutinizing these structures, spelling out on paper all the intuitions and insights that would come to me, one by one...
我从不怀疑我会成功地到达故事的终点,只要我致力于仔细审视这些结构,在纸上一个一个地写出我想到的所有直觉和洞见……
p. P5 · 第16页
what they were telling me. The intuition behind volume, say, was irrecusable. It could only be the reflection of a reality, momentarily elusive, but perfectly reliable. What had to be done was simply to seize this reality - a bit, perhaps, the way the magic reality of the "rhyme" had been seized, "understood" one day. When I began this pursuit, at age 17, freshly out of high-school, I thought it would only take a few weeks. I spent three years on the project. It even caused me to fail an exam at the end of my second year of university - that of spherical trigonometry (in the "further astronomy" module), because of a stupid computational mistake. (I was never very good at computations, I must say, ever since I left high school...). That is why I had to spend a third year in Montpellier to complete my bachelor's instead of going to Paris right away - the only place, I was told, where I would be able to find people aware of what was considered important in Mathematics.
他们告诉我的东西。比如,体积背后的直觉是不可抗拒的。它只能是某种现实的反映,虽然一时难以捉摸,但完全可靠。要做的只不过是抓住这个现实——也许有点像有一天"理解"了"韵律"的魔幻现实那样。当我17岁开始这项追求时,刚从高中毕业,我以为只需要几周时间。我在这个项目上花了三年。它甚至导致我在大学第二年末的一次考试中不及格——球面三角学("高等天文学"模块)——因为一个愚蠢的计算错误。(我必须说,自从高中毕业后,我就一直不太擅长计算……)这就是为什么我不得不在蒙彼利埃多待一年完成学士学位,而不是马上去巴黎——我被告知,巴黎是唯一能找到了解什么是数学中重要东西的人的地方。
My informant, Mister Soula, assured me that the last problem left in mathematics had been resolved 20 or 30 years ago by a so-called Lebesgue. He had apparently developed (funny coincidence!) a theory of measure and integration which brought point final to mathematics. Mister Soula, my "diffcalc" teacher, was a benevolent man who took a liking to me. I was still not convinced by his claim. There must have already been, within me, the prescience that mathematics is a thing which is infinite in scope and depth. Does the sea have a "point final"? Yet I never thought of looking for that book by Lebesgue which Mister Soula had told me about, and he probably never held it either. In my mind there was nothing in common between anything a book contained and the work that I had been doing, in my own way, in order to answer questions which intrigued me.
告诉我的人,苏拉先生,向我保证,数学中剩下的最后一个问题已经在二三十年前被一个叫勒贝格的人解决了。他显然发展了(有趣的巧合!)一套测度与积分理论,给数学画上了句号。苏拉先生,我的"微分计算"老师,是个仁慈的人,对我颇有好感。我仍然不相信他的说法。我内心一定已经有了某种预感:数学是一门范围和深度都无限的学问。大海有"句号"吗?但我从来没有想过去找苏拉先生跟我提到的那本勒贝格的书,他自己可能也从来没读过。在我心里,一本书里包含的任何东西,和我一直在用自己的方式做的、为了解答那些吸引我的问题而做的工作,没有任何共同之处。
2.2 独处的重要性 The importance of being alone
When I finally made contact with the mathematical world in Paris, one or two years later, I ended up learning, among many other things, that the work which I had been doing independently, and with the means at hand, was (essentially) what "everybody" knew as the "Lebesgue theory of measure and integration". According to the two or three experts to whom I mentioned my work (or even showed a manuscript), I had just wasted my time redoing something "already known". I actually do not recall being disappointed. At that moment, the idea of receiving "credit", or even simply receiving approbation for the work that I was doing, must have still been foreign to my mind. Furthermore, my energy was completely taken by the process of familiarizing myself with an entirely different milieu and mostly learning what was considered in Paris to be the basic toolkit of the mathematician.
一两年后,当我终于在巴黎接触到数学界时,我最终了解到的事情之一是,我一直独立地、用手头的资源做的工作,(本质上)就是"每个人"都知道的"勒贝格测度与积分理论"。根据两三位我向他们提及我的工作(甚至展示手稿)的专家的说法,我只是在浪费时间重做一些"已知的"东西。我其实不记得当时感到失望。在那个时候,因为我做的工作而获得"荣誉"、甚至仅仅是获得认可的想法,对我来说一定还是陌生的。此外,我的精力完全被熟悉一个完全不同的环境、以及主要学习巴黎认为是数学家基本工具包的东西这个过程占据了。
p. P6 · 第17页
Yet, thinking back to those three years, I realized that they were not in any way wasted. Unknowingly, I learned in solitude what is essential to the work of a mathematician - something no master could truly teach. Without ever having been told, without ever having to encounter someone with whom I could share my quest for understanding, I knew "in my gut" that I was a mathematician: somebody who "does" math, in its fullest sense - the way one makes "love". Mathematics had become, for me, a mistress always accommodating my desires. These years of solitude laid the foundation for a trust that has never been shaken - not by the discovery (upon arrival in Paris at age 20) of the scope of my ignorance and the vastness of what I had to learn; nor (more than 20 years later) by the eventful episode of my permanent departure from the mathematical world; nor, in these last few years, by the often crazy episodes of a "Funeral" (anticipated and cleanly executed) of my person and life's work, orchestrated by those who used to be my closest companions...
然而,回想那三年,我意识到它们绝不是浪费。在不知不觉中,我在孤独中学到了对数学家的工作来说最本质的东西——那是任何导师都无法真正教会的东西。从来没有人告诉过我,也从来没有遇到过一个可以分享我对理解的追求的人,我却"骨子里"知道我是一个数学家:一个在最完整的意义上"做"数学的人——就像一个人"做爱"那样。数学对我来说,已经成了一个总是迁就我欲望的情人。这些孤独的岁月为一种从未动摇过的信任奠定了基础——这种信任没有被(20岁到巴黎时发现我无知的范围和我必须学习的东西的浩瀚)所动摇;也没有被(20多年后)我永久离开数学界的多事之秋所动摇;更没有被最近几年里,由那些曾经是我最亲密伙伴的人精心策划的、对我个人和一生工作的"葬礼"(预先安排好、干净利落地执行的)那些常常疯狂的情节所动摇……
To phrase it differently: I learned in those crucial years to "be alone". That is, I learned to approach the things which I want to know with my own eyes, rather than rely on the expressed or implicit ideas that emanate from the group with which I identify, or a group to which I attribute authority. An unspoken consensus told me, both in high school and in university, that there was no need to question the notion of "volume", which was presented as "well-known", "self-evident", "unproblematic". Naturally I turned a blind eye to this consensus - just as Lebesgue, a few decades earlier, had to turn a blind eye. It is in this act of "turning a blind eye", of being oneself rather than the mere expression of the reigning consensus, of not to remain inscribed within the imperative circle to which they assign us - it is within this solitary act, above all else, that "creation" lies. Everything else comes after.
换个说法:在那些关键的岁月里,我学会了"独处"。也就是说,我学会了用自己的眼睛去接近我想知道的事物,而不是依赖于我所认同的群体、或我赋予权威的群体所表达或隐含的想法。一个未言明的共识在高中和大学都告诉我,不需要质疑"体积"这个概念,它被呈现为"众所周知的"、"自明的"、"不成问题的"。我自然而然地对这个共识视而不见——就像几十年前的勒贝格也不得不视而不见一样。正是在这种"视而不见"的行动中,在做自己而不是仅仅表达主流共识的行动中,在不被束缚在他们指派给我们的那个命令式圈子里的行动中——正是在这种孤独的行动之中,最重要的是,"创造"存在于此。其他一切都在其后。
p. P7 · 第17页续
In the following years, within the mathematical world which welcomed me, I had the opportunity to meet multiple people, both older and younger, which were clearly more brilliant, "gifted" than I was. I admired the facility with which they learned new notions, as if at play, juggling them as if they had known them their whole life - while I felt heavy-handed and clumsy, laboriously making my way, akin to a mole, through an amorphous mountain of important things (or so I was told) which I had to learn, despite having no sense of their ins and out. Actually, I was far from the brilliant student who aced every prestigious concours and assimilating at once the most prohibitive courses.
在接下来的几年里,在欢迎我的数学界里,我有机会遇到很多人,有年长的也有年轻的,他们显然比我更聪明、更有"天赋"。我钦佩他们学习新概念时的轻松,仿佛在玩耍一般,把玩这些概念就好像他们一辈子都认识它们——而我却觉得自己笨手笨脚,像一只鼹鼠一样费力地在一堆无形的重要东西(他们是这么告诉我的)的大山里挖路,这些我必须学习,尽管我对它们的来龙去脉毫无感觉。实际上,我远不是那种在每一个著名竞赛中都拿高分、一下子就能吸收最难课程的聪明学生。
Many of my more brilliant peers went on to become competent famous mathematicians. In hindsight, after 30-35 years, it does not seem to me that they left a deep imprint upon the mathematics of today. They did things, often times beautiful things, in a pre-existing context which they would never have considered altering. They unknowingly remained prisoners in their imperious circles, which delimit the Universe of a given time and milieu. In order to overcome them, they would have had to rediscover within them the ability which they had since birth, just as I did: the capacity to be alone.
我的许多更聪明的同龄人后来都成了能干的著名数学家。事后看来,30到35年后,在我看来,他们并没有给今天的数学留下深刻的印记。他们做事,常常是漂亮的事,但都是在一个预先存在的背景下,而这个背景他们从来没有想过要改变。他们在不知不觉中仍然是他们那些专横圈子里的囚徒,这些圈子划定了一个特定时代和环境的宇宙。为了超越这些圈子,他们必须重新发现自己与生俱来的能力,就像我做的那样:独处的能力。
The small child has no difficulty being alone. He is solitary by nature, even though he enjoys the occasional company, and knows when to ask for mom's permission teat. And he knows, without having ever been told, that the teat is his, and that he knows how to drink. Yet often times we lose touch with our inner child. And thus we constantly miss out on the best without even seeing it...
小孩子独处没有困难。他天生就是孤独的,尽管他喜欢偶尔的陪伴,也知道什么时候可以找妈妈要奶头。而且他从来没有人教过,就知道那个奶头是他的,也知道怎么喝。然而我们常常失去与内在小孩的联系。于是我们不断地错过最好的东西,甚至都没有看到它……
p. P8 · 第18页
If in Récoltes et Semailles I address somebody other than myself, it is not a "public". I address myself to you, reader, as I would a person, and a person alone. It is to the person inside of you that knows how to be alone, the child, with whom I would like to speak, and nobody else. I am aware that the child is often far away. He has gone through all sorts of things for quite some time. He went hiding god knows where, and it can be hard, often times, to get to him. One could swear that he has been dead forever, or rather that he has never existed - and yet I am sure that he is there somewhere, well alive.
如果说在《收获与播种》里我在对我自己以外的人说话,那不是对"公众"说话。我在对你说话,读者,就像对一个人说话,而且是一个孤独的人。我想对你内在的那个知道如何独处的人说话,那个孩子,我只想和他说话,不和别人说。我知道那个孩子常常在很远的地方。他已经经历了各种各样的事情很长时间了。他躲到天知道哪里去了,常常很难找到他。你可以发誓他已经死了很久了,或者说他从来就没有存在过——但我确信他就在某个地方,活得好好的。
I know too what the sign is that I am being heard. It is when, beyond all cultural and experiential differences, what I share about my personal experiences echoes within you and finds resonance; when you find within it your own life, your own self-experience, in a new light which you may never have considered before that. It is not about an "identification" with something or someone far from you. Rather, perhaps, you will rediscover a bit of your own life, or of what is closest to you, as you follow my own rediscovery of myself throughout Récoltes et Semailles, including within these very pages which I am currently writing.
我也知道我被听见的标志是什么。那就是,超越所有文化和经验的差异,我分享的个人经历在你内心产生回响和共鸣;当你在其中以一种你以前可能从未想过的新视角,找到你自己的生活,你自己的体验的时候。这不是要你认同某个远离你的东西或某个人。而是,也许,当你跟随我在整部《收获与播种》中对自我的重新发现——包括我现在正在写的这几页——你会重新发现一点点你自己的生活,或者最贴近你的东西。
2.3 内在之旅——神话与见证 The inner journey - or myth and testimony
Before all else, Récoltes et Semailles is a reflection upon myself and my life. Because of this, it is also a testimony, in two distinct ways. It is a testimony about my past, upon which the principal component of the reflection is concerned with. But it is also, at the same time, a testimony about the immediate present, about the very moment at which I am writing, and during which Récoltes et Semailles is born, in the course of hours, nights, and days. These pages serve as faithful witnesses to a long meditation upon my life, such as it was really carried out (and continues to be carried out at this very moment...).
首先,《收获与播种》是对我自己和我的人生的反思。正因为如此,它也是一份见证,以两种不同的方式。它是关于我的过去的见证,反思的主要部分就是关于过去的。但它同时也是关于当下此刻的见证,关于我正在写作的这一刻,《收获与播种》正是在这一刻,在数小时、数夜、数天的过程中诞生的。这些页面是对我人生长期冥想的忠实见证,就像它真正被进行的那样(而且此时此刻仍在继续进行……)。
These pages have no literary pretense. They only constitute a document about myself. I only allowed myself to modify them within very narrow bounds (notably for occasional stylistic edits). If there is pretense, it is only that of faithfulness. And that is saying a lot.
这些页面没有文学上的矫饰。它们仅仅构成一份关于我自己的文献。我只允许自己在非常狭窄的范围内修改它们(主要是偶尔的文体修改)。如果说有什么矫饰的话,那也只是对忠实的矫饰。而这已经说明很多了。
p. P9 · 第19页
This document is also far from an "autobiography". You will learn neither my date of birth (which would be of little relevance unless one is making astrological predictions), nor the names of my mother and father or what they did in life, nor the names of the person who was my spouse and other women who have been very important in my life, nor those of the children that were born from these unions, nor what these children have made of their lives. This does not mean that these things were not important in my life. Rather, the way this reflection on myself was engaged and developed never incited me to give a description of those things, which I lightly touch on here and there, but never take the time to consciously flesh them out with names and numbers.
这份文献也远不是一部"自传"。你不会知道我的出生日期(除非要做占星预测,否则没什么用),也不会知道我父母的名字或他们做什么工作,不会知道我配偶的名字以及在我生命中非常重要的其他女性的名字,不会知道这些结合所生的孩子们的名字,也不会知道这些孩子们后来过得怎么样。这并不意味着这些事情在我的生命中不重要。而是,这种自我反思的展开和发展方式,从来没有促使我去描述那些事情,我只是在这里那里轻轻触及它们,但从来没有花时间有意识地用名字和数字把它们充实起来。
And if you were to ask me what "point" I have attempted to make over the course of these thousand pages, I would answer: it is to narrate, and thereby discover, the inner journey that my life has been and still is. This narrative/testimony of a journey is happening simultaneously at the two levels which I have mentioned above. There is the exploration of a journey past, of its roots and of its origin, tracing all the way back to my childhood. And there is the continuation and renewal of this "very" journey, over the course of the days during which I am writing Récoltes et Semailles in spontaneous response to a violent stimulus coming from the outside world.
如果你要问我在这一千多页里试图说明什么"要点",我会回答:那就是叙述,并由此发现,我的生命一直是、并且仍然是怎样的内在之旅。这段旅程的叙述/见证同时发生在我上面提到的两个层面上。有对过去旅程的探索,对它的根和起源的探索,一直追溯到我的童年。也有这段"正是如此"的旅程的延续和更新,在我写《收获与播种》的日子里,自发地回应来自外部世界的一个强烈刺激。
External facts come to nourish the reflection, only to the extent they induce and provoke new developments in my inner journey, or help clarify it. The burial and the plunder of my mathematical work, of which I will speak at length, has been such a provocation. It awoke in me a host of powerful reactions, and at the same time revealed to me the profound, and hitherto unknown links that continue to tie me to the work I have created.
外部事实滋养反思,仅仅在它们诱发和激发我内在旅程的新发展,或帮助澄清它的程度上。我的数学工作被埋葬和被掠夺——我后面会详细谈到——就是这样一种刺激。它唤醒了我内心的一连串强烈反应,同时也向我揭示了那些深刻的、至今未知的联系,这些联系继续把我和我创造的工作绑在一起。
p. P10 · 第20页
It is true that my being "good at math" is not necessarily a reason (and even less so a good reason) for you to be interested in my particular journey - nor is the fact that I have had trouble with my colleagues, after shifting milieu and lifestyle. Colleagues, or even friends abound, who find it ridiculous to publicly spread one's "inner moods" - as they say. To them, what matters are "results". The "soul", meaning that within us which witnesses the production of these results, as well as apprehends them in various ways (as much in the life of the "producer" as in those of his peers), is looked down upon, sometimes even targeted with open derision.
确实,我"数学好"并不一定是你对我的特殊旅程感兴趣的理由(更不是一个好理由)——就像我在更换环境和生活方式后与同事们产生矛盾这个事实一样。同事甚至朋友里,有很多人觉得公开传播自己的"内心情绪"是很可笑的——就像他们说的那样。对他们来说,重要的是"成果"。"灵魂",也就是我们内心见证这些成果产生、并以各种方式理解它们的那个东西(无论是在"生产者"的生活中还是在他同伴们的生活中),是被看不起的,有时甚至成为公开嘲笑的对象。
This attitude aims to display some form of modesty, but what I see is a sign of withdrawal or asynchrony promoted by the very air which we breathe. I do not write for him who is stricken by this latent self-disgust, which makes him reject the best I have to offer. A disdain for what truly makes his own life, and for what makes mine: the superficial or profound, coarse or subtle motions which animate the psyche, that "soul" which lives the experience and reacts to it, which freezes or blossoms, which retreats or learns...
这种态度旨在表现某种形式的谦虚,但我看到的是一种退缩或不同步的迹象,正是我们呼吸的空气所助长的。我不是为那些被这种潜在的自我厌恶所折磨的人写作,这种自我厌恶让他拒绝我能提供的最好的东西。一种对真正构成他自己生命的东西的蔑视,也是对构成我生命的东西的蔑视:那些驱动心灵的表面或深刻的、粗糙或微妙的运动,那个体验生活并对它做出反应、冻结或绽放、退缩或学习的"灵魂"……
The narrative of an inner journey can only be told by the person living it and no one else. Even though the narrative is only aimed towards oneself, it often times inserts itself within the construction of a myth, of which the narrator is the hero. Such a myth is born, not in the creative imagination of a people and a culture, but rather from vanity of he who dared not assume a humble reality, but instead substitutes a construction for it. But a true narrative (if such a thing exists), of a journey such as it was truly lived, is to be prized. And this is not because of renown which is (rightly or wrongly) attributed to the narrator, but simply by virtue of its existence, and of its truthfulness. Such a testimony is precious, whether it comes from an illustrious person, a small clerk with no future and with family responsibilities, or from a common criminal.
内在之旅的叙述只能由亲历者本人来讲述,不能由别人来讲述。即使叙述只是对自己说的,它也常常嵌入到一个神话的构建中,而叙述者就是这个神话的英雄。这样的神话不是诞生于一个民族和文化的创造性想象中,而是诞生于那个不敢接受卑微现实、反而用一个建构来代替它的人的虚荣心之中。但一段真实的叙述(如果这样的东西存在的话),一段被真正经历过的旅程的叙述,是值得珍视的。这不是因为(正确或错误地)归于叙述者的名望,而仅仅是凭借它的存在和它的真实性。这样的见证是珍贵的,无论它来自一个杰出的人,来自一个没有前途、肩负家庭责任的小职员,还是来自一个普通的罪犯。
2.4 风俗画卷 The painting of mores
In speaking of my past as a mathematician, and later in discovering (almost against my will) the twists and turns of the intricacies of the gigantic Burial of my work, I was brought, inadvertently, to paint the picture of a particular milieu and era - an era affected by the decay of certain values which provided meaning to the work of individuals. That is what I mean by "painting of mores", centered around a "fait divers" which is thoughtlessly unique in the annals of Science. As I have said rather clearly earlier, I believe, you will not find in Récoltes et Semailles a "folder" concerning a certain unordinary "case", quickly bringing you up to date. And yet a friend of mine, looking for such a folder, blindly passed by nearly everything constituting the substance and flesh of Récoltes et Semailles.
在谈论我作为数学家的过去时,以及后来在(几乎违背我意愿地)发现我那庞大的工作之埋葬的错综复杂的曲折时,我不知不觉地被引导去描绘一个特定环境和时代的画面——一个被某些为个人工作提供意义的价值观的衰败所影响的时代。这就是我所说的"风俗画卷",围绕着一个在科学史上堪称独一无二的"社会新闻"展开。正如我前面说得相当清楚的那样,我相信你在《收获与播种》里找不到一个关于某个不寻常"案件"的"档案",能让你快速了解来龙去脉。然而我的一个朋友,就是在找这样一个档案,结果几乎盲目地错过了构成《收获与播种》实质和血肉的一切。
p. P11 · 第21页
As I explain in much more detail in the Letter, the "investigation" (or the "painting of mores") carries on in parts II and "The Funeral (1) - or the robe of the Emperor of China" and "The Funeral (3) - or the Four Operations". Page after page I persistently extract one after another, a number of juicy facts (to say the least) which I attempt to "classify" bit by bit. Slowly, these facts assemble into a global painting which progressively emerges from the fog, taking on brighter colors and sharper contours. In these daily notes, the raw facts "which just appeared" are inextricably mixed with personal reminiscing, as well as with commentaries and reflections of a psychological, philosophical, or even (occasionally) mathematical nature. That's how it is, and there is nothing I can do about it!
正如我在信中更详细解释的那样,"调查"(或"风俗画卷")在第二部分以及"葬礼(1)——或中国皇帝的黄袍"和"葬礼(3)——或四运算"中继续进行。一页又一页,我坚持不懈地一个接一个地提取出许多(至少可以说是)有趣的事实,我试图一点一点地"分类"它们。慢慢地,这些事实汇聚成一幅全局画卷,逐渐从雾中浮现,呈现出更明亮的色彩和更清晰的轮廓。在这些每日笔记中,"刚出现的"原始事实与个人回忆,以及心理学、哲学、甚至(偶尔)数学性质的评论和反思,不可分割地混合在一起。事情就是这样,我也没办法!
Starting with work I had already done, which occupied me for over a year, producing a sort of "investigation proceedings" folder should not have taken longer than a few hours or days worth of work, depending on the curiosity or demands of the interested reader. I tried at one point to produce such a folder. That is how I started writing a note which was to be called "the four operations". But in the end I could not bring myself to do it! That is decidedly not my style of expression, and in my old age less so than ever. I now consider, having written Récoltes et Semailles, that I have done enough for the benefit of the "mathematical community", and therefore can leave, without remorse, the task of producing the necessary "folder" to others (in particular to any of my colleagues who would feel concerned).
从我已经做了一年多的工作出发,制作一个"调查档案"文件夹,不应该花几个小时或几天以上的时间,取决于感兴趣的读者的好奇心或要求。我曾经试着做这样一个文件夹。我就是这样开始写一篇笔记的,它本来应该叫"四运算"。但最后我还是没能做到!那绝对不是我的表达方式,到了我这个年纪就更不是了。现在我认为,既然已经写完了《收获与播种》,我已经为"数学界"做了足够多的好事了,因此可以毫无愧疚地把制作必要的"档案"的任务留给别人(特别是留给任何觉得自己与此有关的同事)。
2.5 继承者与建造者 The heirs and the builders
It is now time for me to say a few words about my mathematical work, which has played an important role in my life, and continues to do so (to my own surprise). I come back to this work more than once in Récoltes et Semailles - sometimes in a way that should be understandable by all, and other times in slightly more technical terms. The latter will mostly go "above the heads", not only of the "profane", but also of the mathematical colleague who may not be completely "in" the field in question. One can of course feel free to skip the sections which seem too "involved". Just as one can try to go through them, glimpsing as one goes, a shadow of the "mysterious beauty" (in the words of a non-mathematician friend of mine) of the universe of mathematical things, appearing as a multitude of "strange inaccessible islands" in the vast moving waters of reflection...
现在是时候谈谈我的数学工作了,它在我的生活中扮演了重要角色,而且(连我自己都惊讶地)继续扮演着。我在《收获与播种》中不止一次回到这项工作——有时用大家都能理解的方式,有时用稍微技术性一点的术语。后者大部分会"头顶飞过",不仅是对"门外汉"来说,对可能不完全在相关领域的数学同事来说也是如此。当然,你可以随意跳过那些看起来太"复杂"的部分。就像你也可以试着读下去,一边读一边瞥见数学事物宇宙的"神秘之美"(用我一个非数学家朋友的话说)的一丝影子,它出现在反思的浩瀚流动水域中,像许多"奇异而不可到达的岛屿"……
p. P12 · 第22页
Most mathematicians, as I mentioned earlier, are inclined to constrain themselves to a conceptual framework, a "universe" fixed once and for all - the one, essentially, which they have found "ready made" at the time of their studies. They are like the heirs of a large and beautiful fully-furnished house, with its lounges, kitchens, workshops, and its kitchenware and tools left and right, with which there is, I trust, plenty to cook and tinker. How this house was built, progressively over the course of multiple generations, and how and why these tools (and not others...) were conceived and built, why the pieces are disposed and organized in such a way - these are all questions the heirs would never think of asking themselves. This is the "universe", the "given", in which we must live, and that is that! Something which appears massive (and which most of the time we have only been able to partially explore), yet at the same time familiar, and mostly: immutable.
大多数数学家,正如我前面提到的,倾向于把自己限制在一个概念框架里,一个一劳永逸地固定下来的"宇宙"——本质上就是他们在求学时发现"现成的"那个。他们就像一座又大又漂亮、家具齐全的房子的继承者,有客厅、厨房、工坊,到处都是厨具和工具,我相信,用这些东西有很多东西可以做、很多东西可以摆弄。这座房子是怎么建造起来的,经过好几代人逐步建成的,这些工具(而不是别的……)是怎么、为什么被构想和制造出来的,为什么这些东西这样布置和组织——这些都是继承者们永远不会想到要问自己的问题。这就是"宇宙",是"被给予的",我们必须生活在其中,仅此而已!一个看起来庞大的东西(而且我们大部分时候只能部分探索它),但同时又很熟悉,而且最重要的是:不可改变的。
They mostly busy themselves with maintaining or embellishing a patrimony: fixing a faulty piece of furniture, restoring a facade, sharpening a tool, or even sometimes, for the most enterprising, building an entire workshop, or a whole new piece of furniture. It even happens, when they fully commit to the task, that the piece of furniture is truly beautiful, so that the whole house appears embellished by its addition. Even more rarely, one of them will consider modifying one of the main tools, or even, under repeated and insistent pressure or need, to imagine and build a whole new tool. And in so doing, he often feels on the brink of profusely apologizing for what he feels is infringing on the piety owed to the familial tradition, which he has disturbed through his brazen innovation.
他们大多忙于维护或美化一份遗产:修理一件出故障的家具,修复一个立面,磨快一件工具,甚至有时,对最有进取心的人来说,建造一个完整的工坊,或一件全新的家具。甚至会发生这样的事:当他们全身心投入任务时,那件家具真的很漂亮,以至于整座房子因为它的加入而显得更加华丽。更罕见的是,他们中有人会考虑修改一件主要工具,或者甚至在反复而持续的压力或需求下,想象并制造出一件全新的工具。而在这样做的时候,他常常觉得自己要为感觉冒犯了对家族传统应有的虔诚而连连道歉,因为他通过自己厚颜无耻的创新打扰了这份传统。
p. P13 · 第23页
In most of the rooms of the house, the windows and shutters are carefully closed, probably on account of a fear that a foreign wind would blow in. And when the pretty new furnishings, here and there, together with their progeny, begin to clutter the rooms and invade the corridors, none of these heirs will agree to face the fact that his familiar and cozy Universe is beginning to feel cramped. Rather than come to terms with such a fact, most will prefer to awkwardly slither, and try not to get trapped, some between a Louis XV buffet and a rocking chair in rattan, others between a boisterous toddler and an Egyptian sarcophagus, while others, as a last resort, will try to climb over a heteroclite and crumbling pile of chairs and benches...
在房子的大多数房间里,窗户和百叶窗都被小心翼翼地关着,大概是因为怕外面的风吹进来。而当漂亮的新家具,这里那里,连同它们的后代,开始把房间弄得乱七八糟、侵占走廊时,这些继承者中没有一个愿意面对这样一个事实:他熟悉而舒适的宇宙开始变得拥挤了。大多数人宁愿笨拙地侧身挤着,试图不被卡住,一些人在路易十五时期的餐边柜和藤编摇椅之间挤,另一些人在一个吵闹的学步幼童和一具埃及石棺之间挤,还有一些人,作为最后的手段,会试图爬过一堆乱七八糟、摇摇欲坠的椅子和长凳……
The picture I have just sketched is not unique to the world of mathematicians. It illustrates the deeply engrained and immemorial conditioning which one encounters in every milieu and sphere of human activity, regardless, as far as I can tell, of the society or era in question. I have mentioned such a phenomenon already, and I do not in any way pretend to fall outside of its influence. As will be clear from my testimony, the contrary is true. It only happens to be the case that at the relatively limited level of the act of intellectual creation, I was barely affected by this conditioning which may be called "cultural blindness" - the incapacity to see (and to evolve) outside of the "Universe" fixed by the surrounding culture.
我刚刚勾勒的这幅画面并不是数学界独有的。它说明了一种根深蒂固、亘古不变的条件作用,这种条件作用在人类活动的每一个环境和领域都能遇到,据我所知,无论是什么社会或什么时代。我已经提到过这种现象,我绝不是假装自己不受它的影响。正如我的见证将清楚表明的那样,事实恰恰相反。只不过碰巧在智力创造行为这个相对有限的层面上,我几乎没有受到这种可以称之为"文化盲"的条件作用的影响——即在周围文化所固定的"宇宙"之外看不到(也无法发展)的无能。
As for myself, I feel that I belong to the lineage of mathematicians whose spontaneous vocation and joy was to continuously construct new houses. In so doing, they cannot help but invent all of the required tools, utensils, and furnishings for both the construction of the house from its foundation, and to fill the kitchens and workshops of the house in abundance, so that one may live in it comfortably. Yet, once everything down to the last sapling and stool has been taken care of, the builder rarely lingers on the premises, of which every stone and every piece of wood carries a trace of the hand which shaped and placed it.
至于我自己,我觉得我属于这样一个数学家的谱系,他们自发的天职和快乐就是不断建造新房子。在这样做的时候,他们忍不住要发明所有需要的工具、器具和家具,既用来从地基开始建造房子,也用来把房子的厨房和工坊填得满满的,好让人可以舒适地住在里面。然而,一旦从最后一棵树苗到最后一张凳子都安排妥当了,建造者很少在房子里逗留,房子里的每一块石头、每一块木头都带着塑造和安放它的那只手的痕迹。
The builder's place lies not in the quietude of fully finished universes, however welcoming and harmonious they may be, whether they are a product of his own hands or those of his predecessors. His place is in the open air. He is friends with the wind, and does not fear solitude at work for weeks, years or, if need be, for an entire lifetime if no welcome succession presents itself. Just like everybody else, the builder only has two hands - but two hands which at each moment know what they need to do, which refuse neither the largest nor the most delicate tasks, and which never tire of comprehending, again and again, the multitude of things which become them. Two hands might be few, given that the World is infinite. They will never exhaust it! And yet, two hands can be a lot...
建造者的位置不在完全完工的宇宙的宁静之中,无论它们多么温馨和谐,无论它们是他自己双手的产物还是他前辈们的产物。他的位置在露天里。他和风是朋友,不害怕在工作中独处几周、几年,或者如果需要的话,一整个一生,如果没有受欢迎的继承者出现的话。就像其他人一样,建造者只有两只手——但这两只手在每一刻都知道它们需要做什么,既不拒绝最大的任务,也不拒绝最精细的任务,而且从不厌倦一次又一次地理解那些成为它们的众多事物。考虑到世界是无限的,两只手可能太少了。它们永远不会穷尽它!然而,两只手也可以是很多的……
p. P14 · 第23页续
History is not my strong suit, but if I had to give a list of mathematicians inscribed in this lineage, names that spontaneously come to my mind are those of Galois, Riemann (from the past century), and Hilbert (at the beginning of the current century). If I were to name a candidate among the elders which welcomed me into the mathematical world, the name of Jean Leray comes to my mind before any other, even though my contact with him has always been episodic.
历史不是我的强项,但如果要我列一个属于这个谱系的数学家名单,自发浮现在我脑海里的名字是伽罗瓦、黎曼(上世纪的)和希尔伯特(本世纪初的)。如果要我在欢迎我进入数学界的前辈中提名一位候选人,让·勒雷的名字比其他任何人都先浮现在我脑海里,尽管我和他的接触一直是断断续续的。
I have just roughly sketched two pictures: that of the "homebody" mathematician, who is content with maintaining and embellishing a heritage, and that of the builder-pioneer, who is drawn to repeatedly crossing these "invisible and imperious circles" which delimit a given Universe. These two groups may also be called, somewhat bluntly but also suggestively, "conservatives" and "innovators". Both have their raison d'être, in one collective adventure that is carried out through the generations, through centuries and millennia. During the fruitful periods of a science or art there is neither opposition, nor is there antagonism among these two temperament. They are different and mutually complementary, just as dough and yeast.
我刚刚粗略地勾勒了两幅画面:一幅是"居家型"数学家的画面,满足于维护和美化一份遗产;另一幅是建造者-开拓者的画面,被反复跨越这些划定一个特定宇宙的"无形而专横的圈子"所吸引。这两个群体也可以被称为(有点直白但也很有启发性)"保守派"和"创新派"。两者都有其存在的理由,在一场跨越世代、跨越世纪和千年的集体冒险中。在一门科学或艺术的丰硕时期,这两种气质之间既没有对立,也没有对抗。它们是不同的,而且是互补的,就像面团和酵母一样。
p. P15 · 第24页
Between these two extremes (not at all opposed by nature), one can find a plethora of intermediary temperament. There is the "homebody" that would never think of leaving a familiar dwelling, and would be even less willing to take on the task of building another, god knows where, yet will not hesitate, when the house gets cramped to build a basement, raise the ceiling, or even, if need be, to build a dependency of modest proportions. Without being a builder at heart, he will often view with a sympathetic eye, or at the very least without concern nor secret reprobation towards another who had shared the same dwelling, and who is already out and about assembling beams and stones in some impossible boonies, with the confidence of somebody who already sees a castle...
在这两个极端之间(本质上完全不对立),可以找到大量的中间气质。有一种"居家型",永远不会想到离开熟悉的住所,更不愿意承担在天知道哪里建造另一个住所的任务,但当房子变得拥挤时,会毫不犹豫地建造一个地下室、抬高天花板,或者如果需要的话,建一个大小适中的附属建筑。虽然内心不是一个建造者,他常常会带着同情的眼光看待——或者至少不关心、也不暗中谴责——那个和他住同一个房子、却已经出门在某个不可能的荒郊野外组装梁柱和石头的人,带着那种已经看到一座城堡的人的信心……
2.6 视点与视野 Viewpoint and vision
Allow me to return to myself and my work. If I excelled in the art of mathematics, it was not through the ability and perseverance to solve problems left by my predecessors, but rather through a natural tendency within me to discover questions, evidently crucial, yet that nobody had yet seen, or to excavate the "right notions" that were missing (often without anyone realizing until the new notion appeared), as well as the "right statements" of which nobody had thought. Often, notions and statements mesh in such a perfect way, that there can be no doubt in my mind as to their validity (give or take small adjustments at most) - so that often, when it boils down to "travail sur pièces" destined for publication, I refrain from going further, and from taking the time to flesh out a proof that often, once the statement and its context are well-understood, consists of no more than a matter of "trade", not to say routine.
请允许我回到我自己和我的工作上来。如果说我在数学这门艺术上有所擅长,那不是通过解决前辈们留下的问题的能力和毅力,而是通过我内心一种自然的倾向:去发现那些显然至关重要、却还没有人看到的问题,或者去挖掘那些缺失的"正确概念"(常常直到新概念出现才有人意识到它们的缺失),以及那些没有人想到的"正确命题"。概念和命题常常以如此完美的方式啮合在一起,以至于我对它们的正确性毫无疑问(最多做些小调整)——所以常常,当到了为出版做"案头工作"的时候,我就不再继续,也不愿意花时间充实一个证明,而这个证明一旦命题及其背景被充分理解,往往只不过是一个"手艺"问题,甚至可以说是例行公事。
Things which solicit one's attention are countless, and it is impossible to follow them all to their end! The fact remains that carefully proved propositions and theorems in my written and published work appear in the thousands, and almost all of them have entered the patrimony of things commonly accepted as "known" and frequently used all over mathematics.
吸引人注意力的事情是数不清的,不可能把它们全部追到底!事实仍然是,在我已出版的著作中,经过仔细证明的命题和定理数以千计,而且它们几乎都已经进入了被普遍接受为"已知的"、在整个数学中频繁使用的事物的宝库。
p. P16 · 第25页
I am led more towards the discovery of fertile viewpoints than towards the discovery of questions, notions, and statements, by my particular type of genius, which is constantly leading me to introduce, and more or less develop, entirely novel themes. It is this, I reckon, which is my most essential contribution to the mathematics of my time. In fact, these innumerable questions, notions, and statements which I just mentioned, only truly make sense for me once they are subjected to such a "viewpoint" - or more precisely they arise spontaneously from it; in the same way that a light (even a dim one) appearing in a pitch black night seems to invoke from the shadows contours which it suddenly reveals to us.
我的特殊天才类型更多地引导我走向发现丰饶的视点,而不是走向发现问题、概念和命题,这种天才不断地引导我引入、并或多或少地发展全新的主题。我认为,这就是我对我那个时代的数学最本质的贡献。事实上,我刚才提到的这些无数的问题、概念和命题,只有在它们被置于这样一个"视点"之下时,对我来说才真正有意义——或者更准确地说,它们是自发地从中产生的;就像一束光(即使很微弱)出现在漆黑的夜晚,似乎从阴影中召唤出它突然向我们揭示的轮廓。
Without this light uniting them in a common sheaf, the ten, or one-hundred, or one thousand questions, notions, statements would appear as a heterogeneous amorphous pile of "mental widgets" all isolated from one another - rather than as the many parts of a Whole which, while perhaps remaining invisible, escaping within the folds of the night, is nonetheless clearly felt.
如果没有这束光把它们统一在一个共同的束里,那十个、一百个、一千个问题、概念、命题就会显得像一堆异质的、无形的"心理小零件",彼此孤立——而不是一个整体的许多部分,这个整体也许仍然不可见,逃逸在夜的褶皱里,但却被清楚地感觉到。
The fertile viewpoint is that which reveals to us, organized as the many living parts of a common Whole, enveloping them and giving them meaning, these pressing questions which no one had asked, and (as if in response, perhaps, to these questions) these extremely natural notions which nobody had thought of expressing, and these statements finally which seem to immediately follow, and which nobody had dared to conjecture, for as long as the questions which brought them about, and the notions that allowed us to formulate them had remained hidden.
丰饶的视点就是这样一种视点:它向我们揭示,作为一个共同整体的许多活生生的部分组织起来,包裹着它们并赋予它们意义——这些没有人问过的紧迫问题,以及(也许像是在回应这些问题)这些没有人想到要表达的极其自然的概念,以及这些最终似乎紧接着出现、而没有人敢猜想过的命题——只要带来它们的问题、以及让我们能够表述它们的概念一直隐藏着的话。
Even more so than what we call "key theorems" in mathematics, it is the fertile viewpoints which, in our art, constitute the most powerful tools of discovery - or rather, they are not tools, but they are the very eyes of the researcher who passionately strives to understand the nature of mathematical things.
比我们在数学中所说的"关键定理"更重要的是,在我们这门艺术中,正是丰饶的视点构成了最强大的发现工具——或者说,它们不是工具,而是那位充满激情地努力理解数学事物本质的研究者的眼睛本身。
p. P17 · 第25页续
Thus, the fertile viewpoint provides us with an "eye" which at once helps us discover and recognize the unity within the multiplicity of what is discovered. And such unity is truly the very life and breath which connects and animates these discoveries.
因此,丰饶的视点为我们提供了一只"眼睛",这只眼睛立刻帮助我们在被发现事物的多样性中发现和认识统一性。而这样的统一性,确实就是连接并赋予这些发现以生命和气息的东西。
But just as the word itself suggests, a "viewpoint" by itself remains fragmentary. It reveals to us one of the aspects of a scenery or panorama, among a multiplicity of others which are equally valuable, equally "real". It is when complementary viewpoints of a common reality are conjugated, that is, when our "eyes" are multiplied, that the gaze is able to penetrate further ahead in the reckoning of things. The richer and more complex the reality which we desire to know, the more important it is to be equipped with several "eyes" in order to apprehend it in all its ampleness and subtlety.
但正如这个词本身所暗示的,一个"视点"本身仍然是片断的。它向我们揭示一个风景或全景的一个方面,在同样有价值、同样"真实"的众多其他方面之中。当一个共同现实的互补视点结合在一起时,也就是说,当我们的"眼睛"成倍增加时,目光才能在对事物的审视中穿透得更远。我们渴望认识的现实越丰富、越复杂,配备好几只"眼睛"就越重要,以便在它全部的丰富性和微妙性中把握它。
By virtue of our innate ability to grasp the "multiple" as the One, it also happens, sometimes, that a sheaf of viewpoints converging to a unique and vast scenery, gives rise to a novel thing; a thing which transcends each of the partial perspectives, in the same way that a living being transcends each of its limbs and organs. This new thing could be called a vision. The vision unites the known viewpoints which constitute it, while also revealing to us other viewpoints that were previously ignored, just as the fertile viewpoint makes us discover and apprehend, as part of the same Whole, a multiplicity of new questions, notions, statements.
凭借我们天生的把"多"把握为"一"的能力,有时也会发生这样的事:一束视点汇聚成一个独特而广阔的风景,产生出一个新事物;这个新事物超越了每一个局部视角,就像一个生命体超越了它的每一个肢体和器官一样。这个新事物可以被称为一种视野。视野统一了构成它的那些已知视点,同时也向我们揭示了以前被忽略的其他视点,就像丰饶的视点让我们发现并把握作为同一个整体之部分的众多新问题、新概念、新命题一样。
To say this in another way: the vision is to the viewpoints, from which it seems to arise and which it unites, as the clear and warm daylight is to the various components of the solar spectrum. A vast and profound vision is like an inexhaustible source, made to inspire and guide the work, not only of the one within whom the vision was once conceived and who made himself its servant, but that of generations, fascinated perhaps (as he first was) by these distant horizons which it lets us glimpse...
换一种方式说:视野对于视点(它似乎从这些视点中产生并统一它们),就像清澈温暖的日光对于太阳光谱的各种组成成分一样。一个广阔而深刻的视野就像一口不竭的源泉,注定要激励和引导工作,不仅是那个曾经孕育出这个视野、并让自己成为它的仆人的人的工作,而且是世世代代的人的工作,他们也许(像他最初那样)被这个视野让我们瞥见的那些遥远地平线所着迷……
2.7 "伟大的想法"——树木与森林 The "great idea" - or the trees and the forest
p. P18 · 第26页
The so-called "productive" period of my mathematical life, meaning it was marked by proper publications, ran between 1950 and 1969, 20 years that is. And for 25 years, between 1945 (when I was seventeen) and 1969 (when I was in my forty-second year), I invested nearly the totality of my energy in mathematical research. An excessive investment certainly. This cost me a long period of spiritual stagnation, an incremental "thickening", to which I will be coming back multiple times in the pages of Récoltes et Semailles. Yet, within the limited scope of a purely intellectual activity, and through the burgeoning and maturation of a vision restricted to the world of mathematical things, these were years of intense creativity.
我数学生命中所谓的"多产期",也就是以正式出版为标志的时期,是从1950年到1969年,共20年。而在25年里,从1945年(我17岁)到1969年(我42岁),我几乎把全部精力都投入了数学研究。这当然是一种过度投入。这让我付出了长期精神停滞的代价,一种逐渐的"增厚",我在《收获与播种》的书页里会多次回到这个话题。然而,在纯粹智力活动的有限范围内,通过一种局限于数学事物世界的视野的萌生和成熟,这些年份是创造力极其旺盛的年份。
During this long period of my life, the near totality of my time and energy were devoted to what might be called "travail sur pièces": a minute process of shaping, assembling, and honing, required for the construction from start to finish of houses that an inner voice (or an inner demon...) called for me to build, following a blueprint that it whispered to me at every step of the way. Occupied by the tasks of the "trade": such as those of a sculptor, bricklayer, carpenter, even plumber, woodworker, cabinet-maker - I rarely stopped to write down, even in rough sketches, the master-plan, which was invisible to all (as it only appeared later...) except to me, who over the course of the days, months, and years, guided my hand with the certainty of a sleepwalker.
在我生命的这段漫长时期里,我几乎全部的时间和精力都投入到了可以称之为"案头工作"的事情上:一个细致的塑造、组装和打磨的过程,是从头到尾建造那些内心的声音(或者内心的恶魔……)召唤我建造的房子所需要的,按照它在每一步都对我低声诉说的蓝图。被"手艺"的任务占据着:雕塑家、泥瓦匠、木匠,甚至管道工、木工、橱柜匠的任务——我很少停下来写下(哪怕是粗略的草图)那个总体规划,那个对所有人都不可见的总体规划(因为它只是后来才显现……)除了对我来说可见,我在日复一日、月复一月、年复一年的过程中,梦游者般的确定性引导着我的手。
p. P19 · 第27页
I have to say that the "travail sur pièces" to which I like to devote a loving care, was not at all displeasing to me. Moreover, the mode of mathematical expression which was professed and practiced by my elders, gave preeminence (to say the least) to the technical aspect of one's work, and in no way encouraged the "digressions" that would have idled on the "motivations"; or even those which appeared to bring out of the mist some vision which perhaps was inspiring, but which, because it failed to be presented in the form of tangible constructions in wood, stone, or hard cement, was likened more to dream fragments, than to the craft of a conscientious and diligent artisan.
我必须说,我喜欢倾注爱心去做的"案头工作",一点也不让我讨厌。而且,我的前辈们所主张和实践的数学表达模式,(至少可以说)把技术方面放在了首位,绝不鼓励那些会在"动机"上闲逛的"题外话";甚至也不鼓励那些似乎要从雾中带出某种视野的题外话——这种视野也许是鼓舞人心的,但因为它没有以木材、石头或硬水泥的有形建筑的形式呈现出来,就更像是梦的碎片,而不是一个认真勤奋的工匠的手艺。
At the quantitative level, my work during these intense years of productivity manifested itself mostly in the form of about twelve-thousand pages of publications, in the form of articles, monographs, or seminaries, as well as hundreds, if not thousands, of new notions which have entered into the mathematical patrimony, with the very names which I had given them upon first discovering them. In the history of mathematics, I think I may have been the person who introduced the largest number of new notions into our science, and at the same time, the person who was brought, as a consequence, to invent the largest number of new names, with the intention of expressing these notions with delicacy, and in as suggestive a way as I could.
在数量层面上,我在这些丰产年份的工作主要表现为大约一万两千页的出版物,形式是文章、专著或讲义,以及数百个(如果不是数千个的话)新概念,这些概念已经进入了数学宝库,用的正是我第一次发现它们时给它们起的名字。在数学史上,我想我可能是给我们这门科学引入最多新概念的人,同时也是因此不得不发明最多新名字的人,目的是用尽可能精致、尽可能有启发性的方式来表达这些概念。
These indications give no more than a very rough feel for my work, ignoring what truly lies at its heart, its life and vigor. As I wrote about earlier, what I have brought best to mathematics are the new "viewpoints" that I have been able to first glimpse, and later patiently excavate and to some extent develop. These new viewpoints, like the notions I just mentioned, inserting themselves in a vast multiplicity of different situations, are also nearly enumerable. The fact remains that certain viewpoints are more vast than others, those which by themselves encompass a multitude of partial viewpoints, within a multitude of particularly different situations. Such a viewpoint can be called, rightly, a "great idea". Through its internal fecundity, such an idea gives rise to a vast progenitor of ideas which themselves inherit its fecundity, although most (if not all) are of a lesser scope than the mother idea.
这些指标只能让人对我的工作有一个非常粗略的感觉,忽略了真正位于其核心的东西,它的生命和活力。正如我前面写到的,我带给数学最好的东西是新的"视点",我先是瞥见,后来耐心地挖掘并在某种程度上发展了它们。这些新视点,就像我刚才提到的概念一样,插入到各种各样不同的情境中,也几乎是可以枚举的。事实仍然是,某些视点比其他的更广阔,那些本身就包含了众多局部视点的视点,存在于众多特别不同的情境之中。这样一个视点,可以恰当地被称为一个"伟大的想法"。通过它内在的丰饶性,这样一个想法产生了一大批想法的后代,这些后代本身继承了它的丰饶性,尽管大多数(如果不是全部的话)范围都比母想法小。
p. P20 · 第28页
The task of expressing a great idea, of "saying" it, can be as delicate as its conception and slow gestation within the person who conceived of it. To better put it, the laborious process of patiently excavating the idea, day after day, from the veils of mist which surround it at birth, to slowly succeed in giving it a tangible form, as a painting which grows richer, firmer, and finer over the course of weeks, months, years. To simply name the idea by some striking formula, or by more or less technical keywords, can fit in the span of a few lines, or a few pages - but rare are those who, without knowing it beforehand, will know how to listen to this "name" and recognize its face. And when the idea reaches full maturity, a hundred pages might suffice to express it to the full satisfaction of the worker within whom it was born - just as it can happen that ten-thousand pages, crafted and weighted at length, may not suffice.
表达一个伟大想法、"说出"它的任务,可以像它在孕育者心中的构想和缓慢孕育一样微妙。更准确地说,这是一个费力的过程:日复一日地耐心挖掘这个想法,从它诞生时包围它的薄雾中,慢慢地成功地赋予它一种有形的形式,就像一幅画在几周、几个月、几年的过程中变得更丰富、更坚实、更精细。仅仅用某个醒目的公式,或或多或少技术性的关键词来命名这个想法,可以放在几行或几页的篇幅里——但那些事先不知道它的人,很少有人知道如何倾听这个"名字"并认出它的面貌。而当这个想法完全成熟时,一百页也许就足以把它表达得让孕育它的工作者完全满意——就像也可能发生的那样,一万页精心制作、反复斟酌的篇幅可能还不够。
In this case, as in others, among those who gained awareness of the project, which presented the idea in full bloom, many people could see the vigorous trees, and used them (some to climb, others used them as lumber, some as firewood, ...) yet few could see the forest from the trees...
在这种情况下,就像在其他情况下一样,在那些意识到这个项目、看到这个想法盛开的人当中,很多人能看到生机勃勃的树木,并利用它们(有些人爬树,有些人用它们做木材,有些人用它们当柴火烧……)然而很少有人能从树木中看到森林……
2.8 视野——一首和声的十二个主题 The vision - or twelve themes for a harmony
p. P21 · 第28页续
Perhaps one might say that the "great idea" is the viewpoint which, not only itself reveals new and fertile ideas, but that which introduces a novel and vast theme which embodies it. Every science, when understood not as a tool to gain power or domination, but rather as a journey towards the understanding of our species through the ages, is nothing but the harmony, more or less vast and more or less rich from one era to the next, which deploys itself through generations and centuries, through the delicate counterbalancing of all the themes which appeared one by one, as if summoned from the void, to integrate into the science and be interlaced within it.
也许有人会说,"伟大的想法"就是这样一种视点:它不仅自身揭示新的丰饶的想法,而且引入一个体现它的新颖而广阔的主题。每一门科学,当不被理解为获取权力或支配的工具,而是被理解为古往今来我们物种走向理解的旅程时,它无非就是那首和声,从一个时代到另一个时代或广阔或丰富,它通过世代和几个世纪展开,通过所有主题的微妙平衡——这些主题一个接一个地出现,仿佛从虚空中被召唤出来,融入科学并交织其中。
Among the multiple viewpoints, which I have unearthed in mathematics, there are twelve, in hindsight, which I would call "great ideas". To see my mathematical work, to "feel" it, is to see and "feel" at least some of these ideas, and the great themes that they introduce and which lie at the heart of my work. By the nature of things, some of these ideas are "greater" than others (which in turn are "smaller"!). In other words, among these novel themes, some are vaster than others, and some plunge deeper into the heart of the mystery of mathematical things.
在我发掘出的众多数学视点中,事后看来有十二个,我会称之为"伟大的想法"。要看我的数学工作,要"感受"它,就是要看见并"感受"至少其中一些想法,以及它们引入的、位于我工作核心的那些伟大主题。事情的本性就是这样,这些想法中有些比其他的"更伟大"(而其他的反过来又"更小"!)。换句话说,在这些新颖的主题中,有些比其他的更广阔,有些更深入地沉入数学事物之谜的核心。
p. P22 · 第29页
There are three (and not the least of them) which, having appeared only after I had left the mathematical world, remain at the embryonic stage; they "officially" do not even exist, as no proper publication can be pointed to as a birth certificate. Among the nine themes that had appeared prior to my departure, the latest three, which I had left growing in full swing, remain today at a stage of infancy, due to a lack (following my departure) of caring hands that would provide for these "orphans" left behind in a hostile world. As for the remaining six themes, which reached full maturity during the two decades preceding my departure, one could say (modulo one or two caveats) that they had by then already entered the mathematical patrimony: among geometers in particular, "everybody" nowadays invokes them routinely and without even noticing (the way Monsieur Jourdan wrote prose). They are part of the air we breathe when "doing geometry", or when doing arithmetic, algebra, or analysis of a "geometric flavor".
其中有三个(而且绝不是最不重要的),是在我离开数学界之后才出现的,仍然处于胚胎阶段;它们"官方上"甚至不存在,因为找不到一个正式的出版物作为出生证明。在我离开之前已经出现的九个主题中,最后三个我留下时正在蓬勃发展的,今天仍然处于婴儿阶段,因为(在我离开之后)缺少了照顾的手来照料这些被遗留在敌对世界里的"孤儿"。至于剩下的六个主题,它们在我离开前的二十年里达到了完全成熟,可以说(除了一两个保留意见)它们那时已经进入了数学宝库:特别是在几何学家当中,现在"每个人"都在例行公事地引用它们,甚至都没有注意到(就像茹尔丹先生写散文那样)。它们是我们"做几何"时呼吸的空气的一部分,或者做带有"几何味道"的算术、代数或分析时呼吸的空气的一部分。
p. P23 · 第30页
The twelve main themes of my work are far from isolated from one another. Rather, they together constitute in my eyes a unity of spirit and aim, manifesting itself in the form of a common and persistent backdrop throughout both my "written" and "unwritten" work. And as I wrote these lines, I seemed to once again encounter the same key - a calling of sorts! - which had permeated the three years I spent working "free of charge", intensely and alone, at a time when I did not even bother to inquire as to whether there existed mathematicians other than myself in the outside world, being so completely entranced by the fascination I felt for that which was calling me...
我工作的十二个主要主题远非彼此孤立。相反,它们在我眼中共同构成了一种精神和目标的统一性,在我"已写"和"未写"的工作中都表现为一个共同而持续的背景。当我写下这些行的时候,我似乎再次遇到了那把同样的钥匙——某种召唤!——它渗透在我"无偿"地、紧张而孤独地工作的三年里,在那段时间里,我甚至懒得去问外面的世界是否还有除我之外的数学家,我完全被那种召唤我的东西所迷住了……
This unity is not only that of a common style among works produced by the same hands. The aforementioned themes are interlinked in countless ways, both subtle and obvious, akin to how the different themes of a singular and vast counterpoint are interlinked, intertwined in their deployment, while each remains clearly recognizable. They come together in a harmony that carries them forward and breathes meaning into each in turn, in the form of a movement and plenitude to which all others contribute. Each of the partial themes seems to be issued from this vaster harmony and to be reborn within it moment after moment, rather than the harmony appearing as the "sum" or "result" of pre-existing constituent themes.
这种统一性不仅仅是同一双手产出的作品之间共同风格的统一性。上述主题以无数种方式相互联系,既有微妙的也有明显的,就像一个独特而宏大的对位法的不同主题相互联系、在展开中交织,而每一个都仍然清晰可辨。它们在一首和声中汇聚,这首和声带着它们前进,并依次赋予每一个以意义,表现为一种运动和丰满,所有其他主题都为它做出贡献。每一个局部主题似乎都源自这首更广阔的和声,并在其中时刻不断地重生,而不是和声表现为预先存在的组成主题的"总和"或"结果"。
And to tell the truth, I cannot shake away the feeling (surely unreasonable...) that it is in a way this harmony - hitherto invisible, but which surely already "existed" in the hidden bosom of things yet to be born - which engendered one by one the themes which were only to take their full meaning through it, and that its muted and pressing voice was what was already calling me during these years of intense solitude, at the outset of my teenage years...
说实话,我无法摆脱这样一种感觉(肯定是不合理的……):正是这首和声——迄今为止不可见,但它肯定已经在尚未诞生的事物的隐秘怀抱中"存在"了——一个接一个地产生了那些只有通过它才能获得全部意义的主题,而它那低沉而紧迫的声音,就是在那些极度孤独的岁月里,在我少年时代的开端,就已经在召唤我的那个声音……
p. P24 · 第30页续
The fact remains that the twelve "maître-thèmes" of my work all contribute to a common symphony, as if by some secret predestination - or, to re-invoke a different picture, they incarnate as many different "viewpoints" that come together to constitute a single and vast vision. This vision only began to emerge from the mist, unveiling some of its recognizable contours, around the years 1957-58 - which were years of intense gestation.
事实仍然是,我工作的十二个"主旋律"都贡献给了一首共同的交响曲,仿佛通过某种秘密的宿命——或者,换一个比喻来说,它们化身成为许多不同的"视点",这些视点汇聚在一起构成一个单一而广阔的视野。这个视野只是在1957-58年左右才开始从雾中浮现,揭开它一些可辨认的轮廓——那是孕育极其紧张的年份。
As strange as it may seem, this vision felt so close, so "obvious", that until just a year ago I had not thought of giving it a name (even though one of my passions has always been to constantly name the things that I discovered, as a first method of apprehension...). It is true that I cannot think of a particular moment during which I experienced the appearance of this vision, or one which I could recognize as such in hindsight. A novel vision is something so vast that its appearance really cannot be attributed to a particular moment. Rather, the vision has to penetrate and take possession - over the course of many years, if not generations - of the individual or group whose activity it is to contemplate and scrutinize; as if new eyes had to laboriously come into being, behind the familiar eyes which they have come to replace.
尽管看起来很奇怪,这个感觉是如此接近,如此"明显",以至于直到一年前我都没有想到要给它起个名字(尽管我的一个热情一直是不断地给我发现的东西命名,作为把握事物的第一种方法……)。确实,我想不起有哪个特定的时刻,我经历了这个视野的出现,或者事后我能认出来的时刻。一个新的视野是如此广阔的东西,它的出现真的不能归因于某个特定的时刻。相反,视野必须渗透并占据——在许多年、如果不是几代人的过程中——那个活动是沉思和审视它的个人或群体;仿佛新的眼睛必须在熟悉的眼睛后面费力地形成,取代那些它们来替换的眼睛。
p. P25 · 第31页
The vision is also too vast for there to be any chance to "capture it", the way we may capture the first notion to come our way. There is therefore nothing surprising, after all, about the fact that the very thought of naming something this vaste, yet so close and diffuse, only came with hindsight, once the vision had reached full maturity.
视野也太广阔了,不可能有机会"捕捉它",就像我们捕捉第一个进入脑海的概念那样。因此,一旦视野完全成熟,事后才想到要给这个既广阔又如此接近、如此弥散的东西命名,这毕竟没什么好奇怪的。
To tell the truth, until two years ago, my relationship with mathematics was limited (with the exception of teaching) to the act of doing it - following an impulse that ceaselessly moved me forward, into an "unknown" that continually attracted me. The idea never occurred to me to stop in my stride and to interrogate myself, to turn around even for an instant and perhaps to see the outline of a path taken, or to situate past work (be it to situate it in my life, as something to which profound links long ignored continue binding me; or to situate it in the collective adventure that is "mathematics".)
说实话,直到两年前,我和数学的关系(除了教学之外)仅限于做数学这个行为——遵循一种不断推动我前进的冲动,进入一个持续吸引我的"未知"。我从来没有想过要停下脚步问问自己,哪怕转身一瞬间,也许能看到走过的路的轮廓,或者定位过去的工作(无论是把它定位在我的生命中,作为长期被忽视的深刻联系继续把我绑在其中的东西;还是把它定位在"数学"这个集体冒险中。)
Stranger thing even, in order to bring myself to "lay out" and to reckon with this half-forgotten work, or to even consider giving a name to the vision that lay at its heart, I would have had to suddenly confront the reality of a Funeral of gigantic proportions: the funeral, through silence and derision, both of the vision and of the craftsman in whom it was borne...
更奇怪的是,为了让我自己开始"展示"并正视这份半被遗忘的工作,甚至考虑给位于其核心的视野命名,我不得不突然面对一场巨大规模的葬礼的现实:这场葬礼,通过沉默和嘲笑,既是视野的葬礼,也是孕育这个视野的工匠的葬礼……
2.9 形式与结构——万物之道 Form and structure - or the way of things
p. P26 · 第32页
Without planning to, I ended up writing this "foreword" as a sort of presentation "en règle" of my work, intended (mostly) to the non-mathematician reader. Having come too far to turn back, it is time to finish "the introductions"! I would like to attempt to say a few words about the substance of these marvelous "great ideas" (or "maître-thèmes") which I have mentioned in the above pages, and about the nature of this so-called "vision" within which these key ideas supposedly come together. In keeping with the non-technical nature of this foreword, I would undoubtedly only be able to convey an extremely vague picture (provided indeed that anything at all can even "go through"...)
没有计划地,我最后把这篇"前言"写成了一种对我工作的"正式"介绍,主要是写给非数学读者的。既然已经走得太远回不了头了,是时候结束"导论"了!我想试着说几句关于这些奇妙的"伟大想法"(或"主旋律")的实质,以及这个所谓的"视野"的本质——这些关键想法据说就是在这个视野中汇聚在一起的。为了与这篇前言的非技术性性质保持一致,我无疑只能传达一幅极其模糊的画面(前提是真的有什么东西能"传达过去"……)
Traditionally, we draw a distinction between three types or "quality", or "aspects" of things in the Universe which lend themselves to mathematical thought: they are number, size, and shape. They could also be called respectively the "arithmetic" aspect, "metric" (or analytic) aspect, and the "geometric" aspect of things. In most situations under study in mathematics, these three aspects are present simultaneously and are tightly interacting. However, very often, there is a clear prevalence of one of the three. It seems to me that for most mathematicians, it is rather clear (to those who know them, or who are aware of their work) which is their base temperament, whether they are "arithmeticians", "analysts" or "geometers" - and this is so even for those who have many strings to their bow and who have done work in all registers and diapasons imaginable.
传统上,我们区分宇宙中事物的三种类型或"性质"或"方面",它们适合数学思考:它们是数、量和形。它们也可以分别被称为事物的"算术"方面、"度量"(或分析)方面和"几何"方面。在数学研究的大多数情境中,这三个方面同时存在并且紧密相互作用。然而,很多时候,三者中有一个明显占主导地位。在我看来,对大多数数学家来说(对于那些了解他们、或者了解他们工作的人来说),他们的基本气质是什么是相当清楚的——他们是"算术家"、"分析家"还是"几何学家"——即使对于那些多才多艺、在所有可以想象的音域和音区都做过工作的人来说也是如此。
p. P27 · 第33页
My first and solitary reflections, concerning the theories of measure and integration, are situated without any ambiguity in the "size", or "analysis" category. The same goes for the first of the new themes which I have introduced in mathematics (which seems to me to be of lesser proportions than the eleven others). The fact that I have entered the world of mathematics "through" analysis seems due, not to my particular temperament, but rather to what may be called "fortuitous circumstances": it was because the most blatant gap in my secondary and university education, to my mind enamored with generality and rigor, happened to concern the "metric" or "analytic" aspect of things.
我最初的、也是孤独的反思,关于测度与积分理论的,毫无歧义地位于"量"或"分析"的范畴中。我引入数学的第一个新主题也是如此(在我看来它比其他十一个规模要小)。我"通过"分析进入数学世界这个事实,似乎不是因为我的特殊气质,而是因为可以称之为"偶然的环境"的东西:因为我在中学和大学教育中最明显的缺口——在我那个热衷于一般性和严谨性的头脑看来——恰好涉及事物的"度量"或"分析"方面。
The year 1955 marked a crucial turn in my mathematical work: that of the transition from "analysis" to "geometry". I still remember the associated striking impression (entirely subjective of course), as if leaving arid and surly steppes to suddenly find myself in a "promised land" of sorts, full of lush riches, multiplying themselves ad infinitum wherever I cared to look, to reap or to investigate... And this impression of overwhelming wealth, beyond all measure, only confirmed itself and deepened over the course of the years, up to this very day.
1955年标志着我数学工作的一个关键转折:从"分析"到"几何"的过渡。我仍然记得那种与之相关的 striking 印象(当然完全是主观的),仿佛离开了干旱而阴郁的草原,突然发现自己置身于某种"应许之地",充满了郁郁葱葱的财富,无论我愿意看向哪里,这些财富都无限地增殖,供我收获或研究……而这种压倒性财富的印象,超出一切尺度,在岁月的过程中只是不断确认并加深,直到今天。
This is to say that if there is one thing in mathematics which fascinates me more than any other (and undoubtedly always has), it is neither "number" nor "size", but invariably shape. And among the thousand and one faces under which shape chooses to reveal itself to us, that which has fascinated me more than any other and continues to do so is the structure hidden in mathematical things.
这就是说,如果数学中有一件事比其他任何事都更让我着迷(而且无疑一直如此),那既不是"数"也不是"量",而永远是形。而在形选择向我们展现自身的一千零一张面孔中,比其他任何面孔都更让我着迷、而且继续让我着迷的,是隐藏在数学事物中的结构。
p. P28 · 第34页
The structure of a thing is not something which it is possible for us to "invent". We can only patiently unravel it, humbly get to know it and "discover" it. If there is any ingenuity involved in this line of work, and if we sometimes take up the role of a blacksmith or that of a tireless builder, it is never to "model" or to "construct" "structures" - they didn't have to wait for us to exist, and to be precisely what they are! Rather, it is to express, as faithfully as we can, those things which we are in the process of scanning and discovering, the structure that is reluctant to surrender and which we attempt to grasp, fumblingly, and through a perhaps fledgling language.
一个事物的结构不是我们可以"发明"的东西。我们只能耐心地解开它,谦卑地认识它并"发现"它。如果这条工作路线涉及任何独创性,如果我们有时扮演铁匠或不知疲倦的建造者的角色,那绝不是为了"建模"或"构造""结构"——它们不需要等我们才存在,也不需要等我们才成为它们所是的样子!而是,为了尽可能忠实地表达那些我们正在扫描和发现的东西,那个不愿投降的结构,我们试图摸索着、通过一种也许还很稚嫩的语言来把握它。
Thus are we constantly led to "invent" the language best suited to ever more finely express the intimate structure of mathematical things, and to "construct" by means of this language, slowly and from the ground up, the "theories" that are supposed to report what has been apprehended and seen. Underlying this process is a continual, uninterrupted back-and-forth motion between the apprehension of things and the expression of that which has been apprehended, through a language that grows finer and is created anew over time, under the constant pressure of immediate needs.
于是我们不断地被引导去"发明"最适合越来越精细地表达数学事物内在结构的语言,并通过这种语言,缓慢地、从头开始地"构造"那些应该报告已经把握和看到的东西的"理论"。这个过程的基础是一种持续的、不间断的来回运动,在对事物的把握和对已把握之物的表达之间,通过一种在即时需求的持续压力下、随时间变得越来越精细并重新创造的语言。
As the reader will have no doubt guessed, these "theories", "constructed from the ground up", are but the "beautiful houses" which were discussed earlier: the houses which we inherit from our predecessors and those which we are led to build with our own hands, as we listen and follow the calling of things. Having mentioned earlier the "ingenuity" (or imagination) of the builder or the blacksmith, I should add that what lies at its heart is not the arrogance of he who asserts "I want this, and not that!" and who decides according to his whim; it is a pitiful architect who sets off with all of his plans fixed in his mind, before even having seen and felt the terrain, surveying its requirements and possibilities. What characterizes the value of the ingenuity and imagination of a researcher is the quality of his attention as he listens to the voice of things - for the things of the Universe never tire of talking about themselves and to reveal themselves to he who cares to listen. Thus, the most beautiful house, that in which the love of the builder is most evident, is not that which is larger or higher than the others. Rather, a house is beautiful if it faithfully reflects the structure and beauty hidden in things.
读者无疑已经猜到了,这些"从头构造的""理论"不过是前面讨论过的"美丽的房子":我们从前辈那里继承的房子,以及我们被引导着用自己的双手建造的房子,当我们倾听并跟随事物的召唤时。前面提到了建造者或铁匠的"独创性"(或想象力),我应该补充一点:位于其核心的不是那种断言"我要这个,不要那个!"、凭一时兴起做决定的人的傲慢;那是一个可怜的建筑师,他在还没看到和感受地形之前,就把所有计划都固定在脑子里出发了,没有测量地形的需求和可能性。研究者的独创性和想象力的价值特征,是他倾听事物声音时注意力的质量——因为宇宙中的事物从不厌倦谈论自身,并向愿意倾听的人揭示自身。因此,最美丽的房子,也就是建造者的爱最明显的房子,不是比其他房子更大或更高的那个。相反,一座房子是美丽的,如果它忠实地反映了隐藏在事物中的结构和美。
2.10 新几何——数与量的结合 The novel geometry - or the marriage of number and size
p. P29 · 第34页续
But I digress once more - my intention was to speak of maître-thèmes, united under a common vision-mère, akin to rivers returning to the Sea from which they were born...
但我又离题了——我的意图是谈论那些主旋律,它们在一个共同的母视野下统一起来,就像河流回到它们从中诞生的大海一样……
This vast and unifying vision can be described as a novel geometry. It appears to have been what Kronecker had dreamed of, in the last century. Yet reality (which a bold dream can sometime lead us to anticipate or glimpse at, thereby encouraging us to pursue its discovery...) always surpasses in wealth and resonance even the deepest and most daring of dreams. Surely, concerning more than one arc of this novel geometry (if not all of them), nobody, even up to the very day preceding its appearance, could have seen it coming - the builder no more than anybody else.
这个广阔而统一的视野可以被描述为一种新几何。它似乎就是克罗内克在上个世纪梦想的东西。然而现实(一个大胆的梦有时可以引导我们去预期或瞥见,从而鼓励我们去追求它的发现……)总是在丰富性和共鸣上超越即使是最深沉、最大胆的梦。当然,关于这种新几何的不止一条弧线(如果不是全部的话),即使直到它出现的前一天,也没有人能预见它的到来——建造者也不比其他人更能预见。
One may say that "number" is capable of describing the structure of "discontinuous", or "discrete" aggregates: systems - often finite - composed of "elements" or "objects" isolated from one another, so to speak, without a notion of "continuous motion" from one object to the next. "Size", on the other hand, is the quality par excellence when it comes to "continuous variation"; as such, it is capable of describing structures and phenomena of a continuous nature: motion, spaces, "varieties" of all kinds, force fields, etc... Thus, arithmetic appears (roughly) to be the science of discrete structures, and analysis the science of continuous structures.
可以说,"数"能够描述"不连续的"或"离散的"集合的结构:系统——通常是有限的——由彼此孤立的"元素"或"对象"组成,可以说,没有从一个对象到下一个对象的"连续运动"的概念。另一方面,"量"是当涉及"连续变化"时最卓越的性质;因此,它能够描述连续性质的结构和现象:运动、空间、各种"流形"、力场等等。于是,算术(粗略地)表现为离散结构的科学,而分析表现为连续结构的科学。
p. P30 · 第35页
two types of structures, the "discrete" and the "continuous". Indeed, for a long time, there wasn't really a "divorce" between two geometries of a fundamentally different kind, the one discrete and the other continuous. Rather, there were two different viewpoints involved in the investigation of the same geometric figures: the first focused on the study of "discrete" properties (notably, properties of a numerical or combinatoric nature), and the second treating of "continuous" properties (such as that of position in an ambient space, or that of "size" measured in terms of the pairwise distance between points, etc...).
两种类型的结构,"离散的"和"连续的"。确实,在很长一段时间里,并不存在两种根本不同的几何之间的真正"离婚",一种是离散的,另一种是连续的。而是,在对同一几何图形的研究中涉及两个不同的视点:第一个聚焦于"离散"性质的研究(特别是数值或组合性质的),第二个处理"连续"性质的研究(比如在一个环境空间中的位置,或者用点对之间的距离来度量的"量"等等)。
It is only at the turn of the last century that a divorce emerged, marked by the apparition and development of what may be called "(abstract) algebraic geometry". Roughly speaking, this consisted in introducing, for every prime number p, a theory of (algebraic) geometry "in characteristic p", modeled after the (continuous) analog of (algebraic) geometry developed over the course of the preceding centuries, yet in a context which appeared to be fundamentally "discontinuous", "discrete". These new geometric objects grew in importance since the beginning of the century, notably due to their close connections to arithmetic, the science par excellence of discrete structures.
直到上个世纪之交,一场离婚才出现,标志是可以称之为"(抽象)代数几何"的出现和发展。粗略地说,这包括对每个素数p,引入一种"特征p下的"(代数)几何理论,它是按照前几个世纪发展起来的(代数)几何的(连续的)类比模型来建立的,但却是在一个看起来根本上"不连续的"、"离散的"背景下。这些新的几何对象自本世纪初以来越来越重要,特别是因为它们与算术——离散结构的卓越科学——的紧密联系。
This seems to have been one of the leading ideas in the work of André Weil, perhaps even his principale idée-force (although it remained relatively tacit in his written work, as it should) - namely, that "the" theory of (algebraic) geometry, and particularly the "discrete" geometries associated to the various prime numbers, were to provide the key for a vast renewal of the theory of arithmetic. It is in this spirit that the celebrated "Weil conjectures" were formulated in 1949.
这似乎是安德烈·韦伊工作中的主导思想之一,也许甚至是他主要的力之理念(尽管在他的书面工作中它相对保持沉默,也是应该的)——也就是,(代数)几何的理论,特别是与各种素数相关的"离散"几何,将为算术理论的一次宏大更新提供钥匙。正是在这种精神下,著名的"韦伊猜想"于1949年被提出。
p. P31 · 第36页
Before all else, the novel geometry can be viewed as a synthesis between these two worlds, hitherto adjacent and tightly connected, but nonetheless separated: the "arithmetic" world, in which (so-called) "spaces" with no notion of continuity live, and the world of continuous size, where "spaces" in the proper sense of the term live and are accessible using the tools of the analyst, who (for this very reason) considers them worthy to dwell in the mathematical city. Under the novel vision, these two hitherto separated worlds are merged into one.
首先,新几何可以被看作是这两个世界之间的综合,这两个世界至今相邻且紧密相连,但仍然是分离的:"算术"世界,其中居住着(所谓的)没有连续性概念的"空间";以及连续量的世界,其中居住着真正意义上的"空间",分析学家的工具可以接近它们,分析学家(正因为这个原因)认为它们值得居住在数学之城。在新的视野下,这两个至今分离的世界合并为一个。
The first embryo of this vision of "arithmetic geometry" (the term I hereby suggest for this novel geometry) can be found in Weil's conjectures. In the development of some of my principal themes, these conjectures served as my main source of inspiration, throughout the years 1958-1969. Before me, Oscar Zariski on the one hand, and later Jean-Pierre Serre on the other, had developed some "topological" methods tailored for the unruly spaces of "abstract" algebraic geometry, inspired by the standard methods previously used for the "nice spaces" everybody knows.
这个"算术几何"视野(我在此建议用这个词来称呼这种新几何)的第一个胚胎可以在韦伊猜想中找到。在我一些主要主题的发展中,这些猜想起了我主要灵感来源的作用,贯穿1958-1969年。在我之前,奥斯卡·扎里斯基一方面,以及后来让-皮埃尔·塞尔另一方面,已经发展了一些"拓扑"方法,为"抽象"代数几何的不羁空间量身定制,灵感来自以前用于大家都知道的"好空间"的标准方法。
2.11 魔法之扇——纯真 The magical fan - or the innocence
p. P32 · 第37页
The two crucial "idées-forces" in starting up and developing the novel geometry were those of schemes and topoi. They appeared at roughly the same time and in tight symbiosis, and they acted as one and the same motor nerve in the spectacular expansion of the novel geometry, beginning the very year of the apparition. To complete this tour of my work, all that remains is for me to say a few words about these two ideas.
在启动和发展新几何的过程中,两个关键的"力之理念"是概形和拓扑斯。它们大约同时出现,并且紧密共生,在新几何的壮观扩张中扮演着同一条运动神经的角色,从出现的那一年就开始了。要完成这次对我工作的巡礼,我剩下要说的就是关于这两个想法的几句话。
The notion of scheme is the most natural, the most "obvious", when it comes to englobe into a unique notion the infinite series of notions of (algebraic) "variety" which we manipulated previously (one such notion for each prime number...). In fact, a unique "scheme" (or "variety nouveau style") gives rise to a well-defined "(algebraic) variety in characteristic p" for every prime number p. The collection of these various varieties in different characteristics can then be viewed as a sort of "(infinite) fan of varieties" (one for each characteristic). The "scheme" is precisely this magical fan, which links to one another several different "branches", its "avatars" or "incarnations" in every possible characteristic.
概形的概念是最自然、最"明显"的,当涉及把我们以前操作的(代数)"簇"的无穷系列概念(每个素数一个这样的概念……)综合成一个唯一概念时。事实上,一个唯一的"概形"(或"新式簇")对每个素数p都产生一个良定义的"特征p下的(代数)簇"。这些不同特征下的各种簇的集合然后可以被看作是一种"(无限的)簇之扇"(每个特征一个)。"概形"正是这个魔法之扇,它把几个不同的"分支"——它在每个可能特征下的"化身"或"道成肉身"——连接在一起。
p. P33 · 第37页续
The very idea of a scheme is of a childlike simplicity - so simple, so humble, that no one before me had even thought to look so low. So "silly", in fact, that for many years and despite the evidence pointing to the contrary, many of my erudite colleagues found this whole affair "not serious"! It actually took me months of intense and solitary work, to convince myself that it indeed "worked" just fine - that this new language, so silly, that I had the incorrigible naivety to persist in testing, was after all adequate in capturing in a new light and with greater finesse, and in a common framework, some of the very first geometric intuitions attached to the prior "geometries in characteristic p".
概形这个想法本身有着孩子般的简单——如此简单,如此谦卑,以至于在我之前甚至没有人想到要看得这么低。实际上是如此"愚蠢",以至于很多年里,尽管证据指向相反的方向,我的许多博学的同事还是觉得这整件事"不严肃"!我实际上花了好几个月紧张而孤独的工作,才说服自己它确实"行得通"——这种新语言,如此愚蠢,我却有着不可救药的天真坚持要测试它,结果它终究足以在新的光线下、以更精细的方式、在一个共同框架中,捕捉到一些最初的几何直觉,这些直觉与先前的"特征p下的几何"相关联。
Rather than letting myself be distracted by the consensus which prevailed around me, regarding what is considered "serious" and what isn't, I simply trusted, as I had before, the humble voice of things, and followed that within me which knew how to listen. The reward was immediate, and beyond all expectations. Within the span of a few months, without even "meaning to", I had discovered powerful and unexpected new tools. They allowed me to not only recover old results, reputedly difficult, in a more telling light, but also to surpass them, as well as to finally tackle and solve problems in "geometry in characteristic p" which to that day seemed out of reach using the methods known at the time.
我没有让自己被周围流行的共识——关于什么是"严肃的"、什么不是——分散注意力,而只是像以前一样,相信事物谦卑的声音,跟随我内心那个知道如何倾听的部分。回报是即时的,而且超出所有预期。在几个月的时间里,甚至不是"故意的",我就发现了强大而意想不到的新工具。它们让我不仅能用更有说服力的方式重新获得那些据说是困难的旧结果,而且超越它们,以及最终解决和攻克"特征p下的几何"中的问题,而这些问题直到那天用当时已知的方法似乎是遥不可及的。
p. P34 · 第38页
In our probing of things in the Universe (mathematical or otherwise), we dispose of a crucial rehabilitating power: innocence. By this I mean the original innocence which we have all received at birth and which rests within us, often the target of our scorn and of our deepest fears. It alone unites the humility and audacity which allow us to penetrate into the heart of things, while also allowing these things to penetrate into us and impregnate us with their meaning.
在我们对宇宙中事物(数学的或其他的)的探索中,我们拥有一种关键的恢复力量:纯真。我指的是我们出生时都接收到的原初纯真,它栖息在我们内心,常常是我们轻蔑和最深恐惧的目标。唯有它结合了谦卑和大胆,让我们能够穿透事物的核心,同时也让这些事物穿透我们,用它们的意义来孕育我们。
This power does not only come as a privilege for the extraordinarily "gifted" - (say) with an exceptional intellectual power allowing them to absorb and manipulate, with ease and dexterity, an impressing quantity of known facts, ideas, and techniques. Such gifts are admittedly precious, and susceptible to generate the envy of those (like myself) who were not so gifted at birth, "beyond all measure".
这种力量不仅仅是那些特别"有天赋"的人的特权——(比如说)拥有一种非凡的智力力量,让他们能够轻松而灵巧地吸收和操作大量已知的事实、想法和技术。这样的天赋当然是珍贵的,而且容易让那些(像我一样)出生时没有那么有天赋的人"超出一切尺度地"嫉妒。
Yet, it is not those gifts, nor even the most burning of ambitions, accompanied with a relentless will, which allow us to cross the "invisible and imperious circles" which enclose our Universe. Only innocence can cross them, without noticing or even caring to, during the times where we find ourselves alone and listening to the voice of things, intensely absorbed in child's play...
然而,让我们穿越包围我们宇宙的"无形而专横的圈子"的,不是那些天赋,甚至不是最炽热的野心加上不屈不挠的意志。只有纯真能穿越它们,在我们发现自己孤独地倾听事物的声音、全神贯注于儿童游戏的时候,甚至都没有注意到、也不在意要穿越它们……
2.12 拓扑学——雾中勘测 Topology - or surveying through the mist
p. P35 · 第39页
The notion of "space" is undoubtedly one of the oldest in mathematics. It is so fundamental to our "geometric" apprehension of the world around us, that it has remained more or less tacit for over two millennia. Only in the last century did this notion finally begin to progressively detach itself from the tyrannical stranglehold of immediate perception (that of a unique "space" surrounding us), and from its traditional ("euclidian") theorization, in an effort to acquire an autonomy and dynamic of its own.
"空间"的概念无疑是数学中最古老的概念之一。它对我们对周围世界的"几何"把握是如此基本,以至于两千多年来它一直或多或少是默认的。直到上个世纪,这个概念才终于开始逐渐从直接感知的暴虐束缚(包围我们的那个唯一"空间"的感知)中、以及从它传统的("欧几里得的")理论化中脱离出来,努力获得自身的自主性和动力。
Nowadays, it is one of the most universal and most commonly used notions in mathematics, one with which every mathematician is almost surely familiar. It is moreover a remarkably multifaceted notion, one of a thousand and one faces, depending on the structure with which we choose to equip these spaces, from the richest of all (such as the venerable "euclidian" structures, or the "affine" or "projective" structures, or the "algebraic" structures of the eponymous "varieties", which generalize and relax the latter) to the most bare: those where all forms of "quantitative" information seems to have been lost forever, and where alone subsist the quintessence of the qualitative notion of "proximity" or that of "limit", as well as the most elusive version of the notion of (so called "topological") shape.
如今,它是数学中最普遍、最常用的概念之一,每个数学家几乎肯定都熟悉它。而且它是一个非常多面的概念,有一千零一张面孔,取决于我们选择用什么结构来装备这些空间,从最丰富的(比如令人崇敬的"欧几里得"结构,或"仿射"或"射影"结构,或同名"簇"的"代数"结构——这些结构推广并放松了后者)到最赤裸的:那些所有形式的"定量"信息似乎永远丢失了,只剩下"邻近"或"极限"这些定性概念的精髓,以及(所谓"拓扑")形状概念的最难以捉摸的版本。
p. P36 · 第40页
The most bare of all such notions, which to this day had served as a sort of vast and common conceptual bosom englobing all the others, was that of topological space. The study of such spaces constitutes one of the most fascinating and vigorous branches of geometry: that of topology.
所有这些概念中最赤裸的那个,直到今天一直充当一种广阔而共同的概念怀抱,包含所有其他概念,就是拓扑空间的概念。对这种空间的研究构成了几何学中最迷人、最有活力的分支之一:拓扑学。
A little earlier, our understanding of cohomological invariants found a deep enrichment and renewal through the work of Jean Leray (produced while he was held in captivity in wartime Germany, during the first half of the 1940s). The essential innovation was the notion of (abelian) sheaf over a space, to which Leray associated a sequence of "cohomology groups" (said to "take values in that sheaf"). It was as if the good old classical "cohomological meterstick" of which we hitherto disposed to "survey" a space was suddenly multiplied into an unimaginably large multiplicity of new "metersticks" of all sizes, shapes, and substance imaginable, each of them intimately linked to the space at hand, and conveying to us information about it with perfect precision, information which it alone was in a position to reveal.
稍早一些,我们对上同调不变量的理解通过让·勒雷的工作(他在1940年代上半叶被囚禁在战时德国期间完成的)获得了深刻的丰富和更新。本质上的创新是空间上的(阿贝尔)层的概念,勒雷为它关联了一系列"上同调群"(称为"取值于那个层"的上同调群)。这就好像我们至今拥有的那个用来"勘测"空间的经典的"上同调标尺",突然成倍增加为一个难以想象的巨大的新"标尺"的多样性,各种大小、形状和可以想象的材质,每一个都与手头的空间紧密相连,并以完美的精度向我们传达关于它的信息,而这些信息是只有它才能揭示的。
p. P37 · 第40页续
The notion of a sheaf was the "idée maîtresse" of a profound transformation in our probing of spaces of all kinds, and surely one of the most crucial ideas to have appeared in the course of this century. Thanks mostly to the later work of Jean-Pierre Serre, Leray's ideas first bore fruit during the decade following their appearance, in the form of an impressive restart of the theory of topological spaces (notably the theory of so-called "homotopical" invariants, intimately linked to cohomology), as well as in the form of another restart, no less capital, in so-called "abstract" algebraic geometry (through Serre's fundamental FAC article, which appeared in 1955).
层的概念是我们对各种空间的探索中一场深刻变革的"主导理念",而且无疑是本世纪出现的最关键的想法之一。主要多亏了让-皮埃尔·塞尔后来的工作,勒雷的想法在出现后的十年里首先结出了果实,形式是拓扑空间理论的一次令人印象深刻的重启(特别是所谓"同伦"不变量的理论,与上同调紧密相连),以及另一次同样重要的重启,在所谓"抽象"代数几何中(通过塞尔1955年发表的基础性FAC文章)。
2.13 拓扑斯——双人床 Topoi - or the double bed
p. P38 · 第41页
The viewpoint and language of sheaf theory introduced by Leray brought us to view "spaces" and "varieties" of all kinds in a new light. They did not touch the notion of space itself; rather, they allowed us to probe more finely, with new eyes, the traditional "spaces" which were already familiar to all. However, it turned out that this notion of space was inadequate to capture the most essential "topological invariants" expressing the "shape" of "abstract" algebraic varieties (including those which applied to Weil's conjectures), or the shape of general "schemes" (which generalized the old varieties).
勒雷引入的层理论的视点和语言让我们以新的眼光看待各种"空间"和"簇"。它们没有触及空间概念本身;而是让我们用新的眼睛更精细地探测那些已经为所有人所熟悉的传统"空间"。然而,事实证明,这个空间概念不足以捕捉表达"抽象"代数簇"形状"的最本质"拓扑不变量"(包括那些应用于韦伊猜想的),或者一般"概形"(推广了旧的簇)的形状。
For the anticipated "marriage of number and size", the existing notion of space was a rather cramped bed, where only one of the future spouses (namely, size) could with some effort manage to fit, but certainly not both at once! The "novel principle" which remained to be found, to arrive at the promised wedding, was nothing but the spacious "bed" which the future spouses were missing, escaping everybody's notice up to this point...
对于预期中的"数与量的婚礼",现有的空间概念是一张相当狭窄的床,未来的配偶中只有一个(也就是量)可以费点劲勉强挤进去,但肯定不能两个同时挤进去!为了到达应许的婚礼,还需要找到的那个"新原则",正是未来配偶们缺少的那张宽敞的"床",直到今天都没有引起任何人的注意……
This "double bed" appeared (as if by magic) with the idea of the topos. This idea englobe in a common topological both the traditional (topological) spaces, incarnating the world of continuous size, and that (so-called) "spaces" (or "varieties") of the impertinent abstract algebraic geometers, as well as countless other types of structures which seemed hitherto to be irremediably locked in the "arithmetic world" of "discontinuous" or "discrete" aggregates.
这张"双人床"随着拓扑斯的想法(像变魔术一样)出现了。这个想法在一个共同的拓扑中包含了传统的(拓扑)空间——体现连续量的世界,以及那些无礼的抽象代数几何学家的(所谓)"空间"(或"簇"),以及无数其他类型的结构,这些结构至今似乎无可救药地被锁在"不连续的"或"离散的"集合的"算术世界"里。
p. P39 · 第42页
The key was the same, both in the initial and provisory approach (via the convenient but non-intrinsic notion of "site") and in that of topos. It is the idea of the topos which I would now like to try describing. Consider the set of all sheaves on a given (topological) space, which is, in a sense, the prodigious arsenal formed by all the "metersticks" used to probe this space. We consider this "set" or "arsenal" equipped with its most evident structure, which appears - so to speak - "in front of our nose"; namely, the structure of a "category". It is this "probing superstructure" of sorts, called "category of sheaves" (on the space considered), which will henceforth be considered as the "incarnation" of what is most essential in the space.
钥匙是同一把,无论是在最初的、临时的进路(通过方便但非内在的" site "概念)中,还是在拓扑斯的进路中。我现在想试着描述的是拓扑斯这个想法。考虑一个给定(拓扑)空间上所有层的集合,从某种意义上说,这是由用来探测这个空间的所有"标尺"组成的巨大武器库。我们考虑这个"集合"或"武器库"装备着它最明显的结构,可以说这个结构就在"我们鼻子前面";也就是一个"范畴"的结构。正是这种"探测上层建筑",被称为(所考虑空间上的)"层范畴",从今以后将被认为是空间中最本质之物的"道成肉身"。
As often happens in mathematics, we have succeeded (through the crucial idea of a "sheaf", or "cohomological meterstick") to express one notion (that of "space" in this case) in terms of another (that of "category"). Each time, the discovery of such a translation of one notion (expressing a certain type of situation) in terms of another (corresponding to another type of situations) enriches our understanding of both notions, through the unexpected confluence of specific forms of intuition pertaining to one notion or the other.
正如数学中经常发生的那样,我们(通过"层"或"上同调标尺"的关键想法)成功地用另一个概念(这里是"范畴"的概念)来表达一个概念(这里是"空间"的概念)。每一次,把一个概念(表达某一类型情境)翻译成另一个概念(对应另一类型情境)的发现,都通过属于这个或那个概念的特定直觉形式的意外汇合,丰富了我们对两个概念的理解。
p. P40 · 第43页
This, then, was the novel idea. Its appearance can be viewed as a consequence of the (nearly childlike) observation that what really matters in a topological space isn't its "points" or its subsets of points (and the proximity relations between them, etc...); rather, it is the sheaves on that space that matter, and the category which they form. I have only, in effect, carried Leray's initial idea to its ultimate consequence - and, having done this, taken the step.
这就是那个新想法。它的出现可以被看作是一个(近乎孩子般的)观察的结果:在一个拓扑空间中真正重要的不是它的"点"或它的点的子集(以及它们之间的邻近关系等等……);而是,重要的是那个空间上的层,以及它们形成的范畴。实际上,我只不过是把勒雷最初的想法推到了它的终极结果——然后,做了这一步。
As with the very idea of sheaves (due to Leray), or that of schemes, indeed as for any "great idea" which comes to disrupt an ingrained vision of things, the notion of topoi is unsettling due to its natural character, its "evidence"; due to a simplicity (which is almost, one could say, naive or simplistic, even "silly") of the particular flavor which makes us so often exclaims: "Oh, that's all there was to it!", in a half disappointed, half envious tone; with perhaps an undercurrent pertaining to the "zany", the "unreasonable", which is often reserved to that which is shocking through an excess of unexpected simplicity. A simplicity which reminds us, perhaps, of the long buried and repressed days of our childhood.
就像层这个想法本身(归功于勒雷),或概形的想法,确实就像任何一个来打乱根深蒂固的事物视野的"伟大想法"一样,拓扑斯的概念因为它的自然性质、它的"自明性"而让人不安;因为它的简单性(几乎可以说是天真或简单化的,甚至是"愚蠢的"),这种特殊的味道让我们常常惊呼:"哦,原来就是这么回事!"——用一半失望一半羡慕的语气;也许还有一丝与"荒唐的"、"不合理的"有关的潜流,这种潜流通常留给那些因过度出人意料的简单而令人震惊的东西。这种简单性也许让我们想起了被长期埋葬和压抑的童年时光。
2.14 空间概念的突变——呼吸与信念 Mutation of the notion of space - or breath and faith
p. P41 · 第44页
The notion of scheme constitutes a vast enlargement of the notion of "algebraic variety", and as such it has led to a profound renewal of the algebraic geometry inherited from my predecessors. As for the notion of topos, it constitutes an unexpected enlargement, or rather, a metamorphosis of the notion of space. It thereby bears promise for a similar renewal of topology, and beyond it, of geometry. Already, it has played a crucial role in the expansion of the novel geometry (especially through the themes of l-adic and crystalline cohomology issued from it, and the resulting proof of the Weil conjectures).
概形的概念构成了"代数簇"概念的一次广阔扩展,正因如此,它导致了我从前辈那里继承来的代数几何的一次深刻更新。至于拓扑斯的概念,它构成了一次意外的扩展,或者说,空间概念的一次蜕变。因此它有望带来拓扑学的类似更新,以及更广泛地,几何学的更新。它已经在新几何的扩张中发挥了关键作用(特别是通过从中产生的l进上同调和晶体上同调的主题,以及由此产生的韦伊猜想的证明)。
First, the new notion is not too vast, in that inside the new "spaces" (called "topoi" so as not to bother delicate ears), the most essential "geometric" intuitions and constructions, familiar within the traditional spaces of yesteryear, admit a more or less obvious transposition. In other words, when working with the new objects, we have at our disposal the entirety of the rich array of the images, mental associations, notions, and to some extent the techniques which hitherto were restricted to the old fashioned objects.
首先,新概念不是太广阔,因为在新的"空间"(称为"拓扑斯",免得冒犯敏感的耳朵)内部,最本质的"几何"直觉和构造——这些在昨天的传统空间中是熟悉的——都有一个或多或少明显的转置。换句话说,当我们处理新对象时,我们可以支配丰富的图像、心理联想、概念,以及在某种程度上迄今为止只限于老式对象的技术。
p. P42 · 第44页续
Second, the new notion is at the same time sufficiently vast to englobe a host of situations which were hitherto not considered to be suitable for intuition of a "topologico-geometric" nature - an intuition which we had in the past precisely reserved to the study of ordinary topological spaces (and for good reasons...). Crucially, from the perspective of the Weil conjectures, this new notion is vast enough to allow us to associate to any "scheme" such a "generalized space" or "topos" (called the "étale topos" associated to the scheme under consideration).
其次,新概念同时又足够广阔,可以包含大量的情境,这些情境至今不被认为适合"拓扑-几何"性质的直觉——这种直觉我们过去恰恰是保留给普通拓扑空间的研究的(而且有充分的理由……)。关键的是,从韦伊猜想的角度来看,这个新概念足够广阔,可以让我们对任何"概形"关联这样一个"广义空间"或"拓扑斯"(称为与所考虑概形关联的"平展拓扑斯")。
2.15 国王的所有马匹…… All of the king's horses...
p. P43 · 第45页
Indeed, deep is the river, and vast and tranquil are the waters of my childhood, in a kingdom I thought I had long since left. All of the king's horses could drink from these waters at once, at ease and to their full satisfaction, without exhausting them! The water comes from glaciers, ardent as the distant snowfalls, and it is soft as the loam of the plains. I just told you about one of these horses, which a child brought to drink at length and to its fill. I also saw another horse come to drink for a moment, possibly following the footsteps of the same kid - but not for long. Someone must have chased it away. And that is all, I must say. And yet I see countless herds of parched horses roaming the plains...
确实,河很深,我童年的水是广阔而宁静的,在一个我以为我早已离开的王国里。国王所有的马匹都可以同时从这些水中饮水,自在而完全满足,而不会把水喝干!水来自冰川,像远处的降雪一样炽热,又像平原的壤土一样柔软。我刚跟你说了其中一匹马,一个孩子带它来长时间饮水、喝个饱。我也看到另一匹马过来喝了一会儿,可能是跟着同一个孩子的脚印——但没多久。一定是有人把它赶走了。我必须说,就这些了。然而我看到无数干渴的马群在平原上游荡……
2.16 动机——心中之心 Motives - or the heart within the heart
p. P44 · 第46页
The theme of topoi was issued from that of schemes, in the same year that schemes appears - yet it far surpasses the mother theme in its scope. It is the theme of topoi, not that of schemes, which constitutes this "bed", or "deep river", in which geometry and algebra, topology and arithmetic, mathematical logic and category theory, the world of the continuous and that of "discontinuous" or "discrete" structures come to be wed. If the theme of schemes is to be seen as the heart of the novel geometry, then the theme of topoi is its envelop, or its dwelling. It is the vastest of my conceptions, in its ability to subtly grasp, with a unique language rich in geometric resonance, the common "essence" of situations far removed from one another, coming from one region or another of the vast universe of mathematical things.
拓扑斯的主题是从概形的主题中产生的,就在概形出现的同一年——然而它在范围上远远超越了母主题。正是拓扑斯的主题,而不是概形的主题,构成了这张"床"或"深河",在其中几何与代数、拓扑与算术、数理逻辑与范畴论、连续的世界与"不连续的"或"离散的"结构的世界得以结合。如果概形的主题被看作新几何的心脏,那么拓扑斯的主题就是它的包裹,或它的居所。它是我所有构想中最广阔的,在于它能够用一种独特的、富有几何共鸣的语言,微妙地把握彼此相距甚远的情境的共同"本质",这些情境来自数学事物广阔宇宙的这个或那个区域。
Yet, the theme of topoi is far from having encountered the success of that of schemes. Now is not the time to speak of the strange vicissitudes that have affected this notion - I touch on this topic on various occasions in Récoltes et Semailles. Two of the "maître-thèmes" of the novel geometry are nonetheless issued from that of topoi, namely two complementary "cohomology theories", both conceived with the intention of formulating an approach towards the Weil conjectures: the étale (or "l-adic") theme, and the crystalline theme. The first concretized in my hands into the l-adic cohomology tool, which has already imposed itself as one of the most powerful mathematical tools of the century.
然而,拓扑斯的主题远没有取得概形主题那样的成功。现在不是谈论影响这个概念的奇特变迁的时候——我在《收获与播种》中多次触及这个话题。尽管如此,新几何的两个"主旋律"是从拓扑斯的主题中产生的,也就是两个互补的"上同调理论",两者都是为了提出通向韦伊猜想的进路而构想的:平展(或"l进")主题,以及晶体主题。前者在我手中具体化为l进上同调工具,它已经确立自己为本世纪最强大的数学工具之一。
p. P45 · 第47页
Around the year 1968, I had also formulated a stronger and more "geometric" version of the Weil conjectures. The latter remained "tied" (so to speak!) to an apparently irreducible "arithmetic" aspect, even though the very spirit of these conjectures is to express and capture the "arithmetic" (or the "discrete") by means of the "geometric" (or the "continuous"). In this sense, the version of the conjectures which I had formulated seem to me more "faithful" to "Weil's philosophy" than Weil's own conjectures - a philosophy left unwritten and rarely told, yet which was perhaps the main tacit motivation underlying the extraordinary expansion of geometry over the course of the past four decades.
1968年左右,我还提出了韦伊猜想的一个更强、更"几何"的版本。后者仍然(可以说!)"系于"一个显然不可约的"算术"方面,尽管这些猜想的真正精神是通过"几何的"(或"连续的")来表达和捕捉"算术的"(或"离散的")。在这个意义上,我提出的猜想版本在我看来比韦伊自己的猜想更忠实于"韦伊哲学"——这是一种没有写下来、很少被人讲述的哲学,然而它也许是过去四十年间几何学非凡扩张背后主要的隐性动机。
My reformulation essentially consisted in extracting a "quintessence" of sorts of what had to remain true in the context of so-called "abstract" algebraic varieties, of classical "Hodge theory", valid for "ordinary" algebraic varieties. I called this new, entirely geometric version of Weil's famous conjectures the "standard conjectures" (for algebraic cycles).
我的重新表述本质上在于提取一种"精髓",即经典"霍奇理论"中——对"普通"代数簇有效的东西——在所谓"抽象"代数簇的背景下仍然必须成立的东西。我把这个新的、完全几何化的韦伊著名猜想版本称为"标准猜想"(关于代数闭链的)。
In my mind, this constituted a new step towards these conjectures, following the development of the l-adic cohomology tool. But it was also and most importantly a principle through which one could approach what I consider to this day to be the deepest theme which I have introduced in mathematics: that of motives (which itself was born out of the "l-adic cohomology theme"). This theme is akin to the heart or soul, the part most concealed and hidden from view, of the schematic theme, which itself lies at the heart of the novel vision. And the handful of key phenomena unearthed by the standard conjectures can in turn be conceived of as forming a sort of ultimate quintessence of the motivic theme, akin to the vital 'breath" of this most subtle of themes, constituting the "heart within the heart" of the novel geometry.
在我心中,这构成了沿着l进上同调工具的发展通向这些猜想的新一步。但它也是,而且最重要的是,一条原理,通过它可以接近我至今认为是我引入数学的最深的主题:动机的主题(它本身诞生于"l进上同调主题")。这个主题类似于概形主题的心脏或灵魂,那个最隐蔽、最不可见的部分,而概形主题本身位于新视野的心脏。而标准猜想所发掘出的那一小撮关键现象,反过来可以被构想为构成动机主题的某种终极精髓,类似于这个最微妙主题的生命"呼吸",构成新几何的"心中之心"。
p. P46 · 第48页
We saw earlier, for a given prime number p, the importance (notably from the perspective of the Weil conjectures) of knowing how to construct "cohomology theories" for "(algebraic) varieties in characteristic p". In fact, the "l-adic cohomology tool" provides just such a theory; it even provides an infinity of different cohomology theories, one for each prime number different from the underlying characteristic p. There remains visibly a "missing theory", corresponding to the case where l equals p. To provide such a theory, I conceived of yet another cohomology theory (which I already alluded to earlier) called "crystalline cohomology".
我们前面看到,对于一个给定的素数p,知道如何为"特征p下的(代数)簇"构造"上同调理论"是重要的(特别是从韦伊猜想的角度来看)。事实上,"l进上同调工具"正好提供了这样一个理论;它甚至提供了无穷多个不同的上同调理论,每个与底层特征p不同的素数对应一个。显然还剩下一个"缺失的理论",对应于l等于p的情况。为了提供这样一个理论,我构想了另一个上同调理论(我前面已经提到过),叫做"晶体上同调"。
Contrarily to what happens in ordinary topology, we are thus faced with a disconcerting abundance of different cohomology theories. One had the net impression that, in a sense which had yet to be clarified, all of these theories had to be "essentially the same", that they "gave the same results". It is in order to express this intuition of "kinship" between different cohomology theories that I have formulated the notion of "motive" associated to an algebraic variety.
与普通拓扑中发生的情况相反,我们因此面对着一种令人不安的丰富的不同上同调理论。人们有一个明确的印象:在一种尚待澄清的意义上,所有这些理论都必须"本质上相同",它们"给出相同的结果"。正是为了表达不同上同调理论之间这种"亲缘关系"的直觉,我才提出了与一个代数簇相关联的"动机"的概念。
p. P47 · 第48页续
In choosing this term, I intended to suggest the interpretation of "common motive" (or "common reason") underlying this multitude of different cohomological invariants associated to the given variety, by means of the multitude of a priori available cohomology theories. Under this framework, these different cohomology theories would appear as different thematic developments, each in the most appropriate "tempo", "key" or "mode" ("major" or "minor"), of a single "base motive" (called "motivic cohomology theory"), while the latter would at the same time be the most fundamental, or "finest", of all of the different thematic "incarnations" (meaning, of all of the possible cohomology theories).
在选择这个词时,我意图暗示这样一种解释:在通过众多先验可用的上同调理论而与给定簇相关联的众多不同上同调不变量之下,有一个共同的"动机"(或共同的"理由")。在这个框架下,这些不同的上同调理论将表现为同一个"基础动机"(称为"动机上同调理论")的不同主题发展,每一个都以最恰当的"速度"、"调"或"调式"("大调"或"小调")进行,而后者同时又是所有不同主题"化身"(也就是所有可能的上同调理论)中最基本的、或"最精细的"那个。
Thus, the motive associated to an algebraic variety would constitute the "ultimate" cohomological invariant, the invariant "par excellence", from which all others (associated to the various possible cohomology theories) could be deduced, as various musical "incarnations", or as different "realizations". All the essential properties of "the cohomology" of the variety could be "read" (or "heard") on the corresponding motive, so that all of the familiar properties and structures pertaining to particular cohomological invariants (such as l-adic or crystalline invariants) would simply appear as the faithful reflections of properties and structures internal to the motive.
因此,与一个代数簇相关联的动机将构成"终极的"上同调不变量,这个最卓越的不变量,所有其他的(与各种可能的上同调理论相关联的)都可以从中推导出来,作为不同的音乐"化身",或作为不同的"实现"。这个簇的"上同调"的所有本质性质都可以在相应的动机上被"读"(或"听")出来,这样所有与特定上同调不变量(如l进或晶体不变量)相关的熟悉性质和结构,就仅仅表现为动机内部性质和结构的忠实反映。
p. P48 · 第49页
Such is, expressed in the non-technical language of a musical metaphor, the quintessence of an idea once again of childish simplicity, at once delicate and bold. I developed this idea on the margins of the foundational tasks which I considered more urgent, under the name of "theory of motives" or "philosophy (or yoga) of motives" throughout the years 1963-69. It is a theory of fascinating structural richness, about which a great deal remains conjectural to this day.
这就是用音乐隐喻的非技术性语言表达出来的,一个再次具有孩子般简单性的想法的精髓,既精致又大胆。我在我认为更紧迫的基础任务的边缘发展了这个想法,以"动机理论"或"动机哲学(或瑜伽)"的名义,贯穿1963-69年。这是一个有着迷人结构丰富性的理论,关于它至今还有很多是猜想性的。
These conjectures seemed to me (and they still do to this day) to be one of the two most fundamental standing questions in algebraic geometry. Neither this question, nor the equally crucial other question (concerning the "resolution of singularities") has been resolved as of today. But while the second question appears today, as it did a hundred years ago, to be prestigious and formidable, the question which I had the honor of formulating was relegated by the peremptory decrees of fashion (beginning in the years that followed my departure from the mathematical scene, just as it happened to the motivic theme itself) to the status of benign grothendieckian farce. But once again I am getting ahead of myself...
这些猜想在我看来(而且至今仍然如此)是代数几何中两个最基本的悬而未决问题之一。这个问题,以及同样关键的另一个问题(关于"奇点消解"),至今都没有解决。但是,第二个问题今天看起来,就像一百年前那样,是有声望而艰巨的,而我有幸提出的那个问题,却被时尚的专横法令(从我离开数学舞台后的那些年开始,就像动机主题本身的遭遇一样)贬为无害的格罗滕迪克式闹剧的地位。但我又提前说多了……
2.17 走向母亲的发现——两面 Toward the discovery of the Mother - or the two sides
p. P49 · 第50页
To tell the truth, my reflections upon the Weil conjectures themselves, in the process of establishing them, remained sporadic. The panorama which had begun to open up in front of me, and which captured my attention in my attempt to scrutinize it and render it, far surpassed in amplitude and in depth the hypothetical needs of a proof; in fact, it even surpassed all that these famous conjectures had allowed us to glimpse in the first place. With the sudden appearance of the schematic theme and that of topoi, a new and unsuspected world had suddenly opened up.
说实话,在建立韦伊猜想的过程中,我对这些猜想本身的反思是零星的。在我面前开始展开的全景——在我试图审视它、描绘它时吸引了我的注意力——在广度和深度上都远远超过了一个证明的假设需求;事实上,它甚至超过了这些著名猜想最初让我们瞥见的一切。随着概形主题和拓扑斯主题的突然出现,一个新的、未被预料到的世界突然打开了。
"The conjectures" played a central role, to be sure, akin somewhat to the role which the capital city of a vast empire or continent would play in relation to the countless surrounding provinces, with most of the latter nonetheless maintaining only the most distant rapports with the brilliant and prestigious capital. Without ever having to spell it out for myself, I knew that I had from that point onwards become the servant to a great task: that of exploring this immense and unknown world, of apprehending its contours all the way to the farthest frontiers; and at the same time, of roaming in every direction and establishing with tenacious and methodical care the inventory of neighboring and distant provinces alike, drawing maps with scrupulous fidelity and precision, in which the smallest of hamlets and cottages would find their place...
"这些猜想"当然扮演着中心角色,有点像一个广阔帝国或大陆的首都相对于无数周边省份所扮演的角色,而后者大部分与辉煌而有声望的首都只保持最遥远的联系。我从来不需要向自己明说,我就知道从那时起我已经成了一项伟大任务的仆人:探索这个广阔而未知的世界,把握它的轮廓一直到最远的边界;同时,向各个方向漫游,以顽强而有条理的细心建立邻近和遥远省份的清单,以一丝不苟的忠实和精确绘制地图,在地图上最小的村庄和村舍都能找到它们的位置……
p. P50 · 第51页
In my work as a mathematician, I mostly see two forces or urges at play, both equally profound, yet of a different nature (or so it seems to me). To evoke one and the other, I have used in turn the image of the builder and that of the pioneer or explorer. Put next to each other, they now both strike me suddenly as very "yang", very "masculine", even "macho"! They bear the haughty resonance of myths, that of "grand occasions." Surely they were inspired within me by my old "heroic" vision of creative work, the super-yang vision. As such, they offer a strongly tinted perspective, not to say frozen, "ten-hut", of a much more fluid reality, humbler and "simpler" - a living reality.
在我作为数学家的工作中,我主要看到两种力量或冲动在起作用,两者同样深刻,但性质不同(至少在我看来是这样)。为了唤起这一个和那一个,我依次使用了建造者的意象和开拓者或探险家的意象。把它们放在一起看,它们现在突然让我觉得非常"阳",非常"男性化",甚至"大男子主义"!它们带着神话的傲慢回响,带着"宏大场面"的回响。它们当然是来自我内心深处对创造性工作的旧的"英雄"视野,那个超级阳刚的视野。因此,它们提供了一个色彩浓重的视角,甚至可以说是僵化的、"立正"的视角,而对应的是一个更流动、更谦卑、更"简单"的现实——一个活生生的现实。
And the picture that thus spontaneously appeared, in an effort to go beyond the prestigious title of "pioneer" and to grasp the hidden reality which it covered, was also free from any "heroic" emphasis. Once again, it was the archetypal image of the maternal that appeared to me - that of the nourishing "womb" and of its amorphous and obscure workings...
而这样自发出现的画面——为了超越"开拓者"这个有声望的头衔、把握它所掩盖的隐藏现实——也摆脱了任何"英雄"式的强调。再一次,向我显现的是母性的原型意象——滋养的"子宫"及其无形而晦暗的运作……
p. P51 · 第52页
These two urges which at first seemed to be "of a different nature" are actually closer to one another than I had thought. They both share the nature of an "urge of contact", carrying us toward meeting "the Mother": toward That which both incarnates what is near, "known", and what is "unknown". To abandon myself to one urge or to the other, is to "return to the Mother". It is to renew contact at once with what is near, "more or less known", and with what is "unknown" yet at the same time felt, at the brink of making itself known.
这两种最初看起来"性质不同"的冲动,实际上比我以为的更接近彼此。它们都共有一种"接触的冲动"的性质,带着我们走向与"母亲"的相遇:走向那个既体现着近的、"已知的"东西,也体现着"未知的"东西的"那一个"。把自己交给这一种或那一种冲动,就是"回到母亲那里"。就是同时重新接触近的、"或多或少已知的"东西,以及"未知的"但同时被感觉到的、即将让自己被认识的东西。
My point is not that either side of my nature should be minimized or renounced, as they are both essential - the "masculine" builds and engenders, and the "feminine" conceives and hosts the slow and obscure gestations. I "am" one and the other - "yang" and "yin", "man" and "woman". Yet I also know that the most delicate essence, the one most unrestrained when engaging in creative processes lies on the "yin", the "feminine" side - a side which is humble, obscure, and often of feeble appearance.
我的意思不是说我本性的任何一方应该被最小化或放弃,因为它们都是本质的——"男性的"建造和生育,"女性的"孕育和承载缓慢而晦暗的妊娠。我"是"这一个和那一个——"阳"和"阴","男人"和"女人"。然而我也知道,最微妙的本质,在参与创造过程时最不受约束的那个,位于"阴"、"女性"的一面——那是谦卑的、晦暗的、常常外表虚弱的一面。
2.18 孩子与母亲 The child and the Mother
p. P52 · 第53页
When this "foreword" started turning into a walk through my work as a mathematician, with my little synopsis on the "heirs" (dyed-in-the-wool) and the "builders" (incorrigible), there came to my mind a name for this failed attempt at a foreword: "The child and the builder". Over the course of the days that followed, it became clear that the "child" and the "builder" were actually the same character. Thus, this name turned into "The builder child". A name, I must say, that has a certain charm, and completely pleases me!
当这篇"前言"开始变成一场穿行于我数学家工作的漫步,带着我关于"继承者"(根深蒂固的)和"建造者"(不可救药的)的小提纲时,我脑海中浮现出一个名字给这次失败的前言尝试:"孩子与建造者"。在接下来的日子里,事情变得清楚了:"孩子"和"建造者"实际上是同一个角色。于是,这个名字变成了"建造者孩子"。我必须说,这个名字有某种魅力,而且完全让我高兴!
p. P53 · 第53页续
And yet, in looking closer, we find that our intrepid "pioneer" was actually a girl all along (who I had fancied dressing up as a boy) - a sister of the ponds, the rain, the drizzle and the night, silent and almost invisible as a result of her tendency to fade into the shadows, and always forgotten (when we aren't mocking her...). I myself have found a way to forget her, day after day - to doubly forget her I should say: at first, I only cared to see the boy (who plays at building houses...) - and, even when I finally couldn't help but to see the other, I still mistook her for a boy...
然而,仔细一看,我们发现我们无畏的"开拓者"实际上一直是个女孩(我曾幻想把她打扮成男孩)——池塘、雨、毛毛雨和夜晚的姐妹,沉默而几乎不可见,因为她有融入阴影的倾向,而且总是被遗忘(当我们没有嘲笑她的时候……)。我自己找到了一种日复一日忘记她的方法——我应该说是双重地忘记她:起初,我只愿意看到那个男孩(玩着盖房子游戏的那个……)——而且,即使当我终于忍不住看到了另一个,我还是把她错当成了男孩……
p. P54 · 第54页
The Universe, the World, or even the Cosmos, are strange and highly remote things at the core. They don't really concern us. It is not towards them that our deeply seated urge for knowledge carries us. Instead, what attracts us is their most tangible and immediate Incarnation, that which is closest to us, most "carnal", loaded with profound echoes and rich in mystery - That which blends with the origins of our being of flesh and with those of our species; and That also which at all times awaits us "at the other end of the tunnel", silently and with arms open.
宇宙、世界,甚至 Cosmos,在核心处都是陌生而极其遥远的东西。它们并不真正与我们有关。我们根深蒂固的求知冲动并不是朝向它们的。相反,吸引我们的是它们最有形、最直接的道成肉身,那个离我们最近的、最"肉身的"、充满深刻回响和丰富神秘的东西——那个与我们肉身存在的起源以及我们物种的起源交融在一起的东西;那个也始终"在隧道的另一端"等待着我们的东西,沉默地、张开双臂。
It is from her, the Mother, the One who gave us birth as she gave birth to the World, that the urge emanates, and that the roads of desire soar - and it is towards Her encounter that they lead us, towards Her that they flow, to continually return and surrender to Her.
正是从她,母亲,那位生育了我们、正如她生育了世界的那一位,冲动从中发出,欲望的道路向上升腾——而它们引导我们走向与她的相遇,它们流向她,不断地回归并 surrender 给她。
You are the child, issued from the Mother, hosted within Her, nourished by Her power. And the child sets off from the Mother, the Near-by, the Well-known - and evolves towards the Mother, the Infinite, forever Unknown and full of mystery...
你是孩子,从母亲那里发出,在她之内被承载,被她的力量滋养。孩子从母亲那里出发,从近处的、熟知的那里出发——而向着母亲进化,向着无限的、永远未知而充满神秘的母亲进化……
尾声:无形的圈子 Epilogue: the invisible Circles
2.19 死亡是我的摇篮(或一个垂死之人的三个幼童)Death is my cradle (or three toddlers for one moribund)
p. P55 · 第55页
Up until the appearance of the viewpoint of topoi, towards the end of the 1950s, the evolution of the notion of space seems to me to have been an essentially "continuous" one. It appears to have happened smoothly and without jumps, starting from the euclidian theorization of the space which surrounds us and from the geometry we inherited from the greeks, which focused on the study of certain "figures" (lines, planes, circles, triangles, etc...) existing in that space.
直到拓扑斯的视点出现,在1950年代末之前,空间概念的演进在我看来本质上是"连续的"。它似乎是平滑地、没有跳跃地发生的,从包围我们的空间的欧几里得理论化、以及我们从希腊人那里继承的几何学开始,后者聚焦于研究存在于那个空间中的某些"图形"(直线、平面、圆、三角形等等)。
I believe I can also say that, towards the middle of this century, this familiar person had already aged quite a bit - like a man who at last had become worn and exhausted, overwhelmed by a flux of new tasks requiring aptitudes he never had. Perhaps was he even already dead, without anybody caring to take note of it or acknowledging it. "Everybody" was still pretending to be busy working in the house of a living man, to the extent that he may have well have still been alive.
我相信我也可以说,到本世纪中叶,这个熟悉的人已经老了不少——就像一个终于变得疲惫不堪的人,被一大堆需要他从未有过的才能的新任务压垮了。也许他甚至已经死了,只是没有人愿意注意到或承认这一点。"每个人"都还假装在一个活人的房子里忙碌工作,以至于他很可能确实还活着。
p. P56 · 第56页
This was the famous "mutation of the notion of space" mentioned above. It is this which I came to "see", as something evident, starting at least from the beginning of the 1960s, without ever really realizing it up to the time of writing. And I now suddenly see with renewed clarity, by mere virtue of this pictorial evocation and of the cloud of associations which simultaneously generates: the traditional notion of "space", as well as the closely related notion of "variety" (of all kinds, including that of "algebraic variety"), had become so old, by the time I arrived on the scene, that they may as well have been dead...
这就是上面提到的著名的"空间概念的突变"。正是这个,我开始"看到",作为某种自明的东西,至少从1960年代初开始,但直到写作时我才真正意识到。而我现在突然以更新的清晰度看到,仅仅凭借这个图画般的唤起以及它同时产生的联想之云:传统的"空间"概念,以及密切相关的"簇"的概念(各种类型的,包括"代数簇"),到我登场的时候,已经变得如此古老,以至于它们不如说已经死了……
2.20 看看隔壁邻居 A look at the next-door neighbors
p. P57 · 第57页
The aforementioned situation seems very close to that which occurred at the beginning of this century, with the appearance of Einstein's theory of relativity. There had been an even more striking conceptual cul-de-sac, in the form of a sudden contradiction which seemed insoluble. As is appropriate in these circumstances, the novel idea that was to restore order within chaos was an idea of childlike simplicity. What is remarkable (and in line with an often repeated scenario...) is that among all of these brilliant, eminent, prestigious people who were suddenly on their knees, trying all their might to "save what could still be saved", nobody thought about that idea. It had to come from a young and unknown man, freshly minted (possibly) in the ranks of university students, who explained to his illustrious elders (perhaps while embarrassed by his own audacity) what was needed to "save the phenomena": one needed only separated space and time!
上述情况与本世纪初爱因斯坦相对论出现时发生的情况非常接近。当时有一个更引人注目的概念死胡同,以一种看似无法解决的突然矛盾的形式出现。正如在这些情况下应该的那样,要在混乱中恢复秩序的新想法是一个孩子般简单的想法。值得注意的是(而且符合一个经常重复的剧本……),在所有这些突然跪倒在地、竭尽全力"拯救还能拯救的东西"的才华横溢、杰出、有声望的人当中,没有人想到那个想法。它必须来自一个年轻而不知名的人,刚从大学生队伍里出来(可能),他向他杰出的前辈们解释(也许因为自己的大胆而感到尴尬)什么是"拯救现象"所需要的:只需要把空间和时间分开!
From the mathematical viewpoint, Einstein's novel idea was commonplace. However, from the viewpoint of our conception of physical space, it was a profound mutation, a sudden "change of scenery". It was the first mutation of its kind, since the mathematical model of physical space formulated by Euclid some 2400 years ago, and adopted identically for the needs of mechanics by all physicists and astronomers since antiquity (including Newton), in their attempts to describe terrestrial and celestial mechanical phenomena.
从数学的角度来看,爱因斯坦的新想法是平凡的。然而,从我们对物理空间的概念的角度来看,它是一次深刻的突变,一次突然的"换景"。这是自大约2400年前欧几里得制定物理空间的数学模型以来的第一次这种突变,这个模型自古代以来被所有物理学家和天文学家(包括牛顿)为了力学的需要而同样采用,用于描述地面和天体力学现象。
p. P58 · 第57页续
Einstein's initial idea was subject to further refinements, taking the form of a subtler, richer and more flexible mathematical model, drawing from the rich arsenal of already existing mathematical notions. With the "theory of general relativity", this idea was enlarged into a vast vision of the physical world, encompassing in one sweep the subatomic world of the infinitesimally small, the solar system, the milky way and distant galaxies, and the trajectory of electromagnetic waves in a space-time curved at each point by the matter present at that point. That was the second and last time in the history of cosmology and physics (following Newton's initial great synthesis three centuries earlier) that a vast and unifying vision had appeared, capturing the entirety of physical phenomena in the Universe in the language of a mathematical model.
爱因斯坦最初的想法经过了进一步的精炼,采取了一种更微妙、更丰富、更灵活的数学模型的形式,从已经存在的数学概念的丰富武器库中汲取资源。随着"广义相对论",这个想法被扩展成一个物理世界的广阔视野,一口气涵盖了无穷小的亚原子世界、太阳系、银河系和遥远的星系,以及电磁波在一个每一点都被该点存在的物质所弯曲的时空中的轨迹。那是宇宙学和物理学历史上第二次也是最后一次(继三个世纪前牛顿最初的伟大综合之后),出现了一个广阔而统一的视野,用数学模型的语言捕捉宇宙中物理现象的整体。
2.21 "独一者"——孤独的馈赠 "The unique" - or the gift of solitude
p. P60 · 第59页
The comparison between my contribution to the mathematics of my time, and that of Einstein to physics, came to light for two reasons: both works led to a mutation of our conception of "space" (in the mathematical sense for one, and in the physical sense for the other); next, they both take the form of a unifying vision, encompassing a vast multitude of phenomena and situations which had hitherto appeared as separate from one another. This in my view indicates a clear kinship of spirit between his work and mine.
我对我那个时代数学的贡献,与爱因斯坦对物理学的贡献之间的比较,之所以浮现出来,有两个原因:两者都导致了我们对"空间"概念的突变(一个是数学意义上的,另一个是物理意义上的);其次,它们都采取了统一视野的形式,涵盖了大量迄今为止看起来彼此分离的现象和情境。在我看来,这表明他的工作和我的工作之间有一种清晰的精神亲缘关系。
p. P61 · 第60页
The aforementioned "probabilistic clouds", coming to replace the reassuring material particles of yesteryear, strangely remind me of the elusive "open neighborhoods" that populate topoi, comparable to evanescent ghosts, serving to surround imaginary "points", to which a recalcitrant imagination continues to hold against all odds...
上述的"概率云",来取代昨天那些令人安心的物质粒子,奇怪地让我想起了拓扑斯中充满的难以捉摸的"开邻域",堪比转瞬即逝的幽灵,用来包围想象中的"点",而执拗的想象力不顾一切地继续执着于这些点……
p. P62 · 第61页
What I find striking is that I cannot recall, even in allusions made by friends or colleagues who were better versed in mathematical history than I was, ever coming across a mathematician other than myself who brought to bear a multitude of innovative ideas that were all part of one vast unifying vision, rather than more or less disjoint from one another (something which Newton and Einstein both accomplished in physics and cosmology, respectively, as did Darwin and Pasteur in biology).
让我感到吃惊的是,我不记得——即使在比我更精通数学史的朋友或同事的暗示中——曾经遇到过除我之外的哪个数学家,他带来了大量创新想法,而这些想法全部属于一个广阔的统一视野,而不是或多或少彼此脱节的(牛顿和爱因斯坦分别在物理学和宇宙学中做到了这一点,达尔文和巴斯德在生物学中也是如此)。
It seems that in my quality of servant to one vast unifying vision born within me, I am "one of a kind" in the history of mathematics from its origins to the present day. I apologize for singling myself out more than seems admissible! Much to my relief, I nonetheless believe to have discerned a potential (and providential!) brother. I had the occasion to mention him earlier, as first in my lineage of "brothers in temperament": I am referring to Evariste Galois.
看来,作为一个诞生于我内心的广阔统一视野的仆人,我在数学史上从起源到今天是"独一份"的。我为把自己突出得超出可容许的范围而道歉!让我大为宽慰的是,我仍然相信我已经辨认出了一个潜在的(而且是天意的!)兄弟。我前面有机会提到他,作为我"气质兄弟"谱系中的第一个:我指的是埃瓦里斯特·伽罗瓦。
p. P63 · 第62页
Within his brief and dazzling life, I seem to discern the beginning stages of a grand vision - precisely that of the "marriage of number and size", within a novel geometric vision. I mention elsewhere in Récoltes et Semailles how a sudden intuition appeared to me two years ago: that the mathematical work which at the time exerted upon me the most powerful fascination was in a way a "revival of Galois' heritage". This intuition, which was rarely evoked since, nonetheless had time to mature in silence.
在他短暂而耀眼的一生中,我似乎辨认出了一个宏大视野的开端阶段——正是"数与量的结合",在一个新的几何视野之中。我在《收获与播种》的其他地方提到,两年前我如何突然产生了一个直觉:当时对我产生最强大吸引力的数学工作,在某种意义上是"伽罗瓦遗产的复兴"。这个直觉此后很少被唤起,但仍然有时间在沉默中成熟。
p. P64 · 第62页续
There is yet another reason which contributes to this feeling of "essential kinship" - a kinship which doesn't stop merely at the level of "mathematical temperament", nor to the defining aspects of one's work. I also sense a kinship of destiny between his life and mine. Yes, Galois died stupidly, at the age of twenty one, while I am in my sixties and determined to live to old age. The fact remains that Evariste Galois was throughout his life a "marginal" in the official mathematical world, just as I have been a century and a half later.
还有另一个原因促成了这种"本质亲缘"的感觉——这种亲缘不仅仅停留在"数学气质"的层面,也不仅仅停留在一个人工作的定义性方面。我也感觉到他的生命和我的生命之间有一种命运的亲缘。是的,伽罗瓦愚蠢地死了,21岁,而我已经60多岁了,决心活到老年。事实仍然是,埃瓦里斯特·伽罗瓦一生都是官方数学界的"边缘人",就像我在一个半世纪之后一样。
p. P65 · 第63页
If there is an "essential kinship", I conceive of it at a much humbler and more elementary level. I have sensed such a kinship at a few rare occasions during my life. It is through it that I still feel "close" to another mathematician, who was my elder: Claude Chevalley. The connection to which I am referring is founded on a certain "naïveté", or an "innocence", about which I have had the occasion to speak earlier. This connection is expressed by means of a propensity (often under-appreciated by one's surroundings) to look at things with one's own eyes, rather than through certified glasses graciously handed down by some more or less vast group of people, invested with authority for one reason or another.
如果有一种"本质亲缘",我是在一个更谦卑、更基本的层面上来构想它的。我在生命中少数几个罕见的场合感觉到过这种亲缘。正是通过它,我仍然感到与另一位年长的数学家"亲近":克劳德·谢瓦莱。我指的这种联系建立在某种"天真"或"纯真"之上,我前面有机会谈到过。这种联系表现为一种(常常被周围人低估的)倾向,即用自己的眼睛看事物,而不是通过某个或多或少庞大的群体出于某种原因被赋予权威而慷慨传下来的经过认证的眼镜。
This "propensity", or inner attitude, is not a privilege that comes with maturity, it is rather an attribute of childhood. It is a gift we all received at birth, at the same time as we received life - and it is a humble and formidable gift. It is often buried deep within, but some have learned to preserve it to some extent, or perhaps to retrieve it... It could also be called the gift of solitude.
这种"倾向"或内在态度,不是随着成熟而来的特权,而是童年的一种属性。它是我们出生时都收到的礼物,和生命一起收到的——它是一个谦卑而强大的礼物。它常常被深埋在内心,但有些人已经学会在某种程度上保存它,或者也许是重新找回它……它也可以被称为孤独的馈赠。
第三章 一封信
Chapter 3: A letter
p. L1 · 1985年5月 · 第65页
3.1 千页长信 The one-thousand page letter
The text which I am hereby sending you, of which a limited number of copies were typed and printed by my university, is neither an off-print, nor a preprint. Its title, Récoltes et Semailles, makes this much clear. I am sending it to you the way I would send a long letter - including the personal dimension, indeed.
我在此寄给你的这份文本——由我的大学打字和印刷了有限的几份——既不是抽印本,也不是预印本。它的标题《收获与播种》就清楚地表明了这一点。我把它寄给你,就像我寄一封长信一样——确实包括个人的维度。
If I have decided to send it to you, rather than await for you to learn about it some day (if your curiosity leads you to it) in the form of some publicly available volume in a library (if there even exists an editor crazy enough to engage in such an adventure...), it is because I am addressing this letter to you more than to others. I have thought of you more than once in the course of writing it - I must say that I have now been writing this letter for more than a year, and devoting all my energy to the task. It is a gift I am making you, and I took great care in the process to give out what I had best to offer (at any given moment).
如果我决定把它寄给你,而不是等你有一天(如果你的好奇心引导你的话)在图书馆里以某种公开可获得的卷册的形式了解到它(如果真的有一个疯狂到敢参与这样一场冒险的编辑的话……),那是因为我这封信更多地是写给你的,而不是写给别人的。在写作过程中,我不止一次想到你——我必须说,我现在写这封信已经写了一年多了,把全部精力都投入了这项任务。这是我送给你的礼物,在这个过程中我非常小心地拿出了我能提供的最好的东西(在任何特定时刻)。
p. L2 · 第66页
At the same time as I am sending you Récoltes et Semailles, I am also sending it to all of the colleagues, friends, and (ex-)students of the mathematical world with whom I was close at one time or another, as well as to those who appear in my reflection in some form, both named and unnamed. There is a chance that you yourself appear in what follows, and if you make the effort to read it not only with your eyes and head but also with your heart, you will surely recognize yourself even in places where you are not explicitly named.
在寄给你《收获与播种》的同时,我也把它寄给数学界的所有同事、朋友和(前)学生——我曾经和他们中的任何一个亲近过——以及那些以某种形式出现在我的反思中的人,有名的和无名的都有。你自己有可能出现在接下来的内容中,如果你不仅用眼睛和头脑读它,而且用心读它,你肯定会认出自己,即使在你没有被明确点名的地方。
3.2 《收获与播种》的诞生(闪电般的回顾)Birth of Récoltes et Semailles (a lightning fast retrospective)
p. L3 · 第67页
Récoltes et Semailles contains many things, and many will see them as several different things: a voyage of discovery through the past; a meditation on existence; a painting of mores of a milieu and an era (or a painting of the insidious and unstoppable transition from one era to the next...); an investigation (almost police-like at times, and elsewhere approaching the style of a cloak-and-dagger novel taking place in the underbelly of the mathematical megapolis...); a vast mathematical divagation (which will lose more than one reader...); a practical treaty in applied psychoanalysis (or, alternatively, a book of "psychoanalytic fiction"); a eulogy of self-knowledge; "My confessions"; a private diary; a psychological study of the processes of discovery and creation; an indictment (unforgiving, as it must...), or even a settling of accounts in the mathematical "beau monde" (in which no punches are pulled...).
《收获与播种》包含很多东西,很多人会把它们看成好几种不同的东西:一次穿越过去的发现之旅;一次对存在的冥想;一幅一个环境和时代的风俗画(或者一幅一个时代向另一个时代的隐蔽而不可阻挡的过渡的画……);一次调查(有时几乎像警察一样,有时又接近一部发生在数学大都市底层的间谍小说的风格……);一次庞大的数学离题(会让不止一个读者迷失……);一本应用精神分析的实用论著(或者,换一种说法,一本"精神分析小说");一篇自知之明的颂词;"我的忏悔";一本私人日记;一部关于发现和创造过程的心理学研究;一份起诉书(毫不留情,正如必须的那样……),甚至是在数学"上流社会"的一次清算(其中不遗余力……)。
If there is one thing I can guarantee, it is that I never once was bored in the process of writing it, and that from it I have learned and seen a great deal. If you find the time to read it among your other important duties, I doubt that you will be bored. Unless you force yourself to read it, who knows...
如果有一件事我可以保证,那就是在写作过程中我从来没有感到无聊,而且从中学到了、看到了很多东西。如果你在其他重要事务中抽出时间来读它,我怀疑你会感到无聊。除非你强迫自己读它,谁知道呢……
p. L4 · 第67页续
As you know, I left the "grand monde" of mathematics in the year 1970, following an issue of military funding at my home institution (the IHES). After a few years devoted to anti-military and ecological activism, in the style of a "cultural revolution" - about which you probably received echoes here and there - I practically disappeared from the public sphere, and settled at a remote provincial university. Rumor has it that I am spending my days herding sheep and digging wells. The truth is that, in addition to several other occupations, I am bravely continuing to give university lecture, like everybody else (teaching was my first source of income, and it remains so to this day).
如你所知,我在1970年离开了数学的"上流社会",原因是我所在机构(IHES)的军事资助问题。在几年投入反军事和生态行动主义之后,以一种"文化革命"的风格——你大概在这里那里听到过一些回声——我实际上从公共领域消失了,定居在一所偏远的省立大学。谣言说我每天都在放羊和挖井。事实是,除了其他几项工作之外,我还在勇敢地继续给大学生讲课,就像其他人一样(教学是我第一个收入来源,至今仍然如此)。
In 1976, a new passion appeared in my life, one about which I felt as strongly as I once felt about mathematics, and which is closely related to the latter. It was a passion for what I call "meditation" (things need to be named after all). This name, like any other, risks leading to countless misunderstandings. As for mathematics, the process of meditation is one of discovery. I express myself on this subject at various points in Récoltes et Semailles. It visibly held enough in store to keep me occupied for the rest of my life. In fact, I have more than once gotten to thinking that mathematics was now a matter of the past, and that it was time for me to orient myself towards more serious matters - time to "meditate".
1976年,一种新的热情出现在我的生命中,我对它的感觉和我曾经对数学的感觉一样强烈,而且它与后者密切相关。那是对我所说的"冥想"的热情(事物终究需要被命名)。这个名字,就像任何其他名字一样,有可能导致无数误解。和数学一样,冥想的过程是一种发现。我在《收获与播种》的各个地方都谈到过这个主题。它显然有足够的东西储备,让我忙一辈子。事实上,我不止一次想到,数学现在已经是过去的事了,我该把自己转向更严肃的事情了——该"冥想"了。
p. L5 · 第68页
This project began two years ago, during the spring of 1983. I was then already too busy writing (volume 1 of) "Pursuing Stacks" ("À la Poursuite des Champs" in French), which also was to constitute volume 1 of the (mathematical) "Reflections", to stop and reflect on what was happening to me. Nine months later, as is fit, this first volume was virtually complete, and all that was left for me to do was to write the introduction, re-read everything, add annotations - and off it could be sent to be printed...
这个项目始于两年前,1983年春天。那时我已经忙于写《追寻层》的(第一卷)了,它也应该构成(数学的)《反思》的第一卷,忙到无法停下来反思我身上发生了什么。九个月后,正如应该的那样,这第一卷实际上已经完成了,我剩下要做的就是写引言、重读所有内容、加注释——然后就可以送去印刷了……
The volume in question is still not finished to this day - it hasn't moved by an inch for the past year and a half. The introduction that I had left to write grew to take over twelve hundred pages (typewritten), and when all will be said and done I estimate it will be some fourteen hundred pages long. You will have guessed that this "introduction" is nothing but Récoltes et Semailles.
这本书至今还没有完成——过去一年半里它一寸都没有动过。我留下来要写的引言增长到了一千二百多页(打字稿),当一切都说完做完时,我估计它会有大约一千四百页长。你已经猜到了,这个"引言"不是别的,正是《收获与播种》。
3.3 老板之死——或废弃的工地 The death of the boss - or abandoned construction sites
p. L6 · 第69页
During these fifteen years of intense mathematical work, a vast unifying vision had hatched, matured, and grown within me, taking the form of a handful of very simple idées-forces. It was the vision of an "arithmetic geometry", a synthesis of topology, geometry (both algebraic and analytic), and arithmetic, a first embryo of which I had found in the Weil conjectures. This vision was my principal source of inspiration during those years, a period which I mostly remember as the one during which I managed to formulate the key ideas of this novel geometry, and to develop some of its main tools.
在这十五年紧张的数学工作中,一个广阔的统一视野在我内心孵化、成熟和成长,采取了少数几个非常简单的力之理念的形式。那是"算术几何"的视野,一种拓扑学、几何学(代数的和分析的)和算术的综合,我在韦伊猜想中找到了它的第一个胚胎。这个视野是我那些年的主要灵感来源,那个时期我主要记得是我成功地系统阐述了这种新几何的关键想法,并发展了它的一些主要工具。
Over time, this vision and these "idées-forces" became second nature to me. (And this feeling of "second nature" persists in me to this day, despite having ceased all contact with these ideas for nearly fifteen years!) I found them to be so simple, so obvious, that it was natural for "everyone else" to internalize them and to make them their own over time, at the same time as I went through these motions myself. It is only recently, during the past few months, that I realized that neither this vision, nor the "idées-forces" which had been my constant guides, could be found in writing in any existing publication, save perhaps for tacit appearances between the lines.
随着时间的推移,这个视野和这些"力之理念"成了我的第二天性。(这种"第二天性"的感觉至今仍然存在于我心中,尽管我已经将近十五年没有接触这些想法了!)我发现它们如此简单、如此自明,以至于"其他所有人"随着时间的推移内化它们、把它们变成自己的,是很自然的,就像我自己经历这些过程一样。直到最近几个月,我才意识到,无论是这个视野,还是一直作为我向导的那些"力之理念",在任何已出版的著作中都找不到书面形式,也许除了字里行间默默的出现。
p. L7 · 第70页
Most importantly, I also realized that this vision which I thought I had imparted to others, and the "idées forces" which carry it, remained ignored by all to this day, twenty years after having reached their full maturity. I alone, the worker and servant to these things which I had the privilege of discovering, remain the sole vessel in which they have remained alive.
最重要的是,我还意识到,这个我以为已经传授给别人的视野,以及承载它的那些"力之理念",至今仍然被所有人忽略,在它们达到完全成熟的二十年之后。只有我,这个有幸发现这些事物的工作者和仆人,仍然是它们保持活力的唯一容器。
Some tool or other which I have crafted will find itself used in various places to "break open" a problem reputed for being difficult, the way one would break open a safe. The tool is visibly solid. Yet, I am aware of a "force" it has other than that of a crowbar. The tool is part of a Whole, just as a limb is part of a body - it is part of a Whole from which it is issued, which gives it its full meaning and infuses it with strength and life energy.
我打造的某个工具会发现在各种地方被用来"撬开"一个据说困难的问题,就像人们撬开保险箱一样。这个工具显然是坚固的。然而,我知道它有一种除了撬棍之外的"力量"。这个工具是一个整体的一部分,就像肢体是身体的一部分一样——它是它从中发出的那个整体的一部分,那个整体赋予它全部意义,并注入它力量和生命能量。
p. L8 · 第71页
Upon his departure, it was as if a masonry enterprise had gone bankrupt, following the unexpected passing of the boss: from one day to the next, so to speak, the construction sites were deserted. The "workers" were gone, each of them carrying some small gewgaw which they thought may be of use at a later time. The cash register was gone, and as such there was no longer any reason for them to tire themselves out at work...
他离开后,就像一个建筑企业在老板意外去世后破产了:可以说,一夜之间,工地就被废弃了。"工人们"走了,每个人都带着一些小玩意儿,他们以为以后可能有用。收银机不见了,因此他们再也没有理由在工作中累着自己了……
I couldn't help but to feel sorrow over the fact that everything seemed to have stopped in its tracks; I no longer heard news about motives, topoi, the six functor formalism, De Rham and Hodge coefficients, nor about the "mysterious functor" which was supposed to unite under one umbrella De Rham and l-adic coefficients for all prime numbers, nor about crystals (except to learn that they remained at a standstill), nor about the "standard conjectures" and other conjectures which I had formulated and which, evidently, represented crucial questions.
我不禁为一切似乎都停止不前而感到悲伤;我不再听到关于动机、拓扑斯、六函子形式主义、德拉姆和霍奇系数的消息,也不再听到关于那个"神秘函子"的消息——它本应把所有素数的德拉姆系数和l进系数统一在一把保护伞下——也不再听到关于晶体的消息(除了得知它们仍然停滞不前),也不再听到关于"标准猜想"和我提出的其他猜想的消息,而这些显然代表着关键问题。
p. L9 · 第72页
3.4 一阵埋葬之风... A wind of burial...
Even though I chose to ignore the diffuse perception of a large scale Burial for years on end, this burial nonetheless obstinately returned to haunt me in different guises, less innocuous than that of a mere disaffection with my work. I slowly came to realize, in ways I could not quite explain, that many of the constituent notions of the forgotten vision had not only fallen into disuse, they had also become, within a certain "beau monde", the objects of condescending disdain. Such was notably the case for the crucial and unifying notion of topos, which lays at the very heart of the novel geometry - and which provides a common geometric intuition for topology, algebraic geometry, and arithmetic.
尽管我选择多年来一直忽略对一场大规模埋葬的模糊感知,这场埋葬仍然固执地以不同的伪装回来纠缠我,比仅仅是对我工作的冷淡更不无害。我慢慢地、以我无法完全解释的方式意识到,被遗忘的视野的许多构成概念不仅已经废弃不用了,它们还在某个"上流社会"里变成了屈尊俯就的轻蔑的对象。特别如此的是那个关键的、统一的拓扑斯概念,它位于新几何的正中心——并且为拓扑学、代数几何和算术提供了共同的几何直觉。
In fact, it was my very name which, insidiously, mysteriously and over the course of the years, had become an object of derision - becoming a synonym for rambling discourses ad infinitum (such as those I produced on the famous "topoi", or on these "motives" that I kept dwelling on and which nobody had ever seen...), for counting angels dancing on the head of a pin for thousands of pages on ends, and for plethoric and gigantic discussions about things which everyone already knew anyway without having to read about them somewhere...
事实上,正是我的名字,在这些年里,隐蔽地、神秘地,变成了嘲笑的对象——成了无限离题的同义词(比如我就那些著名的"拓扑斯"写的东西,或者我一直念念不忘的那些没有人见过的"动机"……),成了在针尖上跳舞的天使数上几千页的同义词,成了关于那些反正大家都已经知道、不需要在哪里读的事情的冗长而庞大的讨论的同义词……
p. L10 · 第72页续
Truth be told, these "whiffs of subtle derision" which reached me here and there did not affect me that much. They remained in a way anonymous, up until three or four years ago. I saw in them a sign of somewhat bleak times, but they did not appear to be directly targeting me, eliciting neither anxiety nor concern. What did affect me more directly were signs of a distancing away from my person which I received from several of my old friends in the mathematical world, friends to whom I continued (my departure from a mutual world notwithstanding) to feel connected through sympathy, in addition to the links created by a shared passion and a common past.
说实话,这些这里那里传到我这里的"微妙的嘲笑的气息"对我影响不大。它们在某种程度上一直是匿名的,直到三四年前。我在其中看到了某种暗淡时代的迹象,但它们似乎不是直接针对我的,既没有引起焦虑也没有引起担忧。更直接影响我的是,我从数学界的几个老朋友那里收到的与我疏远的迹象——尽管我离开了共同的世界,我仍然通过同情、以及共同的热情和共同的过去所创造的联系,感到与这些朋友有联系。
p. L11 · 第73页
The episode which felt like a "full-on punch in the face" (of someone else) took place in October 1981. This time around, and for the first time since frequent signs of a new spirit had started reaching me, I was affected - certainly more so than I would have been had I been the one who was punched, rather than someone else whom I held in affection. This someone else was a student of mine, as well as a remarkably gifted mathematician, who had just accomplished beautiful things - but that was just a detail. What wasn't a detail, on the other hand, was that three of my students from "before" showed direct solidarity in favor of an act which the person in question received (rightly) as a humiliation and an affront.
那个感觉像"结结实实一拳打在脸上"(打在别人脸上)的事件发生在1981年10月。这一次,而且是自从新精神的频繁迹象开始传到我这里以来的第一次,我受到了影响——当然比我自己被打还要受影响,而不是那个我所钟爱的人被打。那个别人是我的一个学生,也是一个非常有天赋的数学家,他刚刚完成了漂亮的事情——但那只是一个细节。另一方面,不是细节的是,我的三个"以前的"学生直接声援了一个行为,而当事人(正确地)把这个行为当作屈辱和侮辱来接受。
p. L13 · 第75页
This was surely the most painful and difficult of my experiences in my life as a mathematician - when I was shown (without consenting to really become aware of what my eyes were seeing) "such a cherished student or companion of yesteryear taking pleasure in discreetly crushing another cherished individual in whom he recognizes me". This impacted me even more strongly than the rather crazy discoveries which I made last year, and which (from an outsider's perspective) might seem just as incredible...
这无疑是我数学生命中最痛苦、最艰难的经历——当我看到(却不愿真正意识到我的眼睛在看什么)"一个昨天如此珍视的学生或同伴,以悄悄压垮另一个他认出其中有我的影子的珍视个体为乐"。这对我的冲击比我去年做出的那些相当疯狂的发现还要强烈,而那些发现(从局外人的角度来看)可能看起来同样不可思议……
p. L14 · 第75页续
Thus also reminds me that a certain Symposium took place during the month of June of the same year 1981, which was memorable on a number of counts - a symposium which would have deserved to enter into History (or what remains of it...) under the indelible name of "Perverse Symposium". I became aware of it (or rather, it dropped on me!) on May 2nd of last year, two weeks after the discovery (on April 19th) of the Burial in the flesh - and I suddenly understood that I had come across "the Apotheosis". The apotheosis of a burial, but also the apotheosis of the scorn targeted at what, for the more than two thousand years during which our science has existed, was the tacit and unshakeable foundation of the mathematician's code of ethic - namely, the elementary rule that one must not present as his own ideas and results which were taken from somebody else's work.
这也让我想起,1981年6月举行了一个研讨会,在很多方面都令人难忘——这个研讨会本应该以"变态研讨会"这个不可磨灭的名字进入历史(或者历史的残余……)。我是去年5月2日意识到它的(或者说,它突然砸到我头上!),那是在4月19日发现实实在在的埋葬的两周后——我突然明白了我遇到了"神化"。一场埋葬的神化,但也是对那东西的轻蔑的神化——在我们这门科学存在的两千多年里,那东西一直是数学家伦理准则的默认而不可动摇的基础——也就是那条基本规则:一个人不能把从别人工作中拿过来的想法和成果当作自己的来展示。
3.5 旅程 The journey
p. L15 · 第76页
I believe I have by now covered most of the context in which my "return to mathematics", as well as, one thing leading to another, my writing of Récoltes et Semailles took place. It was only in late March of last year, in the last section of 'Fatuity and Renewal ("The weight of a past" (no 50)), that I started pondering the reasons behind and the meaning of this unexpected return. Regarding the "reasons", the most influential of those was surely the impression, at once vague and imperious, that powerful and vigorous things which I thought I had left in caring hands were actually "in a tomb, in which they had been left in decay, away from benefits of the wind, the rain, and the sun, for the fifteen years during which they had remained out of sight".
我相信我现在已经讲清楚了我"回归数学"以及——一件事导致另一件事——我写《收获与播种》的大部分背景。直到去年三月底,在"虚妄与更新"的最后一节("过去的重量"(第50号))里,我才开始思考这次意外回归背后的原因和意义。关于"原因",最有影响力的那个无疑是这样一种印象,既模糊又专横:我以为我已经把强大而有活力的东西留在了有照顾的人手中,实际上它们却"在一个坟墓里,在那里它们被遗弃着腐烂,远离风、雨和太阳的好处,在它们不为人所见的那十五年里"。
p. L16 · 第77页
Thus was born Récoltes et Semailles. I wrote the first pages of the introduction, meant to be completed by June 1983, during a slow period in the writing of the first volume of Pursuing Stacks. I resumed writing in February of last year, at a time when the volume had been essentially completed for several months. I intended to use this introduction as an opportunity to clarify a few things that remained somewhat blurred in my mind. But I also had no doubt that it was about to be, just like the volume which I had just written, a journey or discovery; a journey into an even richer and vaster world than the one that I was getting ready to oversee, in the volume just written and in those to follow.
《收获与播种》就这样诞生了。我写了引言的最初几页,本来打算在1983年6月完成,那是在《追寻层》第一卷写作的缓慢时期。我在去年二月恢复写作,那时这一卷实际上已经完成好几个月了。我打算把这个引言作为一个机会来澄清我心中仍然有些模糊的几件事。但我也毫不怀疑,它将像我刚写完的那卷一样,是一次旅程或发现;一次进入比我准备在刚写完的卷以及后续卷中要审视的那个世界更丰富、更广阔的世界的旅程。
Over the course of days, weeks, months, without really understanding what was happening, I continued this new journey at the discovery of a certain past (which had obstinately eluded me for the past three decades...), as well as of myself and the threads linking me to that past; it was also a journey at the discovery of some people to whom I had been close in the mathematical world, and whom I knew so little; and lastly, in the same stride, a journey of mathematical discovery wherein, for the first time in fifteen to twenty years, I took the time to return to some burning questions which I had left at the time of my departure.
在几天、几周、几个月的过程中,我没有真正理解发生了什么,继续着这段新旅程,去发现某个过去(那个在过去三十年里固执地躲避我的过去……),以及我自己和把我与那个过去连接起来的线索;这也是一次发现一些人的旅程——我在数学界曾经亲近过的人,而我对他们知之甚少;最后,在同一步伐中,也是一次数学发现的旅程,在其中,十五二十年来我第一次花时间回到我离开时留下的一些燃烧的问题。
p. L17 · 第78页
3.6 晦暗的一面——创造与轻蔑 The obscure side - or creation and disdain
First, I wanted to describe the intentions behind my decision to resume a mathematical activity, to write about the spirit in which I had written the first volume "Pursuing Stacks" (which I had then just completed), and about the spirit in which I intended to pursue an even vaster journey of exploration and mathematical discovery in the "Reflections".
首先,我想描述我恢复数学活动的决定背后的意图,写写我写第一卷《追寻层》时的精神(那时我刚完成它),以及我打算在《反思》中追求更广阔的探索和数学发现之旅的精神。
It is this part of the work which, albeit puny looking - not to say (often) harebrained - is often the most delicate and essential part of the process: it is truly there that something new becomes manifest, through intense attention, solicitude, and respect towards the fragile and infinitely delicate thing about to be born. It is the most creative part of all - that of conception and slow gestation within the warm shadows of the maternal womb, inside which the initial double gamete becomes amorphous embryo and continuously transforms itself over the course of days and months, by means of an obscure and intense process, seamless and invisible, into a new being made out of flesh and bone.
正是工作的这一部分——尽管看起来微不足道(甚至可以说常常是轻率的)——往往是过程中最微妙、最本质的部分:真正是在那里,新的东西变得显现出来,通过对那个即将诞生的、脆弱而无限精致的事物的强烈关注、关怀和尊重。这是最有创造性的部分——在母性子宫温暖的阴影中的受孕和缓慢孕育,在其中最初的双配子变成无定形的胚胎,并在几天几个月的过程中,通过一个晦暗而强烈的过程,无缝地、不可见地,不断地把自己转变成一个由血肉构成的新生命。
p. L18 · 第79页
This is also the "obscure", "yin", or "feminine" part of the work of discovery. The complementary "clear", "yang", or "masculine" part would be closer to a work of hammer and chisel upon a piece of hardened steel (using ready-made tools whose efficacy has already been established...). Both aspects have their individual raison d'être and function, and they are inextricably tied to one another by symbiosis - or rather, they are the wife and husband forming the indissoluble couple of the two original cosmic forces, whose ever-renewing embrace gives rise to the obscure creative work of conception, gestation, and birth - the birth of the child, of the novel thing.
这也是发现工作的"晦暗的"、"阴的"或"女性的"部分。互补的"清晰的"、"阳的"或"男性的"部分,更接近于在一块硬化钢上锤和凿的工作(使用已经确立了功效的现成工具……)。两个方面都有各自的存在理由和功能,它们通过共生不可分割地联系在一起——或者说,它们是妻子和丈夫,构成了两种原始宇宙力量的不可分离的一对,它们不断更新的拥抱产生了受孕、孕育和出生的晦暗创造工作——孩子、新事物的诞生。
p. L19 · 第79页续
To tell the truth, it seems that this most crucial aspect, or stage, of the work of discovery (as well as creative work in general) is subjected to a repression so efficient, so interiorized by the very people who come to know firsthand such a process that we could almost swear that these same people have eradicated every memory of this practice from their consciousness - akin to how a woman living in a highly restrictive puritan society might have eradicated from her living memory, in relation to each of the children who fall under her daily care, the moment of the embrace (grudgingly endured) tied to their conception, the long months of pregnancy (suffered as an impropriety), and the long hours of childbirth (experienced as a distasteful ordeal, followed by deliverance at long last).
说实话,发现工作(以及一般的创造性工作)的这个最关键的方面或阶段,似乎受到了如此高效的压抑,如此被那些亲身体验过这个过程的人内化了,以至于我们几乎可以发誓,这些人已经从他们的意识中根除了这种实践的所有记忆——就像一个生活在高度 restrictive 的清教社会中的女人可能从她的鲜活记忆中,就她每天照顾的每一个孩子而言,根除了与受孕相关的(勉强忍受的)拥抱时刻,漫长的怀孕月份(作为一种不当行为来承受),以及漫长的分娩时间(作为一种令人厌恶的折磨来经历,最后终于解脱)。
p. L20 · 第80页
The aspect of this degradation which I am mostly thinking about in writing these lines (and which is just one aspect among many others) is the tacit disdain, if not outright derision, directed towards work (mathematical, in this case) which does not resemble pure hammer-and-chisel labor - disdain for the more delicate (and often lesser looking) creative processes; for all that pertains to inspiration, dream, vision (however powerful and fruitful it might be); almost (in the extreme) for any idea, however clearly it may have been conceived and formulated: in sum, disdain for anything that hasn't been written and published in black on white, in the form of plain statements, classifiable and classified, ready to be incorporated into the "databases" inscribed in the inexhaustible memories of our supercomputers.
我在写这些行时主要想到的这种堕落的方面(而这只是众多方面中的一个)是那种心照不宣的轻蔑,如果不是公然的嘲笑的话,针对的是那些不像纯粹锤凿劳动的工作(这里是数学工作)——对更微妙的(而且常常看起来不那么起眼的)创造过程的轻蔑;对一切与灵感、梦、视野有关的东西的轻蔑(无论它可能多么强大和富有成果);几乎(极端地)对任何想法的轻蔑,无论它被多么清晰地构想和表述出来:总而言之,对任何没有以白纸黑字写出来并出版的东西的轻蔑,形式是朴素的陈述,可以分类和已经分类,准备好被纳入我们超级计算机无尽记忆中铭刻的"数据库"。
p. L21 · 第81页
We therefore seem to be approaching the risk of eradication, within each individual, of not only the memory of work carried out close to the source, of a "feminine" nature (often derided as "muddy", "sluggish", "inconsistent" - or at the other extreme as "trivial", "child's play", "long-winded"...), but also the loss of this very work and its outgrowths - when this work is where novel notions and visions are conceived, grow, and come to life. Such an event would lead us to an era during which the practice of our art will be reduced to arid and vain demonstrations of cerebral "weightlifting", and to intellectual bidding wars towards the "breaking open" of competition problems ("of proverbial difficulty") - an era of sterile, feverish, "super-macho" hypertrophy following more than three centuries of continuous creative renewal.
因此,我们似乎正在接近这样一种风险:在每个人身上,不仅根除在靠近源头处进行的、"女性"性质的工作的记忆(这种工作常常被嘲笑为"泥泞的"、"迟钝的"、"不一致的"——或者在另一个极端被嘲笑为"琐碎的"、"儿戏的"、"冗长的"……),而且失去这种工作本身及其产物——而这种工作正是新概念和新视野被构想、生长和诞生的地方。这样一个事件将把我们带到这样一个时代:我们这门艺术的实践将被简化为枯燥而虚荣的大脑"举重"表演,以及为了"撬开"竞赛问题("出了名的困难")而进行的智力竞价战——一个在三个多世纪的持续创造更新之后的、不育的、狂热的、"超级大男子主义的"肥大时代。
3.7 尊重与坚韧 Respect and fortitude
p. L22 · 第82页
If I had to summarize, in a single lapidary sentence, what Récoltes et Semailles has taught me about the certain world which I once called my own, and with which I identified myself for more than twenty years, I would say: it is a world that has lost the value of respect.
如果我不得不用一句简明扼要的话来总结《收获与播种》教给我的关于那个我曾经称为自己的世界、并且认同了二十多年的世界的东西,我会说:那是一个失去了尊重价值的世界。
Yet, this observation is not to be interpreted as an acerbic or bitter recrimination, but rather (through the logic internal to the writing and through the attitude which it induces in the reader) as an interrogation. That is, I invite mathematicians to ask themselves: what was the nature of my own involvement in this degradation, this loss of respect which I am nowadays witnessing?
然而,这个观察不应该被解释为尖刻或苦涩的指责,而应该(通过写作内在的逻辑和它在读者心中引起的态度)被解释为一个追问。也就是说,我邀请数学家们问问自己:我自己在这场堕落、在我今天所目睹的这种尊重的丧失中,参与的性质是什么?
p. L23 · 第83页
This humbling realization, although evident and without show, marks the first crucial turning point in the testimony, and immediately brings with it a qualitative change. This was the first essential realization which I was to acquire about my mathematical past and about myself. This newly gained awareness of my shared responsibility in the general degradation (an awareness which makes itself felt more or less sharply at various points of the reflection) remains a kind of background note and a reminder throughout Récoltes et Semailles.
这个令人谦卑的认识,虽然明显而不张扬,标志着这份见证中第一个关键的转折点,并立即带来了一种质的变化。这是我将要获得的关于我的数学过去和我自己的第一个本质认识。这种新获得的关于我在普遍堕落中分担的责任的意识(这种意识在反思的各个点上或多或少尖锐地被感觉到),在整部《收获与播种》中仍然是一种背景音符和一种提醒。
3.8 "我的熟人"——或默契 "My close acquaintances" - or connivance
p. L24 · 第83页续
The purpose of this letter isn't to list all of the "key moments" (or "sensitive moments") in segments of or all of Récoltes et Semailles. I would only like to mention that there were four great steps, or "breaths", that can be clearly distinguished in this work - akin to respiratory motions, or to the successive waves of a rising tide, vast and mute masses, at once immobile and in motion, limitless and nameless, issued from the unknown and bottomless sea that is "me", or rather, from a sea infinitely vaster and deeper than "I" am, and which carries and nourishes me.
这封信的目的不是列出《收获与播种》各部分或全部的所有"关键时刻"(或"敏感时刻")。我只想提一下,这部作品中有四个伟大的步骤,或"呼吸",可以清楚地分辨出来——类似于呼吸运动,或涨潮的连续波浪,广阔而沉默的团块,既不动又在运动,无限而无名,从那未知而无底的海——也就是"我"——中发出,或者更确切地说,从一片比"我"无限广阔和更深的海中发出,那片海承载并滋养着我。
p. L25 · 第84页
This encounter takes place at the beginning of the "third wave" of Récoltes et Semailles, just as I had embarked upon a long meditation on the yin and the yang, at the pursuit of an elusive and tenacious association of ideas. At the time, this brief episode was only mentioned in passing, in the form of an echo of a few lines. It nonetheless marks an important moment, whose fruits will only make themselves known months later.
这次相遇发生在《收获与播种》"第三波"的开端,就在我开始对阴阳进行长时间冥想的时候,在追求一种难以捉摸而顽强的观念联想。当时,这个简短的插曲只是顺带被提到,以几行回声的形式。尽管如此,它标志着一个重要的时刻,其果实几个月后才会显现出来。
p. L26 · 第85页
"Seen in this light, the principal officer Deligne no longer appears as the one who created a trend reflecting the underlying forces determining his own life and actions, but rather as the instrument designated (because of his role as "legitimate heir") by a highly cohesive collective will, and given the impossible task of erasing both my name and my personal style from contemporary mathematics."
"从这个角度看,首席官员德利涅不再显得是那个创造了反映决定他自己生活和行动的底层力量的趋势的人,而是被指定的工具(因为他作为'合法继承人'的角色),由一个高度凝聚的集体意志指定,并被赋予了从当代数学中抹去我的名字和我个人风格的不可能任务。"
p. L27 · 第86页
One of the paradoxical and disconcerting aspects of this Burial, among others, is that it was carried out chiefly, not to say exclusively, by people who had once been my friends or my students within a community in which I had never counted any enemies. It is mostly because of this reason, I believe, that Récoltes et Semailles concerns you more than others, and that this letter is meant to serve as an inquiry.
这场埋葬的悖论和令人不安的方面之一,就是它主要地(甚至可以说排他地)是由那些曾经是我朋友或我学生的人执行的,在一个我从未有过任何敌人的共同体里。我相信,主要是因为这个原因,《收获与播种》比其他书更关系到你,而且这封信是打算作为一个询问的。
And if (by some miracle) you choose to welcome these humble words and the testimony they bring you, rather than to remain locked behind closed doors and to dismiss the unwelcome messengers, you might then learn that the burial undertaken by all and with your participation (be it active or through your tacit acquiescing) did not only affect someone else's work, the fruits and testimony of his frenetic love affair with mathematics; rather, at a deeper and more hidden level than this (unspoken) burial, there is a living and essential part of your own being, and of your original power to know, to love, and to create, which you have elected to bury with your own hands in the guise of another person.
而如果(靠某种奇迹)你选择欢迎这些谦卑的话语和它们带给你的见证,而不是仍然锁在门后、打发不受欢迎的使者,那么你可能会了解到,那场由所有人进行、并有你参与(无论是主动的还是通过你心照不宣的默许)的埋葬,不仅影响了别人的工作,影响了他与数学疯狂恋爱的果实和见证;而是,在比这场(未说出口的)埋葬更深、更隐蔽的层次上,有你自己存在的一个活生生的、本质的部分,以及你认识、爱和创造的原初力量,而你已经选择亲手埋葬它,以另一个人的名义。
3.9 掠夺 The plunder
p. L29 · 第87页
One of the most solidly anchored such images, or ready-made ideas, is that it seemed downright unconceivable that a world-renowned intellectual, or even a man recognized to be a great mathematician, could engage in fraudulent behavior of any scale (and in any capacity, let alone to let that become a matter of habit...); and it seemed just as unconceivable that, abstaining (out of habit once again) from engaging in such behavior himself, he could nonetheless welcome such operations ("at times defying any sentiment of decency") organized by someone else when, for one reason or another, they are beneficial to him.
这些最根深蒂固的形象或现成观念之一是:一个世界知名的知识分子,甚至一个被公认为伟大数学家的人,会参与任何规模的欺诈行为(以任何身份,更不用说让那成为习惯了……),这似乎完全不可想象;而同样不可想象的是,他自己(又一次出于习惯)不参与这种行为,却会欢迎别人组织的这种行动("有时无视任何体面感"),当这些行动由于某种原因对他有利的时候。
p. L30 · 第88页
Before my discovery of the Burial on April 19 of last year, I could never have even dreamed that one of my ex-students could have been capable of dishonesty in the exercise of their profession, whether towards me or anyone else; and such a supposition would have appeared most aberrant if applied to the most brilliant of my ex-students, the same one who was closest to me! Yet, from the moment of my departure and through the following years up to this very day, I have had ample occasion to realize the extent to which his relationship with me was divided. More than once, I had also seen him use of his power to discourage and to humiliate (as if for sports) when the occasion was fitting. Each of these events profoundly affected me (more so, surely, than I would have liked to admit at the time...). These were clear enough signs of a profound imbalance, which (as I have had ample occasion to observe) does not solely affect him, even in the very small circle of my ex-students.
在我去年4月19日发现埋葬之前,我甚至做梦都不会想到我的一个前学生会在职业实践中做出不诚实的行为,无论是对我还是对任何其他人;而这样的假设如果应用于我最杰出的前学生——那个和我最亲近的——会显得最离谱!然而,从我离开的那一刻起,直到今天的这些年里,我有充分的机会意识到他与我的关系在多大程度上是分裂的。不止一次,我还看到他在合适的时机运用自己的权力去打击和羞辱(好像是为了好玩)。每一件事都深刻地影响了我(当然比我当时愿意承认的还要多……)。这些都是深刻不平衡的足够明显的迹象,而这种不平衡(正如我有充分机会观察到的那样)不仅仅影响他,即使在我前学生这个非常小的圈子里也是如此。
p. L31 · 第89页
The "plunder" about which I am speaking comes as a reward, as the fruit of a labor. It is immediately followed by a positive feeling of relief, a welcome liberation.
我所说的"掠夺"是作为一种回报、一种劳动的果实而来的。它之后立刻跟着一种解脱的积极感觉,一种受欢迎的解放。
3.10 一股运动中的四波浪潮 Four waves in one movement
p. L32 · 第89页续
The five parts of Récoltes et Semailles (the first of which is not yet finished, and probably won't be for another few months) represent an alternation between (three) "meditation" waves and (two) "investigation" waves. This in some sense reflects, in shortened format, my life during the past nine years, which also consisted of an alternation between "waves" issued from the two passions that sustain me today, namely my passion for meditation and my passion for mathematics.
《收获与播种》的五个部分(第一部分还没有完成,可能还要几个月)代表了(三波)"冥想"浪潮和(两波)"调查"浪潮之间的交替。这在某种意义上以缩短的格式反映了我过去九年的生活,那也是由两种今天支撑着我的激情所发出的"浪潮"之间的交替,也就是我对冥想的激情和我对数学的激情。
p. L33 · 第90页
The first wave, "Fatuity and Renewal", consists of a first encounter with my past as a mathematician, leading to a meditation on my present, whose rooting in my past I freshly unraveled. Without the slightest amount of advance planning, this part lays out the "base tone" to persist throughout the rest of Récoltes et Semailles: it serves as a providential and indispensable inner preparation for me to undertake the discovery of the "Burial in all its glory" in what closely follows, during the second wave "The Burial (1) - or the robe of the Emperor of China".
第一波,"虚妄与更新",包括与我的数学过去的第一次相遇,导致对我的现在的冥想,我刚刚解开了它在我的过去中的根。没有丝毫的预先计划,这一部分奠定了贯穿《收获与播种》其余部分的"基调":它为我在紧接着的第二波"埋葬(1)——或中国皇帝的黄袍"中去发现"全部荣耀中的埋葬",充当了天意而不可或缺的内在准备。
p. L34 · 第91页
This is how the third wave in the vast movement that is Récoltes et Semailles was born - a long "meditation wave" on the theme of the yin and the yang, the "shadow" and "light" sides present in the dynamic of things and in human existence. This meditation grew out of a desire to reach a more in-depth understanding of the profound forces at work in the Burial, yet it acquires from the get-go its own autonomy and unity, orienting itself towards the universal as well as the intimately personal.
《收获与播种》这个广阔运动中的第三波就是这样诞生的——一波关于阴与阳、事物动态和人类存在中"阴影"与"光明"两面的长冥想之波。这个冥想源于一种渴望,想要更深入地理解在埋葬中起作用的那些深刻力量,然而它从一开始就获得了自己的自主性和统一性,既朝向普遍,也朝向亲密的个人。
p. L35 · 第92页
At the term of this endless "digression" on the yin and the yang, I was still left, more or less, with the "two or three notes" that I still had to write (in addition to one or two more, at most, one of which already had a name: "The four operations"...) before finishing Récoltes et Semailles. The rest of the story is known: the "few last notes" turned into the longest part of Récoltes et Semailles, spanning over nearly five hundred pages: this is therefore the "fourth wave" of the movement. It is also the third and last part of the Burial, and I named it "The Four Operations".
在这场关于阴阳的无尽"离题"的终点,我仍然或多或少剩下"两三个笔记"要写(此外最多还有一两个,其中一个已经有了名字:"四大行动"……),然后才能完成《收获与播种》。故事的其余部分是已知的:那"最后几个笔记"变成了《收获与播种》最长的部分,跨越近五百页:因此这就是运动的"第四波"。它也是埋葬的第三部分也是最后一部分,我把它命名为"四大行动"。
3.11 运动与结构 Movement and structure
p. L37 · 第93页
This structure is the reflection and expression of a certain spirit which I have tried to "convey" in the preceding pages. In comparison to my previous publications, the key novelty in both Récoltes et Semailles as well as "Pursuing Stacks" is spontaneity. Granted, you will find guiding threads and wide-ranging interrogations providing coherence and unity to the reflection as a whole. Nonetheless, the reflection is taken up day by day, without any pre-established "program" or "plan", never setting out ahead of time "what is to be demonstrated". My purpose is not to prove, but rather to discover, to probe further ahead into an unknown substance, to condense what is as of yet only dimly sensed, suspected, or glimpsed.
这个结构是某种精神的反映和表达,我在前几页中试图"传达"这种精神。与我以前的出版物相比,《收获与播种》和《追寻层》的关键新颖之处在于自发性。当然,你会发现引导线索和广泛的追问,为整个反思提供连贯性和统一性。尽管如此,反思是一天天进行的,没有任何预先建立的"程序"或"计划",从不提前设定"要证明什么"。我的目的不是证明,而是发现,向未知的实质进一步探测,把迄今为止只是模糊感觉到、怀疑到或瞥见的东西凝结出来。
p. L39 · 第95页
Thus, each of the notes in Récoltes et Semailles has its own individuality, and carries a face and a function distinguishing it from every other. I have attempted to express the particularity of each note by a name, supposed to reconstitute or evoke the essential, or at least something essential regarding what that note "has to say". I identify each note by its name before all else, and that is how I choose to refer to a given note every time that it is relevant.
因此,《收获与播种》中的每一个笔记都有自己的个性,都带着一张脸和一个功能,将它与其他所有笔记区分开来。我试图用一个名字来表达每个笔记的特殊性,这个名字应该重构或唤起那个笔记"要说什么"的本质,或者至少是某种本质。我首先通过名字来识别每个笔记,这就是为什么每次相关时我都选择这样来指代某个笔记。
p. L40 · 第95页续
Thus, within the "Whole" of Récoltes et Semailles are included the five "parts" mentioned earlier, each with its own particular structure: Fatuity and Renewal consists of eight "chapters" I through VIII, while the three parts constituting the Burial (which themselves became their own entities over time...) consist of one long and solemn Procession involving twelve "Cortèges" I through XII.
因此,在《收获与播种》的"整体"中包括前面提到的五个"部分",每个部分都有自己独特的结构:《虚妄与更新》由八章I到VIII组成,而构成《埋葬》的三个部分(它们随着时间推移自己变成了独立的实体……)由一个漫长而庄严的游行组成,包括十二个"队列"I到XII。
3.12 自发性与严谨 Spontaneity and rigor
p. L41 · 第96页
Spontaneity and rigor constitute the "shadow" and "light" side of one indivisible quality. It is only through their marriage that this particular quality can be born in a text or a person - it may be approximately described as the "quality of truth". Although spontaneity has been played down (if not downright absent) from my past publications, I do not think that its recent blossoming within me has affected my rigor. Rather, the presence of rigor's yin companion gives it a new dimension and a renewed fecundity.
自发性和严谨构成了一个不可分割的品质的"阴影"面和"光明"面。只有通过它们的结合,这种特殊的品质才能在一个文本或一个人身上诞生——它可以大致被描述为"真理的品质"。虽然自发性在我过去的出版物中一直被淡化(甚至可以说完全缺席),但我不认为它最近在我内心的绽放影响了我的严谨。相反,严谨的阴伴的存在给了它一个新的维度和更新的丰饶。
p. L42 · 第96页续
In the context of writing, rigor manifests itself in the form of a constant need to capture things as finely and faithfully as possible, using language, thoughts, feelings, perceptions, pictures, or intuitions... So that one is not content merely expressing oneself vaguely or approximatively when the thing at hand has a clearly defined shape; nor is it satisfactory to use an ostensibly precise term (and thereby further deforming the truth) in order to express something which remains immersed in the mist of what has been felt but not yet grasped.
在写作的语境中,严谨表现为一种持续的需要,即使用语言、思想、感觉、知觉、画面或直觉,尽可能精细和忠实地捕捉事物……这样,当手头的事物有明确的形状时,人就不满足于仅仅模糊地或近似地表达自己;同样,为了表达某种仍然沉浸在被感觉到但尚未被把握的迷雾中的东西,使用一个表面上精确的术语(从而进一步歪曲真理)也是不能令人满意的。
p. L43 · 第97页
That is, the role of writing is not to present the results of research, but rather to report on the process of research itself - to document the work of love and the fruits of this work with Mother Nature, the Unknown, who tirelessly calls us to know more about her inexhaustible Body, venturing wherever the mysterious winds of desire carry us.
也就是说,写作的角色不是呈现研究的结果,而是报告研究过程本身——记录与大自然母亲(那未知者)的爱的工作和这项工作的果实,她不知疲倦地召唤我们更多地了解她无尽的身体,冒险前往欲望的神秘之风把我们带到的任何地方。
3.13 瓶中光谱仪 The bottle spectrograph
p. L44 · 第98页
It has now been seven packed months since this Letter was written, and nearly four months since it was sent, along with the accompanying "tome" - and a hand-written dedication accompanying each. Like "message in a bottle", or rather, like a whole host of vagrant bottles, my message circulated and reached the outermost corners of the mathematical microcosm that I once knew.
从写这封信到现在已经七个月了,从寄出去到现在也快四个月了,连同附带的"大卷"——每一份都有手写题词。像"瓶中信",或者更确切地说,像一大堆流浪的瓶子,我的信息流通着,到达了我曾经知道的那个数学微观宇宙的最偏远角落。
p. L45 · 第99页
In response to my modest and artisanal flotilla, the tone which seems to prevail is by far a half-sneering, half-snarling tone along the lines "here comes Grothendieck, who is falling prey to paranoia in his old age", or "he is decidedly taking himself quite seriously" - and voila! And yet, I only received a single letter taking this tone, along with two others adopting an attitude of effaced derision and self-satisfaction. By and large, most of the mathematicians I contacted, including many of my old students, responded with their silence - a silence that speaks volumes.
作为对我那谦逊而手工的小舰队的回应,似乎占主导地位的语气到目前为止是一种半嘲笑、半咆哮的语气,大意是"格罗滕迪克来了,老了陷入偏执了",或者"他真把自己当回事"——好了吧!然而,我只收到了一封用这种语气的信,另外两封采取了一种低调的嘲笑和自满的态度。总的来说,我联系的大多数数学家,包括我的许多前学生,都以沉默回应——一种意味深长的沉默。
3.14 一个盘子里的三只脚 Three feet in a single dish
p. L46 · 第99页续
Whether or not the majority remains silent and apathetic, the fact remains that a debate has been started. It is unlikely that it will ever take the scale of a true public debate, or even (God forbid!) the pomp and rigor of an "official" debate. Several people have swiftly gone past it, closing the door to their inner self before even acquainting themselves with the issue, strongly attached to the timeless and immutable consensus that "all is for the best in the best of worlds" (in this case, the mathematical world).
无论大多数人是否保持沉默和冷漠,事实是一场辩论已经开始了。它不太可能达到真正公共辩论的规模,甚至(上帝保佑!)达到"官方"辩论的盛况和严谨。有几个人迅速地越过了它,甚至在了解问题之前就关上了他们内在自我的门,强烈地执着于那个永恒不变的共识:"在最好的世界里一切都是最好的"(在这个例子里,是数学世界)。
p. L47 · 第100页
If I had to name "someone" who in my eyes inspires a feeling of alarm, disquietude, and urgency, I would not point to myself, nor to any of my "co-buried". Rather, I would point to a collective being, at once elusive and very much tangible, about whom we often speak but refrain from ever examining - namely, "the mathematical community".
如果我必须说出一个在我眼中唤起警觉、不安和紧迫感的"某人",我不会指向我自己,也不会指向我的任何"同葬者"。相反,我会指向一个集体存在,既难以捉摸又非常有形,我们经常谈论它但从不去审视它——也就是"数学共同体"。
p. L48 · 第101页
With seven months of hindsight, I am able to confirm that the quasi-totality of the facts reported and commented upon in Récoltes et Semailles are uncontroversially correct. I will come back to the rare exceptions later, and they will be signaled as such, each in due time. As for all of the remaining fact, following the writing of the preliminary version of Récoltes et Semailles, a careful confrontation with some of those principally concerned (namely, Pierre Deligne, Jean-Pierre Serre, and Luc Illusie) allowed me to eliminate technical mistakes, so as to arrive to an unambiguous agreement regarding the material facts proper.
有了七个月的后见之明,我可以确认《收获与播种》中报道和评论的几乎全部事实都是无可争议地正确的。我稍后会回到那些罕见的例外,它们会被这样标记,各在适当的时候。至于所有其余的事实,在《收获与播种》初步版本写完之后,与一些主要相关者(即皮埃尔·德利涅、让-皮埃尔·塞尔和吕克·伊吕西)的仔细对质,让我能够消除技术性错误,从而就物质事实本身达成了明确的一致。
Thus, the debate does not revolve around the accuracy of the facts at hand, which is not in doubt; rather, it concerns the question of whether the practices and attitudes illustrated by these facts should or should not be considered to be admissible and "normal".
因此,辩论不是围绕手头事实的准确性——这一点毋庸置疑;而是围绕这样一个问题:这些事实所展示的实践和态度是否应该被认为是可接受的和"正常的"。
p. L49 · 第102页
1) Between 1963 and 1969, I introduced the notion of "motive" and developed surrounding it a "philosophy" and a "theory" which remained partially conjectural. Rightly or wrongly (it doesn't matter for the present purposes), I consider the theory of motives to be the most profound contribution that I have made to the mathematics of my time. Today, nobody questions the importance and the depth of this "motivic yoga" (and this after ten years of quasi-total silence surrounding this subject, following my departure from the mathematical world).
1) 在1963年到1969年之间,我引入了"动机"的概念,并围绕它发展了一种"哲学"和一种"理论",后者部分仍然是猜想性的。对也好错也好(就目前的目的而言不重要),我认为动机理论是我对我那个时代数学做出的最深刻的贡献。今天,没有人质疑这种"动机瑜伽"的重要性和深度(而这是在我离开数学界之后,这个主题周围十年近乎完全的沉默之后)。
2) In the first and only book (published in 1981) devoted for the most part to the theory of motives (whose name, which I first introduced, appears in the title), the only passage that could indicate to the reader that my humble self had anything to do with a theory that could resemble the one extensively developed in this book can be found on page 261. This passage (two and a half lines long) consists in explaining to the reader that the theory developed in the book has nothing to do with that of a so-called Grothendieck (a theory which is mentioned there for the first and last time, with no further reference or details).
2) 在第一本也是唯一一本(1981年出版)大部分致力于动机理论的书中(我首先引入的那个名字出现在标题中),唯一能向读者表明鄙人与一本可能类似于本书中广泛发展的理论有任何关系的段落,可以在第261页找到。这段(两行半长)在于向读者解释,本书中发展的理论与一个所谓的格罗滕迪克的理论毫无关系(那个理论在那里被提到第一次也是最后一次,没有进一步的参考或细节)。
p. L50 · 第103页
The above shall suffice to make my point, which is the following: in order to take stock of the above facts and to emit a judgement thereupon, there is no need for any particular "competencies" - the heart of the matter is not "taking place" at that level. The faculty which is herein called for, other than a sound mind (possessed in principle by each and every one), is what I will call a sentiment of decency.
上面这些应该足以说明我的观点,即:为了评估上述事实并对此做出判断,不需要任何特殊的"能力"——事情的核心不在那个层面"发生"。这里所需要的能力,除了健全的心智(原则上每个人都拥有)之外,就是我所说的体面感。
3.15 坏疽——或我们时代的精神(1) Gangrene - or the spirit of our times (1)
p. L51 · 第103页续
This "operation motives" is but one of four "great operations" of the same type, which in turn fit into a swarm of other events of lesser scale but of similar spirit. It is neither the most "obnoxious" of the collective mystifications which come to form the "tableau des moeurs" of an era, nor the most iniquitous. It consisted only in pillaging the wealthy man's herd in his absence (or demise...), rather than coming to strangle (in a general climate of indifference) the poor man's lamb, for sports and right before his eyes.
这场"动机行动"只是同类型的四大"大行动"之一,而这四大行动又融入了一大群规模较小但精神相似的其他事件之中。它既不是构成一个时代"风俗画"的集体神秘化中最"可憎的",也不是最不义的。它只在于在富人不在场(或去世……)时掠夺他的畜群,而不是(在普遍的冷漠氛围中)来掐死穷人的羔羊,为了好玩,而且就在他眼前。
p. L52 · 第104页
If I have ever made a positive contribution to the "mathematical community", it was by shedding light on a number of disreputable facts which were lurking in the shadows. These were furthermore facts which everybody interacted with on a near-daily basis in some capacity. Yet, how many among us have ever taken the time to stop, take a look, and smell the air surrounding it?
如果我曾经对"数学共同体"做出过积极贡献,那就是通过揭示一些潜伏在阴影中的不光彩事实。而且这些事实是每个人几乎每天都以某种身份与之互动的。然而,我们中有多少人曾经花时间停下来,看一看,闻一闻它周围的空气?
3.16 体面的修正——或我们时代的精神(2) Honorable amend - or the spirit of our times (2)
p. L53 · 第105页
Récoltes et Semailles is first and foremost a testimony produced in good faith about my lived experience and my reflection thereupon. The testimony and reflection are available to all, including historians, who may use it as one primary source among others. It will be the historians' task to critically examine this primary source, in conformity with the standards of rigor of their art.
《收获与播种》首先是一份出于诚信而产生的关于我的生活经验和我对此的反思的见证。这份见证和反思可供所有人使用,包括历史学家,他们可以把它作为众多原始资料之一。历史学家的任务将是按照他们这门艺术的严谨标准来批判性地审查这份原始资料。
p. L54 · 第106页
The testimony from a third party which I just alluded to, and which I have been echoing without having been able to "thoroughly verify its validity", is Zoghman Mebkhout's testimony regarding the vast operation of discrediting surrounding his work. Among the "material facts" which I enumerate in Récoltes et Semailles, the only facts which are currently subject to controversy or which, according to my present judgement, are in need of rectification, are some of the facts supported only by Mebkhout's testimony.
我刚才提到的第三方见证——我一直在回响它却未能"彻底验证其有效性"——是佐格曼·梅布胡关于围绕他工作的那场大规模抹黑行动的见证。在我在《收获与播种》中列举的"物质事实"中,目前唯一有争议的或根据我现在的判断需要修正的事实,是一些仅由梅布胡的见证支持的事实。
p. L56 · 第107页
All that remains is for me to make an honorable amend for my flimsiness in presenting the Mebkhout-Kashiwara dispute in a way that only took into account the testimony and documentation provided by Mebkhout, as if this version was beyond any doubt; and for doing so even when this version presented a third party as ridiculous, or even odious, providing me with all the more reasons to exercise caution. For my flimsiness and lack of sane caution, I would like to hereby extend my most sincere excuses to M. Kashiwara.
剩下的就是我要做一个体面的修正,为我的轻率——我在呈现梅布胡-柏原争论时只考虑了梅布胡提供的见证和文件,好像这个版本是毋庸置疑的;而且这样做即使这个版本把第三方描绘成可笑的,甚至可憎的,这本应给我更多的谨慎理由。为我的轻率和缺乏清醒的谨慎,我想在此向柏原先生致以最诚挚的歉意。
第一部分:虚妄与更新
Part I: Fatuity and Renewal
p. 109 · 第109页
第二部分:埋葬(1)——或中国皇帝的黄袍
Part II: The Burial (I) - or the Robe of the Emperor of China
p. 111 · 第111页
第13章 A) 遗产与继承人
Chapter 13 A) Heritage and heir
p. 173 · 第113页
13.1 I 身后的学生
Failure of an instruction (II) - or creation and fatuity 44'
This passage "clicked" for the friend who read the previous section "the weight of a past". He wrote: "for many of your old students, the aspect, as you put it, of an invasive and borderline destructive "boss" remains strong. Whence the impression you hold."
这段话对读过前一节"过去的重量"的朋友来说"咔嗒"一声对上了。他写道:"对于你的许多老学生来说,正如你所说的那种侵入性的、 borderline 破坏性的'老板'形象仍然强烈。这就是你所持有印象的来源。"
p. 174 · 第114页
It is true that I was looking first and foremost, in the students that approached me, for collaborators with whom to develop intuitions and ideas which had already formed within me, to "push along", in sum, a carriage that was already there, which they did not have to summon from some kind of void, "something which my correspondent had to do". This summoning - the act of bringing into being a tangible, supple, intense body of work from the intangible mist - had indeed always been, for me, the most fascinating aspect of mathematical work, as well as the part in which I most strongly felt a process of "creation" the "spirit of something more delicate and essential than a mere result".
的确,我在接近我的学生身上首先寻找的是合作者,和他们一起发展已经在我内心形成的直觉和想法,总之是"推动"一辆已经在那里的马车,他们不需要从某种虚空中召唤它——"这是我的通信者必须做的事情"。这种召唤——从无形的迷雾中孕育出有形的、柔韧的、强烈的工作实体的行为——对我来说一直确实是数学工作中最迷人的方面,也是我最强烈地感受到"创造"过程的部分,"比单纯的结果更精致、更本质的某种东西的精神"。
p. 175 · 第114页续
Thus, it seems to me that the failure that I am today confronting rests on subtler causes than the kind of themes which I suggested, or the extent to which said themes remained nebulous or were clearly delineated. My role in this failure seems due rather to attitudes of fatuity within me, in the way I interacted with mathematics; attitudes which I have examined in the course of this reflection. These attitudes were bound to more or less strongly influence, if not the work itself with a given student, at least the atmosphere surrounding my person.
因此,在我看来,我今天所面对的失败,其原因比我建议的那种主题、或这些主题在多大程度上仍然模糊或清晰界定要更微妙。我在这场失败中的角色,似乎更多地来自我内心的虚妄态度,来自我与数学互动的方式;这些态度我在反思过程中已经审视过了。这些态度必然或多或少强烈地影响——如果不是影响与某个学生的工作本身——至少影响我周围的氛围。
13.2 II 孤儿们 My orphans 46
p. 177 · 第116页
I would like to take the time to say a few words concerning the mathematical notions and ideas, among those which I have brought to life, which seem (by far) to be the farthest reaching. I will be mostly speaking about five closely linked key-notions, which I will briefly review in increasing order of specificity, richness, and depth.
我想花点时间谈谈我赋予生命的那些数学概念和想法中,那些(迄今为止)影响最深远的。我将主要谈五个紧密联系的关键概念,我将按特殊性、丰富性和深度的递增顺序简要回顾它们。
The first idea in question is that of derived categories in homological algebra (cf. note 48 p. 274), and of their use as a "catch-all" formalism called the "six operations formalism" (namely ⊗L, Lf∗, Rf!, RHom, Rf∗, Lf!) on the cohomology of the most important kinds of "spaces" introduced to this day in geometry: "algebraic" spaces (such as schemes, schematic multiplicities, etc...), analytic spaces, topological spaces.
第一个要谈的想法是同调代数中的导出范畴(参见第48号注第274页),以及它们作为一种"万能"形式主义——称为"六函子形式主义"(即⊗L, Lf∗, Rf!, RHom, Rf∗, Lf!)——在几何中迄今为止引入的最重要种类的"空间"的上同调上的使用:"代数"空间(如概形、概形重数等),解析空间,拓扑空间。
p. 178 · 第116页续
The progressive discovery of this duality formalism and of its ubiquitousness happened through a solitary, persistent, and exacting reflection which took place between the years 1956 and 1963. It was during the course of this reflection that the notion of derived category slowly appeared, and with it an understanding of the role which it played in homological algebra.
这种对偶形式主义及其普遍性的逐步发现,是通过1956年到1963年间一场孤独、持久而严格的反思完成的。正是在这场反思的过程中,导出范畴的概念缓慢地出现了,随之而来的是对它在同调代数中所扮演角色的理解。
p. 179 · 第117页
For almost 10 years, in the absence of the encouragement of those among my old students who were best positioned to offer it, and to support him through their interest and their experience which they had gained through their work with me. Zoghman Mebkhout produced his remarkable work in a near total state of isolation. This did not prevent him from discovering and proving two key theorems in the context of a new crystalline theory which was slowly coming into being in the midst of a general indifference.
将近10年时间里,在缺乏我的老学生中最有资格提供鼓励的人的鼓励——以及通过他们的兴趣和他们与我一起工作获得的经验来支持他——的情况下。佐格曼·梅布胡在近乎完全孤立的状态下产出了他卓越的工作。这并没有阻止他在一个新的晶体理论的背景下发现和证明两个关键定理,而这个理论是在普遍的冷漠中缓慢成形的。
p. 180 · 第118页
I now come to the second pair of notions, namely that of schemes and the tightly related notion of topoi. The latter is a more intrinsic version of the notion of site, which I introduced in order to formalize the topological intuition of "localization". I was led to introduce the notions of scheme and topos one after another in response to the glaring needs of algebraic geometry. This pair of concepts carried within them the potential for a profound renewal of both algebraic and arithmetic geometry and of topology, through a synthesis of these "worlds", kept apart for too long, within a common geometric intuition.
现在我来谈第二对概念,即概形和与之紧密相关的拓扑斯概念。后者是站点概念的更内在版本,我引入它是为了将"局部化"的拓扑直觉形式化。我被引导着一个接一个地引入概形和拓扑斯的概念,以回应代数几何学的迫切需要。这对概念内在地携带着代数和算术几何以及拓扑学的深刻更新的潜力,通过将这些分离太久的"世界"综合在一个共同的几何直觉之中。
p. 181 · 第119页
On the other hand, this vast synthesis that would also encompass topology is still biding its time, even though the essential ideas and principal technical tools appear to have been in place for twenty years. During the fifteen years that followed my departure from the world of mathematics, the fertile unifying idea and powerful tool for discovery that is the notion of topoi has been maintained by some customary decree outside of the range of notions deemed serious. To this day, few topologists are even aware of the existence of this potentially considerable enlargement of their science, and of the novel resources which it offers.
另一方面,这个也将包含拓扑学的宏大综合仍在等待时机,尽管基本想法和主要技术工具似乎已经就绪二十年了。在我离开数学界之后的十五年里,拓扑斯概念这个肥沃的统一想法和强大的发现工具,通过某种习惯性法令被维持在被认为严肃的概念范围之外。直到今天,很少有拓扑学家甚至意识到他们这门科学的这种潜在巨大扩展的存在,以及它所提供的新资源。
p. 183 · 第120页
The fifth notion which is close to my heart, perhaps more than any other, is that of "motives". It is distinct from the preceding four ideas in that "the" correct notion of motive (be it only over a base field, without even mentioning the case of an arbitrary base scheme) has not been given a satisfactory definition to this day, even if we are to accept all "reasonable" conjectures which one may need to this end.
第五个概念是我最珍视的,也许比其他任何一个都更珍视,那就是"动机"的概念。它与前面四个想法的不同之处在于,"正确的"动机概念(即使只是在基域上,更不用说任意基概形的情况)至今还没有得到令人满意的定义,即使我们接受所有为此可能需要的"合理"猜想。
p. 184 · 第121页
It is just as clear today for motives as it once was for the infinitesimally small, that such beasts exist, and that they manifest themselves in every corner of algebraic geometry, as long as one is interested in the cohomology of algebraic varieties and families of such varieties, and more specifically in the "arithmetic" properties of such objects.
今天对于动机来说,就像曾经对于无穷小一样清楚:这种野兽存在,而且它们在代数几何的每一个角落显现自己,只要你对代数簇及其族的上同调感兴趣,更具体地说,对这类对象的"算术"性质感兴趣。
p. 185 · 第121页续
Nonetheless, the few people in the know (and who follow the trends) know that beginning with the premises, which remain secret, one can prove many things. It should be said that as of today, in fact since the notion appeared in the wake of the Weil conjectures (proven by Deligne, which proves a point I guess!), the yoga of motives very much exists. But it has the status of a secret science with very few initiates.
尽管如此,少数知情的人(而且是追潮流的人)知道,从那些仍然秘密的前提出发,可以证明很多东西。应该说,直到今天,实际上自从这个概念在韦伊猜想之后出现以来(由德利涅证明,我想这证明了一个观点!),动机瑜伽是非常存在的。但它具有一门秘密科学的地位,只有极少数入门者。
13.3 III 时尚——或名人的生活
Instinct and fashion - or the law of the strongest 48
p. 197 · 第131页
As is well known, the theory of derived categories is due to J. L. Verdier. Before he undertook the foundational work which I suggested to him, I had confined myself to working with derived categories in a heuristic way, using a provisory definition (which later turned out to be the right one) and an equally provisory intuition about the essential internal structure.
众所周知,导出范畴理论归功于J. L. Verdier。在他承担我建议他做的基础工作之前,我一直局限于以启发式的方式使用导出范畴,使用一个临时定义(后来证明是正确的)和一个关于本质内部结构的同样临时的直觉。
p. 198 · 第131页续
Perhaps I am the only one to regret that neither the introductory text not the foundations per se have been published, so that the essential technical prerequisites to using the language of derived categories find themselves scattered across three different sources in the literature. This absence of a systematic reference of a caliber comparable to Cartan-Eilenberg's classical book appears to me as both a cause and a sign, typical of the disaffection which took hold of the formalism of derived categories following my departure from the mathematical world in 1970.
也许我是唯一遗憾的人,无论是导论文本还是基础本身都没有出版,以至于使用导出范畴语言的基本技术先决条件分散在文献中的三个不同来源中。这种缺乏可与Cartan-Eilenberg经典著作相媲美的系统参考书的情况,在我看来既是一个原因也是一个迹象,典型地表现了我1970年离开数学界后笼罩在导出范畴形式主义上的冷淡。
p. 199 · 第132页
Yet, regarding the first of the above themes, all of the essential ideas needed for a large scale foundational work seemed to have been established during the years leading to my departure. (Including the key idea of "derivator", or "machine producing derived categories", which seems to be the richest object in common to the triangulated categories encountered to this day; this idea was eventually developed to some extent in the non-additive context, nearly twenty years later, in a chapter of volume 2 of Pursuing Stacks.)
然而,关于上述第一个主题,大规模基础工作所需的所有基本想法似乎在我离开前的那些年里已经确立了。(包括"导出器"或"产生导出范畴的机器"这个关键想法,它似乎是迄今为止遇到的三角范畴共有的最丰富的对象;这个想法最终在近二十年后,在《追寻层》第二卷的一章中,在非加法语境中得到了某种程度的发展。)
p. 200 · 第133页
It is true that the disaffection for the very notion of derived category during the past fifteen years, which for some was connected to a disavowal of a time past, is in line with a certain fashion which suggests that we look down upon any reflection touching to foundations, however urgent it may be. On the other hand, it is also clear to me that the development of etale cohomology, which "everybody" uses nowadays without thinking twice (if only implicitly via the now proven Weil conjectures...) would not have been possible without the conceptual background consisting of derived categories, the six operation formalism, and the language of sites and topoi.
的确,过去十五年里对导出范畴概念本身的冷淡——对某些人来说与对过去时代的否认有关——符合某种时尚,这种时尚暗示我们看不起任何涉及基础的反思,无论它多么紧迫。另一方面,我也很清楚, étale 上同调的发展——今天"每个人"都不假思索地使用它(哪怕只是通过现在已被证明的韦伊猜想隐含地……)——如果没有由导出范畴、六函子形式主义和站点与拓扑斯语言组成的概念背景,是不可能的。
13.3 罐装权重与十二年保密 Canned weights and twelve years of secrecy 49
p. 202 · 第135页
On this topic, I should also mention that I was well aware (and hence so was Deligne) of a very precise "yoga of weights", including the behavior of weights with respect to operations such as Rif∗ and Rif!, starting from the end of the 1960s, in the wake of the Weil conjectures. Part of this yoga was finally established (in the context of l-adic coefficients, as an intermediary to the more natural context of motives) in Deligne's paper "Conjectures de Weil II". If I am not mistaken, for the twelve years that have elapsed between these two periods, there was not a single trace in the literature of an exposition, however partial or succinct, of the yoga of weights (still completely conjectural), which as such remained within the exclusive reach of a few (two or three?) initiates.
关于这个话题,我还应该提到,我很清楚(因此德利涅也清楚)一种非常精确的"权重瑜伽",包括权重在Rif∗和Rif!等运算下的行为,从1960年代末开始,在韦伊猜想之后。这种瑜伽的一部分最终(在l进系数的语境中,作为通向动机更自然语境的中介)在德利涅的论文《韦伊猜想II》中被确立了。如果我没弄错的话,在这两个时期之间流逝的十二年里,文献中没有一丝痕迹,哪怕是部分或简短地阐述权重瑜伽(仍然完全是猜想性的),因此它仍然只在少数(两三个?)入门者的专属掌握之中。
p. 203 · 第135页续
However, this yoga constitutes an essential first key in the endeavor of understanding the "arithmetic" properties of algebraic varieties, thus acting at once as a means of orienting oneself in a given situation and for making predictions with an accuracy that has never failed, as well as one of the most urgent and fascinating tasks which lie ahead in the cohomological theory of algebraic varieties. The fact that this yoga has remained nearly ignored until the time when it was finally established (at least in regards to some of its important aspects), appears to me to be a particularly striking example of the information blocking practiced by some of the very people whose functions and privileged situation call for them to oversee the wide broadcast of said information.
然而,这种瑜伽构成了理解代数簇"算术"性质的努力中一个本质的第一把钥匙,因此同时充当了在给定情境中定位自己的手段、以及以从未失手的准确性做出预测的手段,也是代数簇上同调理论面前最紧迫、最迷人的任务之一。这种瑜伽一直几乎被忽略,直到它最终被确立(至少在它的一些重要方面)的时候,在我看来是一个特别引人注目的例子,说明那些其职能和特权地位要求他们监督该信息广泛传播的人自己所实行的信息封锁。
13.3 进步是挡不住的! There is no stopping progress! 50
p. 204 · 第136页
This fashion of the day goes so far as to hold in contempt not only careful demonstrations (if not demonstrations altogether), but sometimes even proper statements and definitions. Given the cost of paper and with the reader's stamina nearing exhaustion, it will soon be time to part ways with such costly luxury! Extrapolating upon the current tendencies, we should be able to project an era when a publication will no longer be required to explicitly state definitions and statements; instead, we shall henceforth content ourselves with naming things using code words, leaving to the tireless and brilliant reader the task of filling the blanks in accordance to their own wits.
这种时尚甚至走到了如此地步:不仅蔑视仔细的证明(如果不是完全蔑视证明的话),有时甚至蔑视恰当的陈述和定义。考虑到纸张的成本和读者耐力接近耗尽,很快就该和这种昂贵的奢侈说再见了!根据当前趋势外推,我们应该可以投射出这样一个时代:出版物将不再需要明确陈述定义和命题;相反,我们今后将满足于用代号命名事物,把填空的任务留给不知疲倦而聪明的读者,让他们根据自己的智慧来完成。
第14章 B) 皮埃尔与动机
Chapter 14 B) Pierre and Motives
p. 205 · 第139页
14.1 IV 动机(新生儿的埋葬)
Memory from a dream - or the birth of motives 51
Remarkably, in reading this first publication which marks (twelve years after my departure from the mathematical world) a modest re-entry of the notion of motive into the apparatus of admissible mathematical notions, I could find nothing which would indicate to the uninformed reader that my humble person was involved in any way in the origins of this notion, long considered a taboo. Nor is there any allusion to an authorship of some form behind the development of a rich and precise "yoga", which appears in the article (in piecemeal form) as if it came out of the void.
值得注意的是,在读这本标志着(我离开数学界十二年后)动机概念 modest 地重新进入可容许数学概念装置的第一本出版物时,我找不到任何东西能告知不知情的读者:鄙人以任何方式参与了这个长期被视为禁忌的概念的起源。也没有任何暗示表明,在一种丰富而精确的"瑜伽"的发展背后有某种形式的作者身份——这种瑜伽在文章中(以零碎的形式出现)仿佛是从虚空中出来的。
p. 206 · 第140页
When, just three weeks ago, I laid down my thoughts on the yoga of motives in a page or two, qualifying it as one of the "orphans" whom I held closer to my heart than any other, I must have been sorely mistaken! Surely was I dreaming, when I seemed to remember years of gestation of a vision, tenuous and elusive at first, and growing richer and more precise over the course of the months and the years, as a result of a persistent effort to grasp the common "motive", the common quintessence of which the several cohomology theories known at the time were but various incarnations.
就在三周前,当我在一两页纸上写下我对动机瑜伽的思考,把它说成是我最珍视的"孤儿"之一时,我一定是大错特错了!我一定是在做梦,当我似乎记起一个视野多年的孕育时——起初微弱而难以捉摸,在数月数年的过程中变得越来越丰富和精确,这是一种持续努力去把握共同"动机"的结果,而当时已知的几种上同调理论不过是它的不同化身。
p. 211 · 第143页
The simple act of writing, naming, and of describing - if only to describe elusive intuitions or mere "hunches" reticent about taking concrete form - possesses a creative power. There lies the most important instrument in enacting the passion for knowledge, when the latter is invested into things which can be apprehended by the intellect. In the process of discovery for such matters, this work is the most creative step of all; it always precedes proof and enables it - or rather, without it, the question of "proving" something would not even arise, as nothing pertaining to the heart of the matter would have yet been formulated and seen.
写作、命名和描述的简单行为——哪怕只是描述难以捉摸的直觉或不愿采取具体形式的单纯"预感"——具有一种创造力量。这就是在把对知识的热情投入到可以被理智把握的事物中时,最重要的工具。在这类事物的发现过程中,这项工作是所有步骤中最有创造性的;它总是先于证明并使证明成为可能——或者说,没有它,"证明"某种东西的问题甚至不会出现,因为还没有任何与事情核心相关的东西被表述出来并被看见。
p. 212 · 第144页
The crude scam (which doesn't seem to inconvenience anybody, since it comes from such a prestigious character) consists in outright obfuscating the filiation of a novel and profound notion - that of motive - as well as the rich web of intuitions which I have developed surrounding this notion, under the derisory pretext that the technical approach taken to study this notion (via absolute Hodge cycles instead of algebraic cycles) is (maybe, if the Hodge conjecture is false) different from the one which I had (provisionally) adopted.
这个粗暴的骗局(似乎没有给任何人带来不便,因为它来自如此有声望的人物)在于彻底混淆了一个新颖而深刻的概念——动机——的传承关系,以及我围绕这个概念发展起来的丰富直觉之网,借口是(可笑地)研究这个概念所采取的技术路径(通过绝对Hodge循环而不是代数循环)(也许,如果Hodge猜想是错的话)与我(临时)采用的路径不同。
14.2 V 我的朋友皮埃尔 My friend Pierre
p. 223 · 第151页
I remember (even though I have forgotten so many things!) the ever-renewed pleasure which I took in discussing with the person who had quickly become my confidant on everything which captivated me, as well as each step forward and enchanting discovering in my day-to-day love story with mathematics - and as such he never really was a "student". His perennial receptiveness and the ease with which he learned about each thing ("as if he had always known it...") acted as a constant source of enchantment. He was an ideal listener, moved by the same thirst for understanding as my own - he has an extremely sharp ear, signaling a communion between us.
我记得(即使我已经忘记了这么多事情!)那种不断更新的快乐,我和那个很快成为我一切迷恋之事的知己的人讨论——以及我与数学日常爱情故事中的每一步前进和迷人的发现——因此他从来不是真正的"学生"。他常年的接受力和他学习每样东西的轻松("好像他一直都知道……")充当了一个持续的魔法源泉。他是一个理想的倾听者,被与我自己相同的理解渴望所感动——他有极其敏锐的耳朵,标志着我们之间的一种共融。
p. 224 · 第152页
Ever since we first met, I had felt that his "abilities", as we say, were of a very rare quality, and far exceeded the modest abilities which I myself possessed, even though we were of the same breed when it came to our passion for understanding and our exigency regarding the comprehension of mathematical things. I also sensed, dimly, without yet being able to put my finger on it that this "strength" which I noticed in him (and which I also noticed in myself, although present to a lesser degree) of "seeing" the obvious things which nobody else could see was the faculty of a child as well as the innocence of a child's eyes.
自从我们第一次见面,我就感觉到他的"能力"——正如我们所说——具有非常罕见的品质,远远超过我自己拥有的 modest 能力,尽管在我们对理解的热情和对数学事物理解的严格要求方面,我们是同一类人。我还模糊地感觉到,还不能确切指出,我在他身上注意到的这种"力量"(我在自己身上也注意到了,尽管程度较轻)——"看到"别人看不到的明显事物的力量——既是一个孩子的能力,也是孩子眼睛的纯真。
p. 228 · 第155页
The blossoming I had in mind was to be the fruit of innocence, hungry for knowledge, and always ready to rejoice at the beauty of things both small and large in this inexhaustible world of ours, or in some particular region of this world (such as the vast universe of mathematical things...). Only a blossoming of this kind holds the potential for a profound renewal, being the renewal of oneself or that of one's understanding of things in the world. This potential was fully realized, I believe, in the humble man Riemann. This true blossoming removes one from disdain; be it disdain towards others (whom one feels are far below oneself...) or disdain towards things that are too "small" or too obvious to warrant attention, or which are deemed below one's legitimate expectations; or even disdain for a given dream, which is insistently communicating things which we claim to love... Disdain thereby becomes as foreign as the self-satisfaction which feeds it.
我心中的绽放是纯真的果实,渴望知识,总是准备好在我们这个无尽世界里大大小小事物的美面前欢欣雀跃,或者在这个世界的某个特定区域(比如数学事物的广阔宇宙……)。只有这种绽放才拥有深刻更新的潜力,无论是自我的更新还是对世界事物理解的更新。我相信这种潜力在谦卑的人黎曼身上得到了充分实现。这种真正的绽放使人摆脱轻蔑;无论是对他人的轻蔑(觉得别人远不如自己……),还是对那些太"小"或太明显不值得注意、或被认为低于正当期望的事物的轻蔑;甚至是对某个不断传达着我们声称热爱的事物的梦的轻蔑……轻蔑因此变得像滋养它的自满一样陌生。
p. 229 · 第156页
However, the student cannot surpass the master while simultaneously inwardly disavowing him, secretly laboring towards the suppression of any trace of what he had contributed (whether that contribution had been for the better or the worse...), both from his own eyes and the eyes of others - in the same way that the son cannot truly surpass the father while simultaneously disavowing him. This is something that I have learned mostly through my relationship with my own children, but also (later) through my relationships with certain past students of mine; mostly the one student, among others, whom I had always refrained from calling a "student", having felt since the day we met that I was about to learn from him as much as he would be learning from me.
然而,学生不可能在内心否认老师的同时超越老师——秘密地致力于从自己的眼睛和别人的眼睛中抹去他所贡献的任何痕迹(无论那个贡献是好是坏……)——就像儿子不可能在否认父亲的同时真正超越父亲一样。这是我主要通过与自己孩子的关系学到的东西,也(后来)通过与我的一些过去学生的关系;主要是那个学生,在其他人之中,我一直克制不称他为"学生",因为从我们见面那天起我就感觉到我将从他那里学到的和他将从我这里学到的一样多。
The event 62 · The eviction 63
p. 232 · 第158页
If I felt the need to launch into this retrospective reflection on certain important aspects of this relationship, it is due to the impact of a specific event which hit close to home (even though I am only learning about it two years after the fact). This event is furthermore public information, even more so than the behaviors and routine actions of renowned mathematicians (such as Deligne and myself) towards lesser known or beginner mathematicians (even though the impact of these acts on people's lives is often far greater than in the case at hand).
如果我觉得有必要对这段关系的某些重要方面进行回顾性反思,那是由于一个特定事件的影响,这个事件击中了要害(即使我是在事发两年后才得知的)。这个事件此外还是公共信息,比著名数学家(如德利涅和我)对不太知名或初学者数学家的行为和日常行动更是如此(即使这些行为对人们生活的影响往往比眼前这个例子更大)。
p. 233 · 第159页
Most interesting for the present purposes, is something which only fully appeared to me today, namely that the reader of this article would be given little reason to think that I had something to do with the initial motivation of the main result, and no reason at all to learn what exactly this motivation was.
就目前的目的而言最有趣的是,今天才完全出现在我面前的东西,即这篇文章的读者几乎没有理由认为我与主要结果的初始动机有任何关系,也完全没有理由去了解这个动机究竟是什么。
p. 235 · 第160页
In any event, had I been more mature at the time of my departure from the IHES in 1970, I would have clearly felt the presence of a profound ambivalence towards me, coming from the person who had been my closest friend during the preceding five years. Furthermore, behind the friendly facade of good company inside that same muted institution, the fact was that my departure arranged everybody for reasons which I believe I can perceive in retrospect, and which varied from one person to the next.
无论如何,如果我在1970年离开IHES时更成熟一些,我会清楚地感觉到一种对我的深刻矛盾态度的存在,它来自那个在过去五年里一直是我最亲密朋友的人。此外,在那个同样沉默的机构内部友好陪伴的友好外表背后,事实是我的离开让每个人都各得其所,原因我相信我在回顾中能够察觉到,而且因人而异。
p. 238 · 第162页
With the further hindsight of three weeks' time, I now realize that my desire to show "understanding" towards this "entirely natural" intention to keep his distance was in fact hinting at a lack of clarity, as well as a complacency towards my young and brilliant friend. If I had trusted my perceptive abilities rather than putting on blinders and lying to myself by means of vague clichés parading as "understanding" or even "generosity", I would have realized then what I see now, sixteen years after the fact.
有了三周的后见之明,我现在意识到,我想要对这种"完全自然的"保持距离的意图表现出"理解"的愿望,实际上暗示了一种不清晰,以及对我年轻而聪明的朋友的自满。如果我当时信任我的知觉能力,而不是蒙上眼罩,用伪装成"理解"甚至"慷慨"的模糊陈词滥调来欺骗自己,我当时就会意识到我现在看到的东西——十六年后的东西。
The accomplice 63''' · The investiture 64 · The knot 65
p. 242 · 第165页
It goes without saying that my name is nowhere to be seen in this "Etat 0" of a thesis. One could wonder what I could have possibly had to do with this work: it is well-known that derived categories were introduced by Verdier to allow him to develop the "Poincaré-Verdier duality" of topological spaces, as well as the so-called "Serre-Verdier" duality of analytic spaces, before some unknown author developed a synthesis of the two for him, rightly called "Poincaré-Serre-Verdier duality" (the Unknown Author could not have been less recognized!).
不言而喻,我的名字在这个论文的"Etat 0"中无处可寻。人们可能会想知道我可能与这项工作有什么关系:众所周知,导出范畴是Verdier引入的,以便他发展拓扑空间的"庞加莱-Verdier对偶",以及分析空间的所谓"Serre-Verdier"对偶,然后某个不知名的作者为他发展了两者的综合,恰当地称为"庞加莱-Serre-Verdier对偶"(这个不知名的作者再怎么不被承认也不为过!)。
p. 245 · 第167页
I hereby can see once again, in an extreme and particularly striking case, the heart of a contradiction, far more telling than any other case study. I am referring to the ignorance, the disdain, and the deeply buried doubt surrounding the creative force that resides within our own being - this unique and invaluable inheritance which cannot be transmitted by anyone. It is this ignorance, this insidious alienation of what is most precious, and more rare within us, which makes it so that we could feel envious of the force perceived in an other, and covet for ourselves the fruits and external signs of this force which we have forgotten within ourselves.
我在此可以再次在一个极端而特别引人注目的案例中,看到一个矛盾的核心,远比任何其他案例研究更有说服力。我指的是围绕着存在于我们自身存在中的创造力量的无知、轻蔑和深埋的怀疑——这种独特而无价的遗产是任何人都无法传递的。正是这种无知,这种对我们内心最珍贵、最稀有之物的隐蔽异化,使我们能够嫉妒在他人身上感知到的力量,并为自己觊觎这种力量的果实和外在迹象——而我们已经在自己内心忘记了这种力量。
p. 247 · 第168页
The occasionally disdainful and antagonistic conduct of my friend Pierre towards me was strictly limited to the mathematical and professional level. Our personal relationship remains, to this day, an affectionate and friendly one, punctuated by several delicate gestures which struck me as indicative of genuine sentiments with no ulterior motive.
我的朋友皮埃尔对我的偶尔轻蔑和敌对行为严格局限在数学和专业层面。我们的个人关系至今仍然是亲切友好的,穿插着几个微妙的姿态,我觉得这些姿态表明了没有隐藏动机的真诚情感。
Clean slate 67
p. 249 · 第170页
In trying to learn from the chain of events, I get the feeling that it also was not a coincidence that the first appearance of his disdain and mathematical neglect (towards things that were burning and fertile as his "sane mathematical instinct" must have told him), at least in the context of his relationship to me, occurred right around the publication of the pre-burial volume SGA 4 1/2 five years earlier.
在试图从事件链中学习时,我感觉到,他的轻蔑和数学忽视的首次出现(对那些燃烧而肥沃的事物,正如他"健全的数学直觉"一定告诉他的那样),至少在他与我的关系语境中,发生在五年前那本预备埋葬卷SGA 4 1/2出版前后,这也不是巧合。
第15章 C) 上流社会
Chapter 15 C) High Society
p. 173 · 第173页
15.1 VII 研讨会——或梅布胡特的层与反常性
The Colloquium - or Mebkhout's sheaves and Perversity
The Iniquity or a feeling of return 75 · The prestidigitator 75'' · Perversity 76 · Thumbs up! 77 · The robe of the emperor of China 77' · Encounters from beyond the grave 78 · The victim - or the two silences 78' · The Boss 78'' · My friends 79 · The tome and high society - or moon and green cheese... 80
不义或回归之感 75 · 魔术师 75'' · 反常性 76 · 点赞!77 · 中国皇帝的黄袍 77' · 来自坟墓的相遇 78 · 受害者——或两种沉默 78' · 老板 78'' · 我的朋友们 79 · 巨著与上流社会——或月亮与绿奶酪……80
15.2 VIII 学生——又名老板
VIII The Student - a.k.a. the Boss
Thesis on credit and risk-proof insurance 81 · The right references 82 · The jest, or the "weight complexes" 83
信用论文与防风险保险 81 · 正确的参考文献 82 · 笑话,或"权重复形" 83
15.3 IX 我的学生们
IX My students
p. 175 · 第175页
Silence 84 · Solidarity 85 · Mystification 85' · The defunct 86 · The massacre 87
沉默 84 · 团结 85 · 神秘化 85' · 死者 86 · 屠杀 87
结语
p. 202 · 第202页
They decided to destroy this masterpiece of my work, appropriating the pieces while forgetting the unity which gives them their meaning and beauty, as well as their creative virtue. It is also not a coincidence if, equipped with a motley of tools whilst denying the spirit and vision that brought them into being, they were unable to discern the innovative work which was being reborn in front of their indifferent and disdainful gaze.
他们决定摧毁我这部杰作,appropriating 碎片却忘记了赋予它们意义和美、以及创造美德的统一性。如果说他们配备着一堆杂七杂八的工具,却否认使这些工具诞生的精神和视野,从而无法辨认在他们冷漠而轻蔑的目光面前正在重生的创新工作,这也不是巧合。
Finally, it is not by chance that following Deligne's initial impetus (which led him over the span of a few years toward the start of a new version of Hodge theory and the proof of the Weil conjectures), and despite his astounding abilities as well as my cohomology students' great means, I nowadays witness a "morose stagnation" in their domain, despite its prodigious richness and the multitude of things yet to be done.
最后,在德利涅的最初推动力之后(这在几年时间里引导他走向Hodge理论新版本的开端和韦伊猜想的证明),尽管他有着惊人的能力以及我的上同调学生们的巨大手段,我如今却在他们的领域目睹了一种"忧郁的停滞",尽管这个领域有着惊人的丰富性和大量尚待完成的事情,这也不是偶然。

—— 全文翻译完成 ——

亚历山大·格罗滕迪克《收获与播种》中英对照版

全书202页,翻译基于英文版本,保留专业术语原文